I didn't get into punk and new wave until '82 when I started jr. high school (or middle school as it's called now). As a kid that would get bored with "normal" and "mainstream" music, I was always on the lookout for different and unusual bands. Living in a culturally behind-the-times city like Roanoke (VA), finding anything cool was almost next to impossible. Only by catching "Video Jukebox" on HBO did I come across anything that came close, such as Devo, the Cars, the Police, etc. Sure, KISS were mega, but even by '82 they were considered passe, and NOBODY even really knew who the Ramones were (unless they did see "Rock 'N' Roll High School"). So it was '82 that I got my first exposure to punk culture, thanks to the rich kids, who were in tune to especially the British scene and what was going on in Southern California. These kids would wear pins, t-shirts, have cassettes that they would order from Thrasher Mag, and that's where I picked up on it all. I made mental notes on the bands they were into, and just started devouring everything I could at a local second-hand record shop. My first few purchases were Devo's "New Traditionalists", Black Flag's "Damaged" LP, the B-52's ("Wild Planet"), the Clash ("Combat Rock"), and Dead Kennedys ("Plastic Surgery Disasters"). I would pick up copies of Rolling Stone, Thrasher, and eventually Maximum Rock 'N' Roll, just to read about anybody and everybody that was making underground noise. I had one friend who would make me killer mix tapes of all the hardcore vinyl that he would special order, and by this time we had two record shops that was starting to cater to the growing punk scene here. It got a lot easier buying SST releases and Circle Jerks t-shirts for example. Plus, I was ordering tapes from the ROIR catalogues, and it pretty much didn't matter what I got from there, because I dug it all (Fleshtones, Scientific Americans, Germs, etc.) By this time, you'd be able to go to the mall's music shop and pick up the Sex Pistols' "Never Mind the Bollocks" or everything the Clash had ever put out, along with Elvis Costello, Killing Joke, etc. Mary Huff from Southern Culture On the Skids (who is from here) started honing her musical chops while playing in a local punk band that actually recorded a local commercial for a record shop back in '84. So, for me, I guess I jumped in head first...