Lee Ving. Thats got my vote.

Television has a buncha great ones... demos- Double Exposure, live - the Blow Up with what I consider the essential version of Little Johnny Jewel...

of course for jaw dropping live stuff, there's the Velvet Underground Gymnasium boot... I swear "Sister Ray" will leave you humping air!

I've been listening to these 2 a lot recently...

Rocky Erickson and the Aliens - Halloween (Norton 2xLP)
David Bowie - Live in Santa Monica '72 (2xLP)

The Beatles - Esher Demos from the White Album are pretty cool too.
Johnny Burnette - Wampus Cat & Crazy Date (2 LPs of Johnny and Dorsey Burnnette Demos from Norton. I like these a lot.)
Johnny Cash - Live at Town Hall Party '58 & '59 (2 LPs from Sundazed. The sound quality lacks a little, but otherwise these are a lot of fun to listen to. Sundazed also has recordings from Wanda Jackson, Eddie Cochran, Gene Vincent... It's worth checking out the whole Town Hall Party series)

The series of Charlie Feathers albums Norton put out recently are worth checking out if you don't already have them too (Long Time Ago, Honky Tonk Kind, and Wild Side Of Life) Alot of them are home recordings so they sort have a live/demo feel to them.

The Ohio demos of The Cramps (my favourite cramps album)

has to be drive it home by the fuzztones....

I got this today from Tedcogs on MySpace;

21 Oct 2008, 04:35 PM
Subject: RIP RUDY RAY MOORE
Body: Rudy Ray Moore dies at 81; comedian and filmmaker influenced rap and hip-hop

By Jocelyn Y.
Stewart

October 21, 2008

Rudy Ray Moore, the self-proclaimed "Godfather of Rap" who influenced generations of rappers and comedians with his rhyming style, braggadocio and profanity-laced routines, has died. He was 81.


FOR THE RECORD: The obituary of comedian Rudy Ray Moore that appeared in Tuesday's California section stated he died in a nursing home in Toledo, Ohio. In fact he died in a nursing home in Akron, Ohio.


Moore, whose low-budget films were panned by critics in the 1970s but became cult classics decades later, died Sunday night in Toledo, Ohio, of complications from diabetes, his brother Gerald told the Associated Press.


Though he was little known to mainstream audiences, Moore had a significant effect on comedians and hip-hop artists.


"People think of black comedy and think of Eddie Murphy," rap artist Luther Campbell of 2 Live Crew told the Miami Herald in 1997. "They don't realize [Moore] was the first, the biggest underground comedian of them all. I listened to him and patterned myself after him.
"

And in the liner notes to the 2006 release of the soundtrack to Moore's 1975 motion picture "Dolemite," hip-hop artist Snoop Dogg said:

"Without Rudy Ray Moore, there would be no Snoop Dogg, and that's for real.
"

When it came to his own sense of his accomplishments, Moore was never burdened by immodesty.


"These guys Steve Harvey and Cedric the Entertainer and Bernie Mac claim they're the Kings of Comedy," Moore told the Cleveland Plain Dealer in 2003. "They may be funny, but they ain't no kings. That title is reserved for Rudy Ray Moore and Redd Foxx.
"

The heyday of his fame was in the 1970s, with the release of "Dolemite" followed by "The Human Tornado," "Petey Wheatstraw: The Devil's Son-in-Law" and "Money Hustler.
"

The way Moore told it, his introduction to Dolemite came from an old wino named Rico, who frequented a record shop Moore managed in Los Angeles. Rico told foul-mouthed stories about Dolemite, a tough-talking, super-bad brother, whose exploits had customers at the record shop falling down with laughter.


One day Moore recorded Rico telling his stories. Later Moore assumed the role of Dolemite, a character who became the cornerstone of his decades-long career as a raunchy comedian, filmmaker and blues singer.


"What you call dirty words," he often said, "I call ghetto expression.
"

But long before "Dolemite" debuted on theater screens, Moore had found fame -- and fans -- through stand-up routines and a series of sexually explicit comedy albums.


Not only were the album contents raunchy, the album covers featured women and Moore nude and were too racy for display. So store clerks kept the albums under the counter. Without airplay or big-studio promotion, the so-called party records were underground hits.


"I put records in my car and traveled and walked across the U.S. I walked to the ghetto communities and told people to take the record home and let their friends hear it. And before I left the city, my record would be a hit. This is how it started for me," he told the St. Louis Post Dispatch in 2001.


Although contemporaries such as Foxx and Richard Pryor found success with a broader audience, Moore's stardom was bounded by the geography of race and class: He was a hit largely in economically disadvantaged African American communities.


According to his website, Moore was born in Fort Smith, Ark., on March 17, 1927.


In his youth Moore worked as a dancer and fortune teller and he entertained while serving in the U.S. Army.
But his big break came with the recording of his Dolemite routine:



Dolemite is my name

And rappin and tappin

that's my game

I'm young and free

And just as bad as I wanna

be.




By the time Dolemite appeared on film, he was the ultimate ghetto hero: a bad dude, profane, skilled at kung-fu, dressed to kill and hell-bent on protecting the community from evil menaces. He was a pimp with a kung-fu-fighting clique of prostitutes and he was known for his sexual prowess.


For all the stereotypical images, Moore bristled at the term blaxploitation.


"When I was a boy and went to the movies, I watched Roy Rogers and Tim Holt and those singing cowboys killing Indians, but they never called those movies 'Indian exploitation' -- and I never heard 'The Godfather' called 'I-talian exploitation,' " he told a reporter for the Cleveland Scene in 2002.


Late in life, Moore saw his work win fans far beyond his African American audience. There is a "Dolemite" website and chat room that boasts a cross-cultural collection of young fans. Such interest won him mainstream work in an advertisement for Altoid Mints and a commercial for Levi's jeans.


Though Moore built a career on talking dirty, he was very religious. He took pride in taking his mother to the National Baptist Convention each year and often spoke in church at various functions. He rationalized his role as a performer.


"I wasn't saying dirty words just to say them," he told the Miami Herald in 1997. "It was a form of art, sketches in which I developed ghetto characters who cursed. I don't want to be referred to as a dirty old man, rather a ghetto expressionist.
"

Stewart is a former Times staff writer.


news.obits@latimes.com

I just got this in from MySpace;

20 Oct 2008, 04:18 PM
Subject: RIP Dolemite aka Rudy Ray Moore
Body: rest in peace mr dolemite
Body: Legendary actor, filmmaker, comedian, singer, Godfather of Rap and King of the Party Records, Rudolph Frank Moore better known as Rudy Ray Moore or Dolemite has left this earthly plane.

A 60 + year veteran of the stage, the first x rated comedian, one of the first African American filmmakers and the third most sampled man in the world, his self made comedy records and films have inspired and influenced generations from a thousand walks of life and a hundred nations.

He had recently finished work on "The Dolemite Explosion" with longtime friend and costar Jimmy Lynch (his first self made film in 30 years), an album of soul ballads called "Let Me Sing To You Before I Drift Away" with his daughter Rusty, and had been Highlighted by Hadjii in an episode of "Somebodies" and was looking forward to a resurgence and a country album.

After a long battle with diabetes and obscurity, he passed peacefully on Sunday at the age of 81.

He was a good God fearing man who loved his friends and family

Flyer other "garage" nights or shows around town.

is very strange that these songs are not on the internet, no chords and no lyrics (not only music machine but many and many others)...

well, you can always go to http://www.bonniwellmusicmachine.com/ in the download section there are lyrics besides talk talk,the people in me, come on in, no girl gonna cry, astrologically incompatible, bottom of the soul,and talk me down, as for trouble and double yellow line, send an email there, maybe they can help... or http://www.bonniwellmusicmachine.com/blog/contact.php

ok thanks, but talk talk is the only one that i have found...

Talk Talk
MUSIC MACHINE
(Sean Bonniwell)

I got me a complication
And it's an only child
Concernin' my reputation
As something more than wild
I know it serves me right
But I can't sleep at night
Have to hide my face
Or go some other play-ay-ay-ay-ay-ace

I won't cry out for justice
Admit that I was wrong
I'll stay in hibernation
'Til the talk subsides to gone
My social life's a dud
My name is really mud
I'm up to here in lies
Guess I'm down to size
To size

Can't seem to talk about
The things that bother me
Seems to be
What everybody has
Against me
Oh, oh, all right

Here's the situation
And how it really stands
I'm out of circulation
I've all but washed my hands
My social life's a dud
My name is really mud
I'm up to here in lies
Guess I'm down to size
To size

Talk talk Talk talk Talk talk Talk talk

SEPTEMBER 21th

18:00 - 19:30

The Cape May : Copper Tied
Colour Haze : Moon
Danava : Longdance
Earthling Society : Kosmic Suite No. 1
Nudity : Nightfeeders Edit
Black Angels : Doves
Voice of the Seven Wonders : Return From Byzantimum
Women : Shaking Hands
Darker My Love : Helium Heels
The Stevenson Ranch Davidians : Stargazer
Black Mountain : Stormy High
Dead Meadow : Ain't Nothing
Crystal Stilts : Crippled Croon
Traveling Circle : Sea Soul Child
ALiX : Spirit
Brant Bjork & The Bros : Punk Rock Guilt

19:30 - 20:30 - LowCut Classic with Tomsen

The Hors D'oeuvres : It's Allright
Cosmotron : Speedway Race
Blood Ceremony : Children ...
Bad Trips : Miracle of March ...
Ahymsa : Dead Franklyn
Depressive Art : Psychedelic Ghost
Gunslingers : Black Dwarf Man
Valient Thor : I Hope the Ghost ...
Roachpowder : Cosmic Emperior
Distortions : White Spirit
Waxy (Feat. John Garcia) : White Walls
The Hors D'oeuvres : The Leak




OCTOBER 5th

Host : Martin Kern

Dead Kennedys - California Über Alles
Saccharine Trust - I Am Right
Sparks - This Town Ain't Big Enough For Both Of Us
Chrome - March of the Chome Police
Descendents - I'm not a loser
X - Johnny Hit And Run Paulene
Black Flag - Rise Above
Minutemen - This Ain't No Picnic
Social Distortion - The Creeps
Urinals - Ack Ack Ack Ack
Leaving Trains - A drunker version of you
Adolescents - Democracy
Trotsky Icepick - Bury Manilow
The Dickies - You Drive Me Ape
The Gun Club - Like calling up thunder
The Go-Go's - We got the beat
Angry Samoans - 1981
fIREHOSE - Making The Freeway
100 Flowers - California's Falling nto the Ocean
Flipper - Sex Bomb

OCTOBER 12th

Lowcut Preburner hosted by Jens 18.00-19.30:

Static Static - Electric We Get
Titmachine - 1989
The Intelligence - Rooms & Bags
AV Murder - Missile Command
Barbaras - Only One
Dan Melchoir - Opinions
Earthmen & Strangers - Wake The Dead
TVK - Air Conditioner
No Comply - Tied Down
Evil Army - Under Attack
Turpentine Brothers - Rate Of Change
Black Time - Magazines
Touch Me Nots - Holly Says
Sector Zero - Porcupine Sweater
Sons Of Saddam - USARCH
Wizzards Sleeve - Accessory without Function
Kajun SS - Shit City
Human Eye - Lightning in her Eye
Hospitals - Rules of Being Alive
Wax Museums - Magnet Part II
Pure Hell - Noise Addiction
His Electro Blue Voice - Duuung
Gentleman Jesse - (If I Can See You) You're Too Close To Me
Volt - I Don't Feel So Good
Digital Leather - We Will Fall
Manikin - Radar
Pleasure Seekers - What A Way To Die
Brimstone Howl - Hopeless Destroyer
Jay Reatard - See Saw
LiveFastDie - Termbo
William Bell - You Don't Miss Your Water

Lowcut Classic hosted by Morten Brohammer 19.30-20.30:

Sentimentale Jugend : Angst
Draugar : Warrior Without War
Los Llamarada : Lies
Brainbombs : Jack The Ripper Lover
Pure : Rise Up
Blood! : Snook
Ride For Revenge : Eternal Woman (Hell OF Your Love)
Consumer Electronics : Untitled
Sodom : Let's Fight In The Darkness Of Hell
Absolute Body Control : The Man I Wanna Be
Primitive Calculators : Pumping Ugly Muscle
Void : Condensed Flesh
The Randoms : Let's Get Rid Of New York
The Germs : No God
The Raincoats : In Love
The Astronauts : Peter Pan Hits The Suburbs


OCTOBER 19th

18.00-19.30 Killed By (early 80s) Hardcore:

Vile - Definitions
Negazione - Tutti Pazzi
Bannlyst - Farvel Moder Jord
No Thanks - Fuck Everything
Rebel - Jitoku
Deep Wound - In My Room
Final Conflict - Your
Appendix - Painajainen
Homy Hogs - Kuken Ar Mitt Redskap (Far Pissa I Din Ficks)
Rutto - Paha Kuolema
Sotlimpa - Ayatollah
Mornington Crescent - Dying In The Street
Olho Seco -Muito Obrigado
Urban Waste - Public Opinion
Gasmask - Koruse
Terveet Kadet - Utopia
Sound of Disaster - Moral
Nog Watt - Going On
No Pigs - Broken Promises
NOTA - Taking Away Your Rights
Colera - Deo Fora
Actives - Riot
Capital Scum - Clutch the Flag
The Left - Fuck It
Gauze - Drag Addict
Absurd - Blodig Stad
Patriots - Bang Bang Bang
Pig Children - Grand Ole Flag
Rappresaglia - Attack
Svart Framtid - Systematikk
Gas - Han-sen
Electric Deads - Crossroads
Die Kreuzen -In School
Pyhakoulu - Ihmisen Aani
Child Abuse - I'm Lazy
Systematic Death - Disobey
Malinheads - Hoax
The Worst - Loud And Fast
Ultraviolence - Dead Generation
The Fix - In This Town
America's Hardcore - Born Prejudice
Fallout - Punks United
Genetic Control - 1984
Youth Patrol - America's Power
Lama - Ajatuksen Loppus
Kansan Uutiset - Home Religion Native Country
Indirekt - Shell Helpt
Nihilistics - Black Sheep
The Execute - Going Back
The State - No Illusions

19.30-20.30 Lowcut Classic;

Compulsive Gamblers - Stop and Think it Over
68 Comeback - Clean Young 16
Angry Angels - Apparent Transparent
Gizmos - That's Cool
Intimate Fags - Leave Me Alone
Viva L'American Death Ray Music - Sycophant
Dan Melchoir - Special Rider
Skip Jensen - On the Right Side
The Rebel - Why Must I Pay?
CPC Gangbangs - WWIII
Debris - One Way Spit
Screamers - If I Can't Have What I Want (I Don't Want Anything)
Pussy Galore - YU Gung
Atomsmashers - Dildo
Frantic - Whitetown + R'n'R Bullshit
Final Solutions - Eat Shit, Hologram
Mistreaters - SC Twist
Direct Control - Ronnie's Dead

In Dave's own words. It's unfortunate they traded some of their masters for studio time and just didn't know it until later. (Few seconds to load.)

Aaah, I see. We do the same. Must just be your video live sound!　Cheers luscevious drummer said:

not really, i use a pearl wooden piccolo and slightly tune the bass drum more which in the case of the tracks in my space is a gretsch. if you see youu tube videos, it is just the live sound which is great for any band playing garage. i think that studio stuff should be done live and never put many mics on the drums. 2 is more than enough.(early beatles used just one....)

not really, i use a pearl wooden piccolo and slightly tune the bass drum more which in the case of the tracks in my space is a gretsch. if you see youu tube videos, it is just the live sound which is great for any band playing garage. i think that studio stuff should be done live and never put many mics on the drums. 2 is more than enough.(early beatles used just one....)

Thanks very much. The schematics link just leads to Northcoast Music, who don't want to help unless you are enquiring about a specific thing listed on their site, with the intention of making a purchase. Dig your drum sound! Are you using a vintage kit? luscevious drummer said:

i dont know if this will be of any help but if you havent been there, try sending an e-mail to http://www.voxshowroom.com/contents/index.html
they claim to have schematics...love your sounds by the way...

i dont know if this will be of any help but if you havent been there, try sending an e-mail to http://www.voxshowroom.com/contents/index.html they claim to have schematics...love your sounds by the way...

Hi Thanks for the link! If you wanna hear how they should sound when played decently through good amps, just by some albums by The Cannibals (the other guitar is a Phantom Special which shares the same effects modules). They used these guitars and their effects better than anyone else I've ever seen: http://jp.youtube.com/watch?v=J8bSlFkBxbU Colin said:

may be of no use at all but this links is pretty interesting - although not the same vox, it looks like a similar layout

http://www.vintageguitars.org.uk/voxUltrasonic2.php

should give you an idea as to how it should sound

good luck

Hi Jon Thanks for the advice. I did both a long time back. No replies from the Vox forums I joined:( I tried Northcoast Music a long time ago, but they were very abrupt and unhelpful. They just want to sell the manuals stuff they have, with no questions asked, and not deal with any other enquiries. I got an absolute ton of help and advice from Jack Charles (Phantom Guitar Works). He isn't selling these guitars but he has had much experience with them. He really went out of his way and wrote me several long detailed emails... Very nice guy! I think everyone should go and buy a Phantom Guitar Works Phantom! I will be as soon as I have the money;) John Sevestian said:

I don't know if you have tried, but I have gotten some good feedback from the Vox website. There's an online group I joined that mighy be able to help you. They also have a classified section that you can ask for what you are looking for. They helped me keep my Vox Jaguars,and my Vox Beatle working. And I also have a Vox Phanthom 12 string. Try them at NorthCoastMusic.com. attn:DOCTORVOX. Hope this helps. John

may be of no use at all but this links is pretty interesting - although not the same vox, it looks like a similar layout http://www.vintageguitars.org.uk/voxUltrasonic2.php should give you an idea as to how it should sound good luck

The question is - What's your favorite albums......

Nuggets: Original Artyfacts From the First Psychedelic Era 1972
New York Dolls 1973
The Dictators Go Girl Crazy! 1975
Patti Smith Horses 1975
Ramones 1976
Dead Boys Young Loud And Snotty 1977
Television Marquee Moon 1977
Suicide 1977
Damned, Damned, Damned 1977
The Saints I'm Stranded 1977
Never Mind the Bullocks Here's the Sex Pistols 1977
The Clash 1977
The Jam This Is the Modern World 1977
Can't Stand The Rezillos 1978
Q: Are We Not Men? A: We Are Devo 1978
X Ray Specs Germ Free Adolescents 1978
The Undertones 1979
The Specials 1979
The Buzzcocks Singles Going Steady 1979
Dawn Of The Dickies 1979
The Crawdaddys Crawdaddy Express 1979
The Cramps Songs The Lord Taught Us 1980
X Los Angeles 1980
Dead Kennedys Fresh Fruit For Rotting Vegetables 1980
Talking 'bout Thee Milkshakes 1981
The Gun Club Fire of Love 1981

Johnny Quid said:

and again no mention of Eater!! Kids?? Elton Motello??

The Gun Club - fire of love
Dead Boys - young loud and snotty
Patti Smith - Horses
The Heartbreakers - LAMF
The Modern Lovers - The Modern Lovers
Johnny Thunders - so alone
The Saints - eternally yours
Ramones - rocket to russia
Joy Division - unknown pleasures
Screamers - demos
and lots more.

that´s right johnny..also THE DOGS (france)