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    • February 17, 2011 6:18 PM CST


    • WolfBoy Slim said:

      i hear  "a to z audio" in cleveland has ok prices, and that theyre easy to talk down
      Thanks! I'll check into that.

    • February 17, 2011 5:38 PM CST
    •  220 Short is in the process of recording a new album. We have been looking at Discmakers' CD Replication packages, but feel that we could find a better deal elsewhere. Any suggestions?

    • February 17, 2011 8:27 AM CST
    • Everything by the Saints.
      "Radios Appear" by Radio Birdman
      "Young Loud and Snotty" by the Dead Boys
      "LAMF" the Heartbreakers
      "Blank Generation" Richard Hell and the Voidoids.
      "Los Angeles" by X
      "We've Got the Nutron Bomb" by Weirdos.
      "Group Sex" by Circle Jerks

      Great thread! And I'm new by the way. Hi!


      Divaluxe

    • February 16, 2011 6:04 AM CST
    • RADIO BIRDMAN THE FIRST ALBOUM IS THE GREATEST!!!

    • February 16, 2011 12:48 PM CST
    • Man, what a serious shame.

      RIP

    • February 16, 2011 12:35 PM CST
    • This is such tragic, shocking news.  I first heard of Ricky Kulwicki in high school; his younger sister went to school with us, and his band the Frantix was the only thing close to real punk rock that we felt we had in 1980's suburban wasteland of Aurora CO.  He was so dreamy, so sweet, and such a rocker.  And he was practically ONE OF OUR OWN, so I followed everything he did.  I am who I am in part because of him.  I had the good fortune to call him a friend.  He was an amazing man, rocker, guitar player, father, and friend.  R.I.P. Ricky, you made the world a better place.





    • February 16, 2011 7:52 AM CST
    • I'm looking forward to your comments:)

      sleazy said:

      I'm planning to get the book in the near future :):)

    • February 16, 2011 6:33 AM CST
    • how could i dowload this, please??.....could help me anyone?

    • February 16, 2011 4:34 AM CST
    • Do the live radio! It's all good experience whichever way you look at it. If you get confidence and some presenting skills out of it, it will help with your podcasting anyway.

    • February 15, 2011 11:52 PM CST
    • Fuck yeah! Mean Jeans are awesome. I just saw them at the Slabtown Bender. Hell of a show.

      Charlie V. said:

      the mean jeans from portland

    • February 15, 2011 5:54 PM CST
    • the mean jeans from portland

    • February 15, 2011 1:51 PM CST
    • I'm diggin these guys called Night Beats from Seattle. Heavy Psychedelic.

    • February 15, 2011 7:52 PM CST
    • I tend to write by myself(more out of necessity right now, as I'm without a band, but even with a band), work out a couple of riffs, then dip into a big book I have with half-written lyrics and figure out which ones will go with what. It's a bit of a painstaking process, but it usually works to get the start of a couple of good songs.

    • February 15, 2011 4:28 PM CST
    • I like your tunes.  the guitar sinds nice n' fuzzy on Do It  I'm all antsy to record now!  I got a Tascam 4 track for christmas and some new tapes in the mail yesterday.  and I'm on vacation...gonna make some solo stuff  guitar and vocals.

      Audio Kings of the third world said:

      We usually write as a band. Either I will have most of the music in my head already or I'll have a couple riffs that I have been working on and we will play one over and over until the singer starts to find his words. Once we have a verse or two then we try to make some changes. Organize and mapping comes next. Then we usually record it so we can listen and come up with more ideas. The song on my page Do it is the rough recording about ten minutes in. I had an Idea of changing the chords in the chorus after the second verse. Probable after listening to a bunch of early Sonic Youth. We are about to re record it with a drum track that I just finished. Let me know what you think.

    • February 15, 2011 4:26 PM CST
    • we started out that way about nine years ago.  wish we could recreate that!!!

      The Desperate Twisters said:

      Method ??? Writing ???

      Well, we usually just get real drunk and wild then play fast and loose 'til we fall !!!

      But I guess we're just a bunch of exotic unable snotty punks, not musicians...

    • February 15, 2011 4:21 PM CST
    • Method ??? Writing ???

      Well, we usually just get real drunk and wild then play fast and loose 'til we fall !!!

      But I guess we're just a bunch of exotic unable snotty punks, not musicians...

    • February 15, 2011 7:49 PM CST
    • Yeah..tube amps are a strange beast when you are used to solid states. Just understand this. Wattage is going to be lower on them. 50 watts on a tube amp is louder than 100 watts on a solid state amp. 50-60 watts will be more than you will ever need. Actually, if you like dirty/overdriven tone, a 30 watt tube amp will be awesome. The louder the clean channel goes, the more the tubes saturate and give you natural overdrive/distortion. The higher the wattage, the higher you can turn them without them breaking up.

       

      As far as the Peavey and Crates go. The crates are no longer produced. You can find them on ebay very easily. The peaveys are still made but the cost is out of your range for the new ones. Used, you can find them in your range on ebay on average.

       

       

    • February 15, 2011 7:38 PM CST
    • Yeah Im gonna go check out those peavey and crate amps for sure. Its all tubes all day. That fake electronic shit sucks !

      This guy tryed to sell me some line 6 piece of shit and I just looked at him and i said "Would you play that little electronic shit? Or would you play through tubes for a real sound?"

       

    • February 15, 2011 7:46 PM CST
    • Well, the harmonica was coming through, just wasn't working when I ran it through an effect pedal with a second cable running from the pedal to the amp. We'll see how it works now though, I've got a vintage harmonica mic and now I just need an XLR to 1/4 converter to actually connect it(it'll be a little while, I just lost my job) to the amp.

    • February 15, 2011 1:40 PM CST
    • Im using a shure 58 to record harmonica and everything else, and the harmonica came out fine, although my music isnt very heavy on harmonica at all. If it was Id think the money was better spent in the amp than the mic, but whenever ive seen harmonica players who just play that, they tend to have a fancy retro mic of some kind. As for me I just make sure the recording level is good(around -3)and it comes out fine for a folky sound. If you want that gritty distorted sound like old blues you probably want a small tube amp to run it through ideally. Something should be coming out of your bass amp though, try it with a different instrument and cable to check it.