About 15 minutes late starting due to the snow … Download or stream the entire Feb. 10 show right here. Find Zero Hour on Facebook here.


Cocktails for Three – Terry Allen
One, Two, Three & I Fell – Tommy James & the Shondells
Three Years – Harold L. & the Offbeats
Three Cheers for the Losers – Wynn Stewart
Three Times a Fool – Otis Rush
Three Long Years – Sugar Shack

Insane – Shoutless
Whatever – Troll Control
Tie Me Up – Spanking Charlene
Night Time – The Chayns
Baby Doll – The Connection
Anytime You Want Me – The Moto-Gators
Baby, I Love You – The Wild Ones

Local Lunchbox
Wild One/Tin Star – The Mystery Girls
Blue Tar – Head On Electric
Later Than You Think – Wanda Chrome

Who’s Gonna Break the Ice – The Plimsouls
Kiss Me – Kurt Baker
Do You Wanna Dance – Del Shannon
Right or Wrong – The Sprague Brothers
Dance on Your Problems – The Riots

Take Me Back – Hot Knives
Hung Over – The Martinis
Everything I Do is Wrong – Reigning Sound

Bhaji Blues – Tandoori Knights
Wild Wild East – Tandoori Knights
Devil in Me – Two Bit Dezperados 
Back to You – Bazooka
You Will Always Bring Me Flowers – Shannon & the Clams

50’s French Move – The Chrome Cranks
I Kill Me – The Ills
Hang Loose – Thee Exciters
The Jinx – The Dustaphonics
Love Theme for a Twisted Mind – Kill, Baby … Kill

Lock Me Up – The Flip-Tops
Fadin’ Luv – Sonic Avenues
Upside Down – Mind Spiders
Diet, Crime & Delinquency – Personal & the Pizzas
Peint en Noir – Curlee Wurlee
Ballroom Disasters – The Barreracudas
Riot Girls – Bleed

It’s Cold Outside – Stiv Bators
That Girl – The Go-Wows
In the Street – Get-Set
Not Man Enough – The Electric Stars
I Woke Up – Trolley
I’m Gonna Try – The Purple Hearts

Aw, damn. Looks like "Hot Pockets" deleted his profile. One less asshole to worry about!

Selling out is kind of a stupid term now a days. The record labels don't have the money they used to have. People aren't buying albums anymore like they used to. The artists have to do whatever it is they can so that they can keep playing what they love. If that means selling the rights of a song to a commercial? So be it. As long as it's something you can believe in and it helps you continue to be the musician you want to be-then great!

If this website is THAT pointless, then delete your profile. This site isn't an incubator of hate, and whether you were provoked or not, you shared plenty of negativity everywhere you left your piss spots. Like Gringo said "what comes around goes around."

Hot Pockets said:

Look, I don't even know what a troll is. I just know you think I'm bad or something. I do know that this is boring because you people have responded to my comments in an insulting manner and then turn it around on me. But I guess that is kind of typical of the internet. 

I'm going to go watch the Man U and Liverpool game now. Have fun with your little Hideout. It's safe from me. You can have your fun uninterrupted by any immature, cynical, dipshit, petty, donkeyfucker bullshit. (That's a partial list of the insults thrown at me today) 

But, I felt like I had something to say to people on here and I know you people will never get what I am saying or really read what I wrote. It's pointless. 

Basically, I feel this website is pointless. But that's your journey, my friends.

Good luck! Don't take any wooden nickels.

Hey, don't take it personally. I do understand you were provoked a bit but you did come on pretty strong for a new member. Most of your other posts have also been a bit negative. What comes around goes around.

Well, like my grandpa always told me, 'Always let the asshole have the last word.'

You expect us to believe that bullshit? Grow up or leave the Hideout, this is your LAST warning.

Hot Pockets said:

Gosh, you got a thing, girl. I'm not a troll. Can't you read? I'm defending my opinion like an adult person. Nicely without swearing or using exclamations points or CAPS!!!!!!!

Anyhow, this joke's gone on long enough. Got you guys! This is Greg Carwright. Ha! Ha!

You thought I was some jerk emo agent provacateur, didn't you?

There you go again! I love how you single handedly define this Garagepunk thing (of yours) so narrowly into your mid-nineties mind frame. No. It wasn't certainly a new kind of development. In the early eighties we were calling bands like The Seeds - Garage Punk. 

Hot Pockets said:

Garagepunk, as in all the Crypt bands that combined punk with old rock n roll. It certainly was kind of a new development although there were precedents set by previous bands. Right? 

Hey, I issued you a warning already, as well as posted the Network Guidelines on your profile. One of the rules is "DON'T BE A DICK"!

Hot Pockets said:

By the way, Kopper, if you are so above labels, unlike us petty morons, why don't you change the name of the website to something like "good music.com" or "open-minded nice people.com". Obviously, a style of music usually has a name for easy reference. Therefore, we know what kind of music and general attitude is meant when we say garage or emo or loungecore.

Sorry, I know I'm a dick and I have no friends. That is why I started writing on here to be a spoilsport for all you sensitive people. If we weren't on the computer you could punch me or something.

There's one in every crowd, isn't there? You read and wanna share a bit of exciting news about one of our favorite bands of all-time (and the response to this everywhere I've seen the news posted has been extremely positive), and you get some knucklehead who's gotta find some reason to bitch about it. He must be a laugh riot at parties.

Gringo Starr said:

....."Also, garagepunk was sort of a new thing when they started. There weren't old bands to be worshiped and be made a big deal of...."

What? Garage Punk started in the '60s (and you can even argue that there were punk bands in the '50s)! In the 80s we worshiped all those old '60s garage bands! Your really coming out of left field with these ideas of yours. Don't be surprised that members here read you the riot act!

....."Also, garagepunk was sort of a new thing when they started. There weren't old bands to be worshiped and be made a big deal of...."

What? Garage Punk started in the '60s (and you can even argue that there were punk bands in the '50s)! In the 80s we worshiped all those old '60s garage bands! Your really coming out of left field with these ideas of yours. Don't be surprised that members here read you the riot act!

Selling out? On In The Red?? They're making a new record for christ sake! And who is it exactly that is telling you what you are supposed to do? And what is this "Logans Run" type idea that you have about bands over a certain age continuing to play? This is how it's supposed to end up -> keep rockin' and rollin' 'till you croak on stage! Where is it 'written' that after 30 you have to put your guitar away in the attic and grow up??

You have the right to like anybody, even if they do "sell out". Just because if feels wrong to you, it might not to some. So, what if they can't "bring it"? It's still their right to do it. You don't have to like anything new they do, if it's your cup to like the classic stuff, then by all means, enjoy. Never tell yourself what you aren't supposed to like, you either do or you don't. Wait and see, you may dig it.

Hot Pockets said:

It's not nostalgia to like and be influenced by good music. That's a completely different thing. I am also not putting down the band. They were a great band. I am sure they put on a good show. I love The Reigning Sound. I have seen them a few times.

Also, garagepunk was sort of a new thing when they started. There weren't old bands to be worshiped and be made a big deal of. This is a new situation and to me it just feels kinda wrong somehow. Like it wasn't supposed to end up like this 15 years later. Like we all and the bands were supposed to be cooler than that. Cooler than all the lame people and bands that do all this reunion shit now that they have attained unshakeable classic status. Like The Pixies or something. These bands are a lot more popular now then they were when they existed.

Anyhow, just my opinion. Go to the show and have a good time. I am here to be abused. Everybody can put me down some more. I like it. Keeps me regular.

Don'y know if they are doing it for money, but I would sell out if I could but no ones buying. Aren't we supposed to not like bands that sell out, though?

WELL SAID, JOSH! If they think it's "uncool" that a band reunites, tours, releases an album, well then, LOOK THE OTHER WAY! No one's putting a gun to your head to pay attention to ANY of it. If a person thinks bands like the Oblivians doing this is "stupid", well, they have the simple option to just get over it. Let the fans enjoy it instead of pissing all over the "good news" for a lot of us. This thread was supposed to be a positive thing, by the way.

Josh Gladwin said:

Lighten up Francis...

Just two posts in and it's painfully obvious that you don't know what the fuck you're talking about. Your "facts" and "legitimate criticism" stem from shit that is completely made up in your head. For starters, to groan about nostalgia suddenly appearing in a music form that is itself built on pillars of nostalgia is mind-numbingly stupid. Garage Punk, or whatever you want to call it, has always looked backwards in order to recapture a neglected strain of weirdness or to reassert the raw essence of rock'n'roll. To be okay with nostalgia being part of the whole but not okay for a part of that same whole is flat-out dumb. The only litmus test for the Oblivians or any band playing maximum R&R is really, can they bring their "A" game or not. I've seen the Oblivians quite recently and I know they can. This isn't me looking back with rose-tinted glasses, pining about the "summer of '69" or "the day the music died." The Oblivians delivered the goods which is more than I can say for the recently reunited Gories which to me felt like Mick Collins dragging along two bundles of dead wood. And as for your insinuation that this whole new album thing is just a bald-faced cash grab- are you nuts? How much cash do you think is floating around under the garage umbrella to make selling-out even a viable option? Get real. If these guys make enough to square away some bills off of this venture, they'll be lucky.    

Hot Pockets said:

It's not whining. It's legitimate criticism. What the hell do I care? I'm old, too. And what the hell do I care what get's passed off in the mainstream? I'm talking about a fact. Nostalgia. No one would like them now if they weren't popular then. 

This kind of shit is starting to piss me off. Garage turning into just another genre. I always loved it despite it's obvious inadequacies because it was the closing thing to just music. Simple songs, guitars, retardation. What more could you want?

Take that away and it's mostly just bad music. 

You're not getting it, are you? No one cared about the Oblivians when they were still around. The first time I saw them in St. Louis there were fewer than 10 people at the show, and that's counting the opening band! The second time was a bit better, but still probably only 30 or 40 people. That was in '96, if I remember correctly. They disbanded in '97. The ONLY place where they may have packed the house was in their hometown, or possibly as part of a festival bill in Europe or something. But their records (and legendary live performances) lived on after they broke up, and their fan base grew.

As for "garage turning into just another genre"... uh, why are you so concerned about GARAGE? Who cares? Isn't it enough to just enjoy what you enjoy and leave it at that? I don't care what people call any genre because I'm able to listen to anything and determine if I like it or not despite what label gets slapped on it. Your petty argument could be (and has been) made about punk rock in general over the years, and it's a tired old one. You like the old stuff? Fine, then listen to the old stuff. No one is forcing you to buy the new Oblivians record, but again, you're trashing 'em before it's even OUT, which I think is really unfair. Have you even seen the reformed band live at all over the past few years? If you had, then I bet you'd be singing a different tune. Like I said, they still have it.

Hot Pockets said:

It's not whining. It's legitimate criticism. What the hell do I care? I'm old, too. And what the hell do I care what get's passed off in the mainstream? I'm talking about a fact. Nostalgia. No one would like them now if they weren't popular then. 

This kind of shit is starting to piss me off. Garage turning into just another genre. I always loved it despite it's obvious inadequacies because it was the closing thing to just music. Simple songs, guitars, retardation. What more could you want?

Take that away and it's mostly just bad music. 

Lighten up Francis...

Just two posts in and it's painfully obvious that you don't know what the fuck you're talking about. Your "facts" and "legitimate criticism" stem from shit that is completely made up in your head. For starters, to groan about nostalgia suddenly appearing in a music form that is itself built on pillars of nostalgia is mind-numbingly stupid. Garage Punk, or whatever you want to call it, has always looked backwards in order to recapture a neglected strain of weirdness or to reassert the raw essence of rock'n'roll. To be okay with nostalgia being part of the whole but not okay for a part of that same whole is flat-out dumb. The only litmus test for the Oblivians or any band playing maximum R&R is really, can they bring their "A" game or not. I've seen the Oblivians quite recently and I know they can. This isn't me looking back with rose-tinted glasses, pining about the "summer of '69" or "the day the music died." The Oblivians delivered the goods which is more than I can say for the recently reunited Gories which to me felt like Mick Collins dragging along two bundles of dead wood. And as for your insinuation that this whole new album thing is just a bald-faced cash grab- are you nuts? How much cash do you think is floating around under the garage umbrella to make selling-out even a viable option? Get real. If these guys make enough to square away some bills off of this venture, they'll be lucky.    

Hot Pockets said:

It's not whining. It's legitimate criticism. What the hell do I care? I'm old, too. And what the hell do I care what get's passed off in the mainstream? I'm talking about a fact. Nostalgia. No one would like them now if they weren't popular then. 

This kind of shit is starting to piss me off. Garage turning into just another genre. I always loved it despite it's obvious inadequacies because it was the closing thing to just music. Simple songs, guitars, retardation. What more could you want?

Take that away and it's mostly just bad music. 

YES! I love those news too! Cool to hear Ivy is making Vengeance happening again!!

---

Also: "What's the matter now?!?!" IN THE RED is fuckin' awesome, they really pumped a lot of life blood into Garagepunk (insert your definition here). I'm sure this deal is part of their big plan of schemes, coming at us by secret audio waves: "GO SHOP WALMART...we command you!"

Everyone is entitled to their own opinion, but Hell, every now and then you get someone yappin' about shit and it always sounds like this: "The Cramps are a corporate Band! The Dirtbombs sell out! The Gories only play to cash in now! Mick Collins is Satan, err Jesus! The Oblivians only play to cash in now... It's bad they were on a car commercial! The Mummies are also selling out for a three pack!!" BLABLABLA.

"Poplular in the 90's??" 'Cmon, next thing you tell us, is Sympathy for the Record Industry pushed Sony out of the Cd market.

Sorry to bite, but Hell, I just had it with this shit.

EDIT! Oops, I just misspelled something, better call the sellout hammer on me for doublechecking!

Dito

kopper said:

Well, I saw the Oblivians in '09 and again in Lawrence at the Scion Garage Fest in 2010, and they kicked ass both times (and I'm one who also saw them play for five or six people on a Sunday night in St. Louis in 1995). I, for one, am looking forward to the album, because even if it's not as good as their earlier stuff it'll STILL be better than 99% of the other horseshit that gets passed off as rock'n'roll by the mainstream press today. And besides, who fucking cares how old or fat they are? I'm 46 myself. Should I just lay down and die? They're not pathetic, YOU are. Your pathetic whining. They still got it, and that's what counts. How about waiting until the actual ALBUM comes out before trashing 'em on it?

Hot Pockets said:

No offense everybody, but isn't this kind of pathetic? How could anything they do now be as remotely as good as anything they did when they weren't fat and middle aged? It's sort of like Michael Jordan coing out of retirement to tarnish his career. I mean, I think it's highly unlikely these dudes give a fuck about playing garage-punk now anyhow. You listened to Reigning Sound lately?

I know times are tough so no one is going to pass up a chance and labels like In The Red are always there to try to put out something they know is dependable and popular. If you want to talk about overrated labels that probably do more to damage the whole garage rock thing than help promote it. But, if bands like No Bunny or whatever wasn't what's passing for a cool band these days would anyone care? I guess we have to accept that the early-mid 90s are now nostalgia retro territory and ripe for exploitation.

I always thought of all those great bands from that era as just rock n roll. Like it doesn't go out of style because real rock n roll is always unfashionable. But I realize now that I was wrong and the world is getting more refined in alienating us from the essentials of life like simple, stupid music. Made for kicks and not much else.

I am a big fan of Greg Cartwright. He is one of my favorites. I don't know, though. This reeks of desperation.

OK, it now looks like we'll have plenty of good tracks for not only Vol. 7, but Vol. 8 as well! You can still continue to submit songs for Volumes 8 and, hopefully, 9. I'm also now taking suggestions for name and cover art for Vol. 8. See the GRGPNK Records group "Cover Art" topic for details.

Yeah, the "Subscribe for free" link in iTunes works for me on Way Past Cool. It's the button that appears directly below the show art... which, by the way, is the generic iTunes podcast art. Steve, you should fix that. Make it your logo. Add that in Feedburner.

ixnayray said:

That's pretty weird Bill. I just followed the link to iTunes and I was given the option to subscribe... Not sure what I can tell you...

Bill Z Bub said:

When I try to go to some of the links you've posted such as (http://itunes.apple.com/gb/podcast/way-past-cool/id416243586) I can listen on that particular page.  

But when I click View in iTunes, subscribe is disabled for all of the episodes.  

Thx! 

Bill Z Bub said:

When I try to go to some of the links you've posted such as (http://itunes.apple.com/gb/podcast/way-past-cool/id416243586) I can listen on that particular page.  

But when I click View in iTunes, subscribe is disabled for all of the episodes.  

Thx! 

When I try to go to some of the links you've posted such as (http://itunes.apple.com/gb/podcast/way-past-cool/id416243586) I can listen on that particular page.  

But when I click View in iTunes, subscribe is disabled for all of the episodes.  

Thx! 

I'm not sure how it is for Posterous, but Word press has a limit for how much they put on an RSS feed. This can usually be corrected to expand the number of shows. 

As for iTunes I'm at: http://itunes.apple.com/us/podcast/bibliodiscoteque/id390553303

and you can subscribe to get all new ones downloaded automatically. I find the GPPN podcast to be the only one needed as I get all the shows put on GPPN updated as they are posted

ixnayray said:

Well my 'Original Feed' is with Posterous now and all my episodes are located there. So I'd be grateful if you have any ideas... But i'm stumped.

kopper said:

Probably has to do where you have your feed sourced. Is it Mevio? You'll have to login to your Feedburner account and check what you have as your "original feed," then investigate and see if your previous episodes are located there.

ixnayray said:

Yeah I know that. I just don't know why.

kopper said:

That's because those are the only episodes showing up in your RSS feed.

ixnayray said:

Way Past Cool is :

http://itunes.apple.com/gb/podcast/way-past-cool/id416243586

I just went over to iTunes. Seems fine although you can only access episodes 13 to 30 for some reason...

What do you mean by "in my file"???

Again, check your Feedburner account. Log in and see what you have for the original feed. You may need to fix it like ixnayray did above.

The Desperate Hour Podcast said:

iTunes is missing the last couple of DHs.  In my file it's missing episodes 1-6

If you *just* switched the original feed to Posterous now, then it won't reflect any change on your Feedburner feed (or in iTunes) until after you post a new episode or ping the feed to refresh it.

ixnayray said:

Well my 'Original Feed' is with Posterous now and all my episodes are located there. So I'd be grateful if you have any ideas... But i'm stumped.

kopper said:

Probably has to do where you have your feed sourced. Is it Mevio? You'll have to login to your Feedburner account and check what you have as your "original feed," then investigate and see if your previous episodes are located there.

ixnayray said:

Yeah I know that. I just don't know why.

kopper said:

That's because those are the only episodes showing up in your RSS feed.

ixnayray said:

Way Past Cool is :

http://itunes.apple.com/gb/podcast/way-past-cool/id416243586

I just went over to iTunes. Seems fine although you can only access episodes 13 to 30 for some reason...