The Dicks , tho' I never cared for 'em much , were anything but racist. Tho' I did hear some White Power music fans say The Dicks were White Power because they wore Klan robes , which was a joke , of course. Don't think the KKK would've been to thrilled to have a Gay Cross - dresser as a supporter. I did'nt know how to bring it up , but there are , of course , several songs that SOUND like they contain the "N" WORD. "Good Guys Don't Wear White" by The Standells. My friend who was in HS when that  came out said EVERYONE thought  they said that...I thought "In The Middle of The Night" by MADNESS WAS ABOUT A NATIONAL FRONT - TYPE , BUT, LATER REALIZED HE WAS SAYING " Nicker(s)" , something we don't say in the states , meaning underwear....It's an "Arnold Layne" type story.HA HA HA.
 
RJFait said:

This is funny. Other that "don't need a cure" I can't imagine anyone actually thinking any of these are the correct lyrics. I had a friend who thought "Kind of a Drag" was an advert for ginger ale. "Canada Dry, when your baby don't love you." I've known quite a few people who that The Dicks were racist because they heard one letter different in "I hate cops, they're all fucking piggers." The first time I saw "The Wall" I misheard "Digger" and thought, "What a horrible name for a dog... and it's not even black."

This is funny. Other that "don't need a cure" I can't imagine anyone actually thinking any of these are the correct lyrics. I had a friend who thought "Kind of a Drag" was an advert for ginger ale. "Canada Dry, when your baby don't love you." I've known quite a few people who that The Dicks were racist because they heard one letter different in "I hate cops, they're all fucking piggers." The first time I saw "The Wall" I misheard "Digger" and thought, "What a horrible name for a dog... and it's not even black."

Don , I don't know where "Handjob" came from (Tho' rumor had it "Juju Hand" was  about hand jobs.). Do you mean where he said 'Hattie told Mattie"..... I heard "I wanna Hold Your Hand " as "I get high", or , rather , a clever way to make it SOUND like that. Of course , a year later , "It's Only Love"said "I get High when I see you go by"....

We used to laughour asses off to (sic) "Gie Liebe Dicht" , or "She Loves You" in German. "She Lick Dick , YEAH ! YEAH ! YEAH !".
 
Don said:

The other threads got me thinking Beatles. The sheet music to I Want to Hold Your Hand says "Its such a feeling that my love, I can't hide."  I always hear (to this day) "I get high."

And no band of the sixties would do Wooly Bully without screamin out "hand job."  What Sam really cried out I have no idea.

:)

-Don

I like the stones music better...

Here is the actual excerpt from Lemmy's bio book.  

And I can vouch that the softest feller in Liverpool is prolly gonna split the melon of most Londoners (except in east London)

I heard a fast, rough demo of Queen's "We Will Rock You" about a dozen years ago... the first few notes fooled me into thinking I was about to hear the Weirdos epic "It Means Nothing" (before ya troll that comment, give it a listen on my page) 
http://garagepunk.ning.com/profile/ElKabong

I almost shat my britches, thinking I was gonna hear a lost Weirdos demo on a major FM station?!

As you can hear...the intro guitar is nearly a dead nuts match to the Weirdos tune:


Anyhow, it is a smoking cool tune and tho rough...is a rock and roll gem.  I had to run it down.  Took me about three years to find it on a giveaway CD from the UK Sun newspaper 

This is what it looks like: 
http://www.discogs.com/Queen-We-Will-Rock-You/release/2366920

Bobo!

Bobby said:

Stiv Bators

Alright, I'm going to have to back out of this now because people are just saying stupid shit that absolutely no basis in reality. If you're not going to bother reading a thread, you really shouldn't comment on it.
Time For Tiffin said:

EH?

That's your logic not Rockin' Rod's.

They were also influenced by Buddy Holly.If he stated he was influenced by his grandad would that mean by "your logic" The Beatles were influenced by Buddy Hollys grandad!!!

DOG DIRT!!!

RJFait said:

Absolutey. Everybody said they were influenced by The Beatles (they were completey inundated with them, how could they not be). They all (including The Beatles) said Elvis influenced them. Elvis claimed gospel as his biggest influence. So by Rockin' Rod's logic, garage and/or psych music never could have happened without... gospel? (bullshit sneeze) There were enough influences bouncing all around that by removing any one of them, (even the damned Beatles) the end product would have no discernible difference. But if you took away all the numerous influence on any one band (including the damned Beatles) that one band would be very different.

Don said:

But isn't it true that all music cross pollinates? Who are my influences? Some I can name but most I cannot.

Stealing a song or an arrangement without giving credit is one thing, but the rest of this IMO is mostly sour grapes.

Don't want to have anyone influenced by your music? Play in your room with the door shut.

-don

I think the statement referring to me had more to do with psychedelic music not existing without Gospel.  The kind of psychedelia that Pink Floyd did could very well exist without Gospel music but I don't think anything out of Texas WOULD.  Take away Soul music and you really don't have a Thirteenth Floor Elevators getting together and creating what they did.  Pretty much, I think all sorts of Church music has to exist including that of the middle ages even for the Swinging London psych scene.

Time For Tiffin said:

EH?

That's your logic not Rockin' Rod's.

They were also influenced by Buddy Holly.If he stated he was influenced by his grandad would that mean by "your logic" The Beatles were influenced by Buddy Hollys grandad!!!

DOG DIRT!!!

RJFait said:

Absolutey. Everybody said they were influenced by The Beatles (they were completey inundated with them, how could they not be). They all (including The Beatles) said Elvis influenced them. Elvis claimed gospel as his biggest influence. So by Rockin' Rod's logic, garage and/or psych music never could have happened without... gospel? (bullshit sneeze) There were enough influences bouncing all around that by removing any one of them, (even the damned Beatles) the end product would have no discernible difference. But if you took away all the numerous influence on any one band (including the damned Beatles) that one band would be very different.

Don said:

But isn't it true that all music cross pollinates? Who are my influences? Some I can name but most I cannot.

Stealing a song or an arrangement without giving credit is one thing, but the rest of this IMO is mostly sour grapes.

Don't want to have anyone influenced by your music? Play in your room with the door shut.

-don

Yep, and also, I Like It Like That.
 
matthew rosedon said:

As recorded by Gerry & the Pacemakers?

G. Wood said:

I like it.

Don said:

"Yeah, but do you like it?"  :D

-don

As recorded by Gerry & the Pacemakers?

G. Wood said:

I like it.

Don said:

"Yeah, but do you like it?"  :D

-don

I like it.

Don said:

"Yeah, but do you like it?"  :D

-don

There is no end to the Game of Influences.  We are all seven steps from everybody. Our twelve note scale goes back to Pythagoras (died 475 BC) and most all of us use the well tempered version which is dated to near the end of the High Baroque (roughly 1750 AD).

Some years ago I played a song I had written for an older gentleman -- a friend of my parents in a retirement community in Florida. He listened, complimented it, and said that it had Indian influences. He'd heard it in the tonality -- something that I, a sitarist, had not. To me it was a totally western composition. The influence was there, inside me.

And just this past week Mike Stax reviewed The Abstracts "Hey, Let's Go Now" album for Ugly Things and referred to one the of songs, "Without Her", as a "surf-tinged rocker." Without Her "surf-tinged"? Yes!  He was correct - and once MS pointed it out I knew just why and how it was so. It was in my own use of muted strings working against the drums. 

By the time "Without Her," a Bonime/Knight original, was added to The Abstracts' repertoire I was totally out of "surf" - or at least I thought I was. But years of playing it (My love for guitar started with the Ventures) meant that it was not out of me. Nor out of Al Karp, my long term partner in musical crime.

And so this discussion, while sometimes annoying, and sometimes eye-opening, is by necessity endless if we really want to get to the roots of The Beatle's (or anyone else's) music. Which leaves me personally back where I always am when I discuss these things...

"Yeah, but do you like it?"  :D

-don

Everyone's influenced by someome. But some people are innovative enough to create something new from their influences, to rise far above them. When this new thing resonates with enough people, it may be enough to change the world. Thus, maybe we can't really go back two steps and say that Buddy's grandad did anything to The Beatles or anyone after them.

Just a thought, go ahead and shoot holes in it.

EH?

That's your logic not Rockin' Rod's.

They were also influenced by Buddy Holly.If he stated he was influenced by his grandad would that mean by "your logic" The Beatles were influenced by Buddy Hollys grandad!!!

DOG DIRT!!!

RJFait said:

Absolutey. Everybody said they were influenced by The Beatles (they were completey inundated with them, how could they not be). They all (including The Beatles) said Elvis influenced them. Elvis claimed gospel as his biggest influence. So by Rockin' Rod's logic, garage and/or psych music never could have happened without... gospel? (bullshit sneeze) There were enough influences bouncing all around that by removing any one of them, (even the damned Beatles) the end product would have no discernible difference. But if you took away all the numerous influence on any one band (including the damned Beatles) that one band would be very different.

Don said:

But isn't it true that all music cross pollinates? Who are my influences? Some I can name but most I cannot.

Stealing a song or an arrangement without giving credit is one thing, but the rest of this IMO is mostly sour grapes.

Don't want to have anyone influenced by your music? Play in your room with the door shut.

-don

Absolutey. Everybody said they were influenced by The Beatles (they were completey inundated with them, how could they not be). They all (including The Beatles) said Elvis influenced them. Elvis claimed gospel as his biggest influence. So by Rockin' Rod's logic, garage and/or psych music never could have happened without... gospel? (bullshit sneeze) There were enough influences bouncing all around that by removing any one of them, (even the damned Beatles) the end product would have no discernible difference. But if you took away all the numerous influence on any one band (including the damned Beatles) that one band would be very different.

Don said:

But isn't it true that all music cross pollinates? Who are my influences? Some I can name but most I cannot.

Stealing a song or an arrangement without giving credit is one thing, but the rest of this IMO is mostly sour grapes.

Don't want to have anyone influenced by your music? Play in your room with the door shut.

-don

But isn't it true that all music cross pollinates? Who are my influences? Some I can name but most I cannot.

The first thing I generally play when I pick up a guitar is a certain rhythm I use when playing I've Got My Mojo Working. I know just where and when I learned that rhythm -- it was from Chris Zaloom the summer I played with him in the Brave Maggots. But the way I use it -- the arrangement of the song -- is almost if not totally my own.  If I was to record it would I be expected to give Chris credit? Not formally, but when I talk about my influences his is certainly a name I mention.

Stealing a song or an arrangement without giving credit is one thing, but the rest of this IMO is mostly sour grapes and/or a game not too different from pin the tail on the donkey.

Don't want to have anyone influenced by your music? Play in your room with the door shut.

-don

Well, a little false and a little true.  VEry true in terms of Pink Floyd and whatever else was going on in "Swingin'" London.  But i don't believe it for anything leading up to Rubber Soul.  Anything you heard on that record, you already heard on other records by other people.  Dylan, the Byrds, Lovin' Spoonful, Stones, Kinks, Yardbirds....they beat the Beatles to the punch that year.  Revolver and Sgt. Pepper is probably the only time they were able to take in anything that influenced them and release it before anybody had a chance to.  As far as Donovan is concerned though, if that's in reference to him teaching Lennon his picking style on guitar while in India, that's his own fault.  I really can't recall any Donovan records from '68 that he played anything that influenced Dear Prudence or other White album songs.  They also took forever to record that album (in terms of 60s studio time) and it had less going on than Sgt. Pepper.  Donovan had plenty of time to release an album before the Beatles could get one out.  In fact I think he did.  Hurdy Gurdy Man came out much earlier in 1968.

RJFait said:

That last line is absolutely true but probably not merely a money thing. In the last 10 years, McCartney has started coming clean about a lot of stuff. Not only is Lucy in the Sky about LSD, but they also heard the Floyd in the room next door at Apple, and re-wrote Point Me at the Sky into the Lucy melody line. 

Rockin Rod Strychnine said:

I think that last line you wrote was a little false.  Maybe in terms of Hendrix, Cream and Pink Floyd (and a lot of the lesser known bands like Creation) did they get a "psychedelic" record like REVOLVER released before the public heard of those bands that were playing London clubs.  But most of the influences that creeped onto earlier albums came from stuff the Beatles heard on records.  A lot of people just didn't purchase those records until after hearing a Beatles record or could even find them due to not having the distribution that EMI and Capitol had.  Donovan can believe what he wants.  He HAD corporate backing.  His label was just slower in releasing his stuff. 

Thane Cesar said:

Also people forget that because of the corporate backing they had, they could absorb influences into their music, record and release them, before the people who influenced them could release their own records (just ask Donovan).

That last line is absolutely true but probably not merely a money thing. In the last 10 years, McCartney has started coming clean about a lot of stuff. Not only is Lucy in the Sky about LSD, but they also heard the Floyd in the room next door at Apple, and re-wrote Point Me at the Sky into the Lucy melody line. 

Rockin Rod Strychnine said:

I think that last line you wrote was a little false.  Maybe in terms of Hendrix, Cream and Pink Floyd (and a lot of the lesser known bands like Creation) did they get a "psychedelic" record like REVOLVER released before the public heard of those bands that were playing London clubs.  But most of the influences that creeped onto earlier albums came from stuff the Beatles heard on records.  A lot of people just didn't purchase those records until after hearing a Beatles record or could even find them due to not having the distribution that EMI and Capitol had.  Donovan can believe what he wants.  He HAD corporate backing.  His label was just slower in releasing his stuff. 

Thane Cesar said:

Also people forget that because of the corporate backing they had, they could absorb influences into their music, record and release them, before the people who influenced them could release their own records (just ask Donovan).

I think that last line you wrote was a little false.  Maybe in terms of Hendrix, Cream and Pink Floyd (and a lot of the lesser known bands like Creation) did they get a "psychedelic" record like REVOLVER released before the public heard of those bands that were playing London clubs.  But most of the influences that creeped onto earlier albums came from stuff the Beatles heard on records.  A lot of people just didn't purchase those records until after hearing a Beatles record or could even find them due to not having the distribution that EMI and Capitol had.  Donovan can believe what he wants.  He HAD corporate backing.  His label was just slower in releasing his stuff. 

Thane Cesar said:

Also people forget that because of the corporate backing they had, they could absorb influences into their music, record and release them, before the people who influenced them could release their own records (just ask Donovan).

I'll be doing an abbreviated radio show on Saturday May 19th  from 1:00-2:30PM EST.  You can listen at 89.7 WITR-FM in Rochester, NY or streaming live at http://witr.eit.edu

Show #374: "Friday & Saturday Songs"

Every 3 weeks I leave an open slot to do random themes and whatnot. This week's theme is "Friday & Saturday Songs". As of May 20th it'll be seven years since The Metaphysical Circus switched from Sunday night to Friday Night, and I'm celebrating by playing all songs about Friday and Saturday (since the show runs til 1am on Saturday morning). I've excluded all songs about Saturday night because; 1. there's too many, and 2. the show has never aired on a Saturday night. So tune in tonight at 10pm for all sorts of great songs about Friday and Saturday of the 60's and 70's, by bands and artists like: Genesis, King Crimson, The Turtles, The Sons Of Adam, Fickle Pickle, Them, Majority One, David Bowie, The Pretty Things, Chicago, Nick Drake, The Second Helping, Van Morrison, Nancy Sinatra, Steely Dan, The Walker Brothers, Funkadelic, Groep 1850, The Monkees, Mott The Hoople, The Outsiders, Atomic Rooster, The Easybeats, The Sandpipers, Keith West, and many others!!!

***To stream The Metaphysical Circus live via the web click this link: http://portsmouthcommunityradio.org/listen ... to listen to past shows, view playlists and more, fan the show on facebook: http://www.facebook.com/pages/The-Metap ... 50?sk=wall … or check out my website (to be updated someday): http://eggmanrulez.com/
Live every Friday night at 10pm to 1am EST on WSCA-LP 106.1 FM, Portsmouth Community Radio!

Watch my playlist unravel before your eyes LIVE here: http://wscafm.radioactivity.fm/

Egg

The music I play now is more mature, because I'm more mature, but no less Rock 'n' Roll. And if maturity had moved me in a completely different direction (shiver) I guess I'd have to go that way. But, there's an old saying in the punk rock community that a very much stand by: "If you're not now, you never were".

Playlist May17/2012.....Live In London Ontario

An all live show comprised of various live recordings at various venues from sleepy London Ontario. Some of the sound quality may not be the greatest, as many of this week's tunes will be from the original cassette tapes done many years ago....enjoy and go out and see some live music here in sleepy London Ontario.

1. Dark Carnival....Ain't Nothin' To Do....recorded live at Call The Office 10/12/90 and features Stooges Ron Ashton and Scott 'Rock Action' Ashton along with our fave diva, Niagara on the screeches. It was a great show and we got to hang out with Ron Ashton afterwards...an interview appeared in What Wave zine as well as some major cool pics (see below and drool) of the band. And we got to tell them who originally did 'My Best Bette' (Mr Kenne Highland) as they had found the song on a compilation tape and loved it so much they covered it at the show, yet had no idea who did the song.

2. catl....Church On Sunday....recorded live at Call The Office 3/16/12.

3. Hi-Tones...That's Alright Mama....recorded live at The Spoke 1/13/12 as part of CHRW's Wired Fridays.

4. Lucky 7....Rock'n'Roll Radio....recorded at Call The Office 2/23/89. This combo played at many clubs here in London...The Firehall, Leadbellys and probably Mingles. They came from NYC and featured Barry Ryan on the guitar, presently Robert Gordon's touring guitarist as well as a member of late 70's NYC punk combo, The Victims. Also in the band, on accordion, keys and vocals was Kenny Margolis, famous NYC studio cat who was also a member of Mink DeVille's legendary band...as well as currently being in Cracker.

5. Ronnie Dawson...Rockin' Bones....recorded live at Leadbellys 3/23/89...The Blonde Bomber from Texas did a 2 night stint here in London, I went one night and Rena went the next...and a FUCKING AMAZING show both nights!!! This particular song was a request from yours truly as he cut the original version that The Cramps borrowed. Really cool guy who signed many of my records and had a smile on his face the whole show!!

6. Ronnie Dawson....Congratulations To Me...recorded live at Leadbellys 3/24/89...a double shot of the Blonde Bomber!!!

7. Blood On The Saddle...Let's Have A Party....recorded live at Key West 12/17/86 in front of a small crowd. Singer Annette (original member of The Bangles) wasn't in the best of moods for this show, but MAN can she belt out a tune!!

8. Uranus....Uranium Rock....recorded at The Embassy 3/22/82 and broadcast over CHRW. We had guitarist Jack on a coupla weeks back for the 30th anniversary of this broadcast to talk about those days. And that's Uranus in the pic below.

9. The Fleshtones....Hexbreaker...recorded live at Call The Office 11/22/90 and we started upstairs in the dressing rooms and marched down the stairs with the band as they liked to start the party upstairs and bring it onto the stage. Possibly the most fun band in the entire universe!! You can read all about them in Sweat, by Joe Bonomo as he gives this legendary combo their just tribute in print.

10. Chesterfield Kings...Loose Lip Sync Ship...recorded live at Bullwinkles 5/29/86 and the only time these guys ever came to London.

11. The Fuzztones...Cinderella...recorded live at Key West 4/5/87 to a hot sweaty packed crowd. I was right up front with Psychedelic Pete, mere inches away from Rudi and the boys as they ripped through their set. We didn't find out till many years later, the bass player was none other than John Carlucci (of The Speedies) and presently in The Beat Killers, a killer combo who are in Europe right now. And below is a pic of how close we were to a sweaty Rudi....we won't talk about the underage that Rudi left with that night...

12. The Gruesomes....I'm A Bloodhound...recorded live at Key West 1/11/87. This was the first time we brought these kids into London, and it being a sunday night in January, we were a little concerned that no one would show up. But, the joint was packed and rockin' as Gruesomania had hit London and the boys were well recieved! Think they stayed for several days at our place after this show as we had lots of cartoons, junk food and videos for the boys to enjoy! The first of many many visits by The Gruesomes to this town and our place.

13. Light Bulb Alley....Money....recorded live at Call The Office 5/4/12 and these guys are now labelmates of The Gruesomes on Ricochet Sound from Montreal.

14. Bad Bad Bad....Fucked Up...recorded live at The Black Shire Pub 3/29/12 right after they came to visit us live on Radio What Wave....way cool 2 piece from Halifax!

15. Light Bulb Alley...Pepper Spray...recorded live at Call The Office 5/4/12 and this song is on the latest garagepunk hideout download, We Love Trash.

16. Das Furlines...Boys Are Boys....recorded live at Call The Office 6/5/86. Das Furlines were an all female combo from NYC who were basically a tribute to The Monks, the German band of X-US Army GI's from 1966. One of the wildest shows that involved total crowd participation and the conch!! You hadda be there!! This combo featured Fuzztone keyboard player Deb O'Nair as well as NYC crazy woman, Wendy Wild. And, this was the only time the band was recorded live...right here in sleepy London Ontario!! This was well before their appearance in People magazine and their bogus entry in the 1995 Rolling Stone Record Guide which had them coming from the Black Forest of Germany and releasing many many records. Nope, just a coupla compilation appearances.

17. Link Protrudi and The Jaymen....The Stroll...recorded live at Key West 9/25/86. Essentially The Fuzztones doing all instros ala Link Wray....

18. Boy From Nowhere....Lift Up Your Hood....recorded live at The Brunswick, probably early 90's. With a nice little intro regaling the finer points of The Brunswick Hotel, situated in downtown London, conveniently located across from the bus terminal. A demonic version of DMZ's tune done with sledgehammers to the head! Indeed, The Boy could rock with the best. Bassist Brian Young is currently a member of The Canadian Lyres touring band....they back up Monoman when he hops the border into Canada.

19. UIC....Cropdusting....recorded live at Call The Office 3/16/85. There's also a youtube of this song (as well as others from the same show) which features a bunch of youngsters dancing around like fools, self included! And yes, i still dance like a fool 27 years later! Below is Murray beating the living daylights out of his kit in front of the UIC flag!

20. The Diodes...Time Damage...recorded live at Call The Office 11/18/11. The second time the re-united Diodes have come to London and both times, excellent shows!!

21. The Hook Up....65 Has No Blues....recorded live at The Spoke 11/25/11 as part of CHRW's Wired Fridays.

22. The Fine Print...Remember....recorded live at Brennan's Beer Bistro 11/5/11. A GREAT local combo who don't play out enough.

23. Shadowy Men On A Shadowy Planet....Who's Afraid of Alison Hymer/Having An Average Weekend....recorded live at Call The Office 7/17/86. First ever appearance by this now legendary combo to London....a very typical London crowd...maybe 10 people out to see them. Listen to the lack of applause after Average, that's just me clapping. Luckily for sleepy London, this trio came back many times and packed the house!!

Outta time but only the tip of the iceberg for live recordings from London Ontario...hope you enjoyed the show. Thanx for all the phone-ins, emails, facebook comments etc! This one was a blast to prep, as i went through a ton of tapes, some that i was hoping to use didn't have the greatest sound quality and hence, were nicked from the show.

Back atcha next week with a bunch of new stuff and as always, some surprises!

Here's a link to the podcasts that are up for one week only:

http://chrwradio.com/podcasts/94-9CHRWThu1800.mp3

http://chrwradio.com/podcasts/94-9CHRWThu1830.mp3

http://chrwradio.com/podcasts/94-9CHRWThu1900.mp3

Bon has a lot of integrity , tho' I have'nt seen her site in some time.

People sucking money out of people  who don't have it , that's Rock'n'Roll.

You'll find that even some of the biggest names have been raped by shysters in the past (Notice the deafening silence that fell with Allen Klein's demise?).

But , these creeps want to make an example of Bon Von Wheelie and others like her , burn 'em at the stake....Or , just burn them.

Bon , you must NOT be a witch. Yours is the righteous path covered in stones , busted glass , and rare Garage 45s, smashed and shattered into unplayability.  But , we believe you'll win.