Very nice, thank you. In Memphis she was using a Fender amp with some kind of fuzz pedal that was really wicked. She was playing barre chords and the fuzz was very full but didn't get all crowded like alot of pedals can.
Very nice, thank you. In Memphis she was using a Fender amp with some kind of fuzz pedal that was really wicked. She was playing barre chords and the fuzz was very full but didn't get all crowded like alot of pedals can.
I guessed Teisco on the guitar and with the help of google I found out it's a Teisco EP-7. I'm not sure about any of their other gear. From google image search I saw a Supro amp on one of their album covers.
Anybody know what guitar and fuzz Ronnie from the 5.6.7.8's uses? I saw them in Memphis last weekend and thought it was a really cool combo.
You are the coolest person at this forum, John Carlucci:)
John Carlucci said:
In my opinion, Little Steven's heart is in the right place. Yes he calls the show "Underground Garage" and it's not always playing Garage Punk, but he is playing stuff on the radio that you do not hear otherwise.
I played at the very first Cavestomp in NYC in 97. I understand after that, the promoter, John Weiss from the Vipers held more Cavestomp shows on a regular basis, and that is how Little Steven became affiliated with the Garage scene.
I think it's great that someone in the position he is in has helped some of these bands get heard, and make a little money. Before his show, I never heard The Chesterfield Kings, Woggles, Swingin Neckbreakers ,the Dictators or even my own former band, The Fuzztones on the radio. He's helped the careers of bands line King Kahn, Nick Curran, & Prima Donna.
I remember back in 77 when Bruce Springsteen took an interest in the NYC Punk movement, writing songs for Patti Smith, Robert Gordon & even the Ramones. (Hungry Heart was written for the Ramones but The Boss's Mgr convinced him to put it out himself). There were a lot of people in the scene back then who were against Bruce's involvement with the scene then too. I admired him for his support, and I applaud Little Steven for his support as well. Anything that might help keep the spirit of Rock N Roll alive is okay with me. A movie, a radio show, whatever. Seeing younger musician's like Nick Curran & Prima Donna carry the torch for Rock N Roll in the 21st Century is comforting. If I see any more kids embracing hip hop, it will make me sick.
MikeL said:Surprise, surprise. When I saw this article, I thought for certain somebody here would get angry about it, if for no other reason than Little Steven's involvement.
In my opinion, Little Steven's heart is in the right place. Yes he calls the show "Underground Garage" and it's not always playing Garage Punk, but he is playing stuff on the radio that you do not hear otherwise.
I played at the very first Cavestomp in NYC in 97. I understand after that, the promoter, John Weiss from the Vipers held more Cavestomp shows on a regular basis, and that is how Little Steven became affiliated with the Garage scene.
I think it's great that someone in the position he is in has helped some of these bands get heard, and make a little money. Before his show, I never heard The Chesterfield Kings, Woggles, Swingin Neckbreakers ,the Dictators or even my own former band, The Fuzztones on the radio. He's helped the careers of bands line King Kahn, Nick Curran, & Prima Donna.
I remember back in 77 when Bruce Springsteen took an interest in the NYC Punk movement, writing songs for Patti Smith, Robert Gordon & even the Ramones. (Hungry Heart was written for the Ramones but The Boss's Mgr convinced him to put it out himself). There were a lot of people in the scene back then who were against Bruce's involvement with the scene then too. I admired him for his support, and I applaud Little Steven for his support as well. Anything that might help keep the spirit of Rock N Roll alive is okay with me. A movie, a radio show, whatever. Seeing younger musician's like Nick Curran & Prima Donna carry the torch for Rock N Roll in the 21st Century is comforting. If I see any more kids embracing hip hop, it will make me sick.
MikeL said:
Surprise, surprise. When I saw this article, I thought for certain somebody here would get angry about it, if for no other reason than Little Steven's involvement.
Wait, I almost forgot...I'd also like to see movies made about Lester Bangs and Kim Fowley. I already know of a couple of good actors who could play those parts.
MikeL said:
Since everyone else here has made suggestions for band movies, here are a few of my own.
I would like to see a movie about the New York Dolls, or perhaps one about Johnny Thunders in particular. I would also like to see movies made about the Stooges and the Clash.
I would also like to see movies made about particular scenes, such as the early days of CBGBs, or perhaps the story of Max's Kansas City. Another good one would be Rodney Bingenheimer's English Disco.
Since everyone else here has made suggestions for band movies, here are a few of my own.
I would like to see a movie about the New York Dolls, or perhaps one about Johnny Thunders in particular. I would also like to see movies made about the Stooges and the Clash.
I would also like to see movies made about particular scenes, such as the early days of CBGBs, or perhaps the story of Max's Kansas City. Another good one would be Rodney Bingenheimer's English Disco.
BTW, I meant to write "documentaries as opposed TO dramatizations."
MikeL said:
Sorry to hear you feel that way, Rod, because I liked "Eddie and the Cruisers," and I liked the influence of those Springsteen albums on the soundtrack. I will admit that "The Runaways" didn't do a very good job of telling the story, but I liked it visually, and Michael Shannon's portrayal of Kim Fowley made it all worthwhile for me.
However, I thought that was interesting what you said about documentaries as opposed dramatizations. That's why I don't want to see a movie made about the Ramones, because I felt the documentary, "End of the Century," did a good enough job of telling the story.
Rockin Rod Strychnine said:I personally like documentaries better than docu-dramas about bands I like. If they serialized their stories on HBO or something, that'd be something. But to put someone's career in a two hour bubble never seems to work. I love the exposure that the Runaways got but I had a tough time with the movie.
But if they were going to make a picture of a sixties band, The Misunderstood would work (thanks to the band and Ugly Things) as would the Thirteenth Floor Elevators. And so would the Monks. Not so much the Sonics. They really don't have a story.
One thing I can say about Steven's picture is I don't think it will be cruddy as Eddie and the Cruisers. The music might sound slick but I'm sure it'll be closer to That Thing You Do rather than Darkness on the Edge of Town or the River.
Sorry to hear you feel that way, Rod, because I liked "Eddie and the Cruisers," and I liked the influence of those Springsteen albums on the soundtrack. I will admit that "The Runaways" didn't do a very good job of telling the story, but I liked it visually, and Michael Shannon's portrayal of Kim Fowley made it all worthwhile for me.
However, I thought that was interesting what you said about documentaries as opposed dramatizations. That's why I don't want to see a movie made about the Ramones, because I felt the documentary, "End of the Century," did a good enough job of telling the story.
Rockin Rod Strychnine said:
I personally like documentaries better than docu-dramas about bands I like. If they serialized their stories on HBO or something, that'd be something. But to put someone's career in a two hour bubble never seems to work. I love the exposure that the Runaways got but I had a tough time with the movie.
But if they were going to make a picture of a sixties band, The Misunderstood would work (thanks to the band and Ugly Things) as would the Thirteenth Floor Elevators. And so would the Monks. Not so much the Sonics. They really don't have a story.
One thing I can say about Steven's picture is I don't think it will be cruddy as Eddie and the Cruisers. The music might sound slick but I'm sure it'll be closer to That Thing You Do rather than Darkness on the Edge of Town or the River.
I personally like documentaries better than docu-dramas about bands I like. If they serialized their stories on HBO or something, that'd be something. But to put someone's career in a two hour bubble never seems to work. I love the exposure that the Runaways got but I had a tough time with the movie.
But if they were going to make a picture of a sixties band, The Misunderstood would work (thanks to the band and Ugly Things) as would the Thirteenth Floor Elevators. And so would the Monks. Not so much the Sonics. They really don't have a story.
One thing I can say about Steven's picture is I don't think it will be cruddy as Eddie and the Cruisers. The music might sound slick but I'm sure it'll be closer to That Thing You Do rather than Darkness on the Edge of Town or the River.
There's a couple doc's. on him.
The Roky Erickson documentary, You're Gonna Miss Me, focused a lot on his early days with the Elevators. Great doco, too. I was lucky enough to see it in a theater when it came out.
SarahJayne said:
They should just make it about the 13th Floor Elevators instead. Drugs, drugs, drugs, cops, rock & roll, Janis Joplin, drugs, crazy people, the Austin psych scene, drugs, cave dwelling, drugs, and drugs. All the bases covered right there.
Sounds cool to me:) I've heard Roky Erickson is quite a character.
SarahJayne said:
They should just make it about the 13th Floor Elevators instead. Drugs, drugs, drugs, cops, rock & roll, Janis Joplin, drugs, crazy people, the Austin psych scene, drugs, cave dwelling, drugs, and drugs. All the bases covered right there.
They should just make it about the 13th Floor Elevators instead. Drugs, drugs, drugs, cops, rock & roll, Janis Joplin, drugs, crazy people, the Austin psych scene, drugs, cave dwelling, drugs, and drugs. All the bases covered right there.
I saw it and it rules! Lotsa kickass footage of the 5 at their peak and some sad shit when they were circling the drain.
Gunther Toody said:
MC5: A TRUE TESTIMONIAL is one of the best, if not THE BEST, rock and roll documentaries ever made. It is out there, available, if you look....(HINT: bit torrent).
TeenFink said:Speaking of rock-and-roll movies, will we ever get to see MC5 * A True Testimonial?
I've played their instruments & they are pretty nice, especially for the price. I was using the Club Bass when I played with Truly Lover Trio, which was a Rockabilly/Early 60's Beat group. It was perfect in that band. The band I had after was way more aggressive so I went back to Fender's, but the Eastwood is a nice bass.
When I played in The Hexxers, our guitarist, Rip Carson often played an Eastwood Hi- Flyer. He loved it, and it sounded awesome. I'd have to say the Eastwood Hi-fliers are at least as good as the Univox.
Here's a cool story about the book in the New York Times... http://www.nytimes.com/2010/10/24/arts/music/24richards.html
Should be really interesting! Hope it's not 100 pages written in a big font! I want quality AND quantity!
Keith is also going to be interviewed by Little Steven next week on the Underground Garage's Sirius/XM channel. The total interview will be six hours long, and it will be broadcast Monday through Friday at 7 p.m. in hour long segments each night. The Friday night interview will be two hours long. Should be interesting to hear him talk for so long.
I know these things are available for download on their website, but are they actually for sale as a physical 7" slab of vinyl?
Um, yeah, I know. Hence the purpose of this post. Did you even read it?
Rinjo Njori said:
This is now free for download on the SCION site.
http://www.scionav.com/music/scionavgarage/index.html#general6,1908...
This is now free for download on the SCION site. http://www.scionav.com/music/scionavgarage/index.html#general6,19080323
CLICK HERE to download the Spits' "Haunted Fang Castle" EP.
I got this one on CD at the Scion Garage Fest and only listened to it once. It's probably my least favorite of their records. But hey, it's FREE.
It's an interesting read:
http://www.guardian.co.uk/music/musicblog/2010/oct/20/dirtbombs-detroit