dancing with mr. d- a little darker than most of their stuff- just is a great song- different!

HUUUMMM Imust play " I Wanna Be Your Man " on my show... Mole said:

"Have You Seen Your Mother Baby, Standing In The Shadow?" - a glorious cacophony of compressed sound, hurtling along like a runaway train! Dig that gnarly wah-wah intro and Jagger's ultra-sardonic vocal. "I Wanna Be Your Man" probably a close second, probably the most chaotic, distorted track released in the UK at that point [late '63]. If THAT ain't punk rock, I don't know what is!!!!

"Have You Seen Your Mother Baby, Standing In The Shadow?" - a glorious cacophony of compressed sound, hurtling along like a runaway train! Dig that gnarly wah-wah intro and Jagger's ultra-sardonic vocal. "I Wanna Be Your Man" probably a close second, probably the most chaotic, distorted track released in the UK at that point [late '63]. If THAT ain't punk rock, I don't know what is!!!!

I love the older stuff, so my favourites are gonna be 'Down Home Girl' and 'Off The Hook'...

Thought it over and I decided to go ahead and add them. I listened to a lot of the other casts and figured if they haven't got caught all these years, chances are I won't either. Thanks for all the help!

kopper said:

No, that would be the least they could do (IF they want to go after you). The *worst* they could do is sue you for copyright infringement. Fashdad Ogrimlachek said:

Thanks for the info. I figure the Monks and Sonics songs won't be that heavily protected. I guess the worst they would probably do is take it down.

No, that would be the least they could do (IF they want to go after you). The *worst* they could do is sue you for copyright infringement. Fashdad Ogrimlachek said:

Thanks for the info. I figure the Monks and Sonics songs won't be that heavily protected. I guess the worst they would probably do is take it down.

Thanks for the info. I figure the Monks and Sonics songs won't be that heavily protected. I guess the worst they would probably do is take it down.

You're from Macedonia, so the swine out there might or might not be too bothered by uploading as they are in other countries. In Germany uploading can lead to a shit load of trouble; and I'm talking about 1400 euro fines.

'No No No' isn't my favorite, but to each his own (; BFTG is a MUST MUST MUST have! All garage.. 'noisy and unpsychedelic'! Probably my favorite series. The volumes of the Quagmire series are bitchin' too, especially the first one. Also try some 'Psychedelic States' comps.. Alabama vol. 2 and Mississippi are the best I think! Morgan was right about the TS comps--a lot of the songs are just filler, but my favorite is vol. 4 ('I'm a No-Count!'). 'Get Lost #3' is real raw, but I don't think there are other volumes.. 'Lost Generation vol. 2' is the better of the installments. Trash Box is GREAT and if you ask me, the crappy quality is what MAKES it great. All the 'Garage Beat' volumes have some absolutely amazing songs, but most of them can be found on other comps. And of course, OF COURSE, 'Fort Worth Teen Scene' vols. 1, 2, and 3! And if we're talking about single-volume comps, 'Hang It Out To Dry!' is one of my absolute favorites ever, as well as 'Total Raunch'. 'Searchin' in the Wilderness' is a comp of faaar out European garage. 'Scum of the Earth' is one side of crazy garage and one side of crazy junk.. but it's all good save for a track or two :p Okay I'll try to contain myself from anything further & let other people answer (; but those are my favorites!

The Pebbles trash box (though they sound like sh*t quality wise) have many gems that I don't think are comped anyplace else. Many comps have a few fantastic tracks and a lot of mediocre ones in my opinion. Like if you could take The Girls In The Garage or the Fuzz Flaykes & Shakes and narrow all the best songs down to just one CD you'd have an absolutely amazing and essential comp. Outside the ones you mentioned I rarely find one that has more than a few songs that are truly indispensable. The two glaring exceptions are Teenage Shutdown ~ The World Aint Round It's Square and Teenage Jangler Blowout. Those were the first two garage comps I ever bought and after listening to the rest of the TS series I realized that I had just by accident picked out the best two! IMHO

The Petty comp has The Morfomen! They were from Santa Fe. I know the leader, Dave Rarek.

Thanks do you, I decided to keep my 60s Garage and Psych LP collection and best of all, I even decided to buy new records on CD, something I haven´t done in a long time. Going through my records and CDs I browsed through all these Mindrockers, GPUs, Pebbles, Nuggets, Boulders and and and and was wondering what´s your favorite one.
In the beginning mine was Pebbles, then later on Back from the Grave and Garage Punk Unknowns,....today...I can´t decide anymore...but some I can hear over and over again, are "No No No: 28 Moody, Somber and Tragic '60s Garage Rock Sagas" from Arf! Arf! Records and "Now hear this: Garage and Beats from the Norman Petty Vaults" from Big Beat. But there are so many more...

Yeah, this came out, what, last year sometime? I'm embarrassed to say I completely forgot to buy this one, though. Thanks for the reminder! Also, two unreleased Revelators tunes are available on the Landlocked & Loaded! comp. on TIRC Records. Download 'em here: http://www.troubleinrivercity.com/releases/va-landlocked-loaded-cd-tirc-001/

It's a Killer LP!!! Really glad that Crypt was finally able to get it out!

...that didn't know about the release of the second Revelators album?
I was going through iTunes, looking for stuff, and I figured I'd take a shot at looking for We Told You Not To Cross Us... even though I have the CD. I found The Beguiled's Blue Dirge, so I knew there were some Crypt releases in the digital realm. I came across selections by a very different set of Revelators...and one album cover that caught my eye:

Punk rock!

48 years ago tonight, three Ravens - Steve Blodgett, Brian Lyford and Peter Young - broke into the Stowe Community Church in Vermont, playing a rock n roll LP over the steeple PA... it could be heard 8 miles away... all three members went to jail, effectively breaking up the band...

listen and download for free the 45s they'd recorded over the previous months at www.myspace.com/miketheravens

I assume you mean Buchanan and Goodman- Flying Saucers Part 1& 2

I know that I have this here somewhere among my thousands of records and CDs, but I can't really find it because I can't recall the title.

I've started a new list over at eMusic: SWT's Rockabilly Riot.

It includes rockabilly and psychobilly stuff I've downloaded there over the years.

Check it out http://www.emusic.com/profile/list.html?lid=45236840&p=

And I just updated my SWT's Garage Punk list of stuff I've downloaded there too

http://www.emusic.com/profile/lists/showlist.html?nickname=Robotclaw&lid=35297401&p=

I am using a schecter ultra III thro a boss me 70 into a hughes and kettner edition blue(the best thing about this amp is it has a cool BLUE backlight on the control panel !! its quite a simple setup but it works for me at the moment .I want a peavey wiggy !! and some more ultras.

Besides my usual 50 credits, this month includes 15 additional ones eMusic gave me as "loyal mebmer." eMusic caught a lot of flack last year when it changed their its pricing structure, but to their credit they've given us loyal members similar bonuses two or three times. So, thanks.

* Varieties of Religious Experience: 1993-2003 by Arrington de Dionyso and the Old Time Relijun. While writing my recent review of The Movie Star Junkies' A Poison Tree, I started Googling around looking for rock bands that had covered William Blake poems. There I discovered "Tyger" by this band. I'll stand by my description that it sounds like Roy Orbison on angel dust.

That was interesting enough for me to download the whole album. This is a fun little distillation of lots of classic avant, primitive rock. I hear Beefheart. I hear Ubu. I hear some Thinking Fellers. And there's a definite No-Wave influence here. Whoever's playing that sax owes James Chance some royalties.

Old Time Relijun is a creature of K Records up in Olympia, Washington. So I'm probably hearing a little Twin Peaks mushroom madness in there too.

* Fuck Me Stupid by The Raunch Hands. Yes, Eric Davidson's We Never Learn still is inspiring me to catch up on some of superstars of Gunk Punk that I somehow overlooked in their glory days.

The Raunch Hands were a rootsy little outfit, playing hard-charging whacked out punk blues back in the '80s before many people were doing that.

This 1995 release was the Raunch Hand's last album for Crypt Records. They were getting close to breaking up, but the group sounds like they were having the time of their lives recording it.

My favorites here are "Baby Don't You Tear My Clothes," a hilarious rewrite of "Baby Let Me Follow You Down." "What's the Matter Now" is a soul workout with touches of crazed gospel energy. This might be what the Almighty Defenders were aiming at on their Punk gospel" album.

*The Ding-Dongs. (My comments on this and the next album might look hauntingly familiar to loyal readers. I wrote about these a few weeks ago in my Terrell's Tuneup column.)

Mark Sultan, aka BBQ, meets Bloodshot Bill for a rollicking half-hour of Canadian trash rockabilly. This is unabashed bashing fun. The sound is closer to what you’d hear on a Bloodshot Bill album than to King Khan & BBQ. It’s less scatological and more traditional rockabilly sounding.

My one complaint is that Sultan’s amazing voice isn’t at full force here. He does channel Buddy Holly on the tune “Worried Man.” and does a respectable job on the countryish “Until I Die.” But nowhere does his voice really soar.


* $ by Mark Sultan So if you want more Sultan, check out $, his latest solo album, which was released earlier this year. Not only will you hear more Sultan, you’ll get a greater diversity of sound.

Plus

* 10 Tracks from Red Hot Rockabilly (the ones I didn't already have) I was listening to an old episode of Bob Dylan's Theme Time Radio Hour the other day -- and came across a rockabilly song I hadn't noticed before: "Okie's in the Pokie" by Jimmy Patton. I had to have it! Doing a quick search on eMusic I found it on this collection of (mostly) obscurities. Also included here are Buck Owens' original version of "Hot Dog" (under the name "Corky Jones") and a bluesy shuffle called "Grits" by a wildcat named Harmonica Ray.

* The 64 remaining tracks from Hillbilly Classics. This collection has to be my eMusic find of the year. It's a 73-song collection of mostly obscure country tunes from the '40s and '50s and it costs only 12 credits. I picked up nine songs last month, so these 64 tracks only cost me three credits.

Several tunes on my latest podcast Hillbilly Pig Out -- "Give it To Me Daddy" by Hartman's Heartbreakers, "Nothin; Clickin' Chicken" by The Down Homers and "Who Puts the Cat Out When Papa's Out of Town" by Sam Nichols came from this collection. And I've been playing lots of it on The Santa Fe Opry in the past few weeks.

There are a few well-known artists here. There's pre-Nashville Sound Chet Atkins (doing "Boogie Man Boogie"), The Carter Family, Spade Cooley and Tennessee Ernie Ford. But for every Delmore Brothers or Grandpa Jones, there's five or six like Roy Hogsed or Smoky Wood & The Woodchips. This almost is a secret history of country music. Truly, this is the music Nashville would like you to forget.

* "Navajo" and "Wild Texas" by Los Peyotes. These are the two tracks I didn't already have on the Psychotic Reaction EP by South America's Los Peyotes. "Navajo" is an instrumental "surf" rocker in the tradition of "Apache," except it's got a flamenco (!) finale. "Wild Texas" is a cool fuzz 'n' Farfisa rocker Los Peyotes do so well. The band has a new album called Garaje o Muerte coming out at the end of the month.

* "Ducken" by Hasil Adkins from 1950s Rock 'n' Roll and Rockabilly Rare Masters. Here's another cool bargain collection from eMusic -- 56 tracks for 12 credit. I had only one credit left, so I made a "down payment." I hope the rest of it's as fun as this Hasil track. He does a pretty good impersonation of a police siren here.