FRANK N. , All those Mexican Lucha /Horror movies tend to have great soundtracks. The only part of "Contra Los Mostruos" (Meet TheMonsters) ' soundtrack that sticks to my head is that incredible organ instrumental at the beginning , where all the monsters are introduced , by name , along with Santo and Blue Demon.....It's Mexi - Twisted allright. Frankenstein's monster is a guy with a Don Post monster mask with a Beatnik beard and Zapata moustache. The Wolfman looks kind of like Grady on "Sanford and Son" , with long , wavy hair. "El Vampiro" is given more bat - like features and attributes , which JUST cross the borderline into silly . Plus , he and the Wolfman can move about in broad daylight , and Frankenstein drives a car ! The Mummy's just a guy in white guaze bandages, and "El Ciclope" (The Cyclops) , as well as the Alien with the exposed brain , is left over from the classic "SHIP OF MONSTERS"...NONE OF THESE REMARKS ARE INTENDED AS CRITICISMS. YOU MUST SEE THIS MOVIE , IF ONLY TO BELIEVE IT EXISTS.
"Acapulco Rock" is a great "Go Go" movie with lots of dancing , like "Ritmo A Go Go", but there are no bands seen in this movie , just lots of killer 60's Mexican R'n'R. The famous hit song "Acapulco Rock"by Freddie Fender (As Eddie Con Los Shades) does'nt appear in this film.
A somewhat later , more crime - oriented , Santo film , "El Mafia Vicio", opens with some great scenes of Santo drinking coctails , while beautiful bikini girls undulate sensuosly to "Los Ritmos" of a singer who appears to be vying for the title of Mexico's answer to Englebert Humperdink, all this , over incredibly gorgeous Acapulco landscape and the bluest Pacific Ocean you've ever seen , and won't likely see again.
Somehow , I've never seen "Tartu". Sad, is'nt it ?
One of a zillion remakes of "The Black Cat" , from England , mid - 60's , features a Rock Group , all wearing black eyepatches and looking like four Johnny Kidds (Who MAY have been alive , still , at the time.).
In "The London Rock'n'Roll Show" movie , Screaming Lord Sutch emerges from a coffin (Yes , I know he did'nt arrive at that idea , himself , but , I'll take him over Dino Lee ,and I got bamboozled into being one of HIS "Pallbearers" , once.), wearing a tin foil stovepipe hat , about two feet high , rubber monster gloves , and an ensemble that conceded to the brand spankin' new Glam Rock craze ( As did The MC5 , and probably The Move , just before Roy Wood jumped ship , not to mention Gary Glitter's debut , none of which appear in the , otherwise excellent , film.). To cap it off , Sutch appears with his long hair dyed neon green , four years ahead of the Punks - Though a young band called The Sex Pistols debuted as his support band in late 1975 . He performs the classics "Til The Following Night" and "Jack The Ripper" (Performed as "Hands of Jack The Ripper" to coincide with the recent Hammer Films release , "Hands of The Ripper"). He calls Alice Cooper out for "Stealing his act" , and , instead , gets a comely Stripper lass who nearly loses her dress (A documentary on Sutch shows that she did , in fact ,get her kit off , at that.). Former Joe Meek Protege , Heinz ( Member of The Tornados and successful solo act in his own right.), sings a deranged "C'Mon Everybody " backed by a very young Dr.Feelgood. It sounds like Eater ! The Houseshakers , Gene Vincent's last great , steady band are seen briefly , with Graham Fenton (Later in Matchbox.) and Terry Gibson (Former and future Downliners Sect.) . Then you've got Bo Diddley , Jerry Lee Lewis , Bill Haley , Little Richard and Chuck Berry ( Also with Terry Gibson.), all turning in fine performances , though Mike Stax told me that Little Richard's set was poorly recieved by The Teds , because he was'nt wearing a baggy suit and a 6" pompadour. It was 1972 ! Chuck Berry had been dressing like a cheese for years !
So , his set was edited carefully to make it LOOK like he killed 'em. Man , just listen to the MUSIC. If he did'nt kill 'em , they were already dead. Mick Jagger's blase backstage commentary (Did he even watch any of the acts , I wonder?) , and Little Richard and Jerry Lee Lewis' point-counterpoint feud ( Which gets a bit ugly , but , without being reduced to racism (Though Richard calls CHUCK "A good Black BERRY !!!") nor redneck - bashing.) , all filmed in two different rooms , are all priceless. This should still be easy to find.