Hi ya Don - wellllll different strokes for different folks. "not who you were" misses the point altogether. Most if not ALL reformed garage bands are not 'pretending', they're excited about revisiting music they made that is still vital and people are hungry to hear live by the original artist if possible, grey hair or waistline be damned. It's a bit dismissive of bands like the Ventures who have kept going and entertaining audiences globally until one by one they started dying or becoming incapacitated, John Lee Hooker who practically died on stage, the Rolling Stones who will kick anybody's ass on any day of the week for 3 hours at a time purely because they like to do it (they sure don't need the money), The Pretty Things who just will not quit, the Trashmen who stand stock still these days but still play wonderfully, how about Bob Dylan? Larry Tamblyn was actually a teen-idol type first but today keeps the Standells on the scene, The Sonics still have a great time and sound great, The Sorrows have even reformed. This is all for the fun & love of it, none of these bands do it for the money, it ain't there to be made in anything like big numbers on the lower end and isn't needed at the top end. On the other hand some bands & artists have never given up and continued to do it for a living all this time. I saw Bill Haley's Comets in Clear Lake 3 years ago and the drummer was 88, just kicking ass & taking names while being the most animated and comical personality on stage, he got a standing ovation from the all-ages audience, and there are so many others. I saw Little Anthony & the Imperials a few years ago and they killed me just as they did in 1965 on a Dick Clark Caravan. Rokie Erickson from the 13th Floor Elevators is back out and better than he has been in years. Speaking for myself and GONN, we are who we were and never ceased to be, just less hair and a bit wider here & there. We got back together in 1990 and never looked back. Everybody had/has jobs, careers, businesses, families, but we fit in tours of Europe, new recordings, shows in the old home territory, etc, just because we wanted to. Our inspiration in the 60's were the girls and in 2012 it's the girls of all ages (wives & grand-daughters now included) and fans around the world and most of all the music itself that keeps us inspired to go out and do it. The new album is wilder and better than the last. I'm not going down easy, I'm going down screamin'. Like someone else on this site said, nobody ever says "aren't you a bit old for this" to blues & jazz guys, but it's thrown at rock at rollers as if it is understood that if you're in a rock 'n roll band you have an expiration date. NOT. Ask Keith Richards. Sure some musicians 'move on' and lose their r'nr soul and while too bad that's OK too. Do your thing. There may be a few retreads who are trotted out for all the wrong reasons, and if the interest isn't there why bother. But "Be who you are, not who you were" is a shoe that only fits those who gave up on or lost their ability or interest in rock 'n roll, which suggests it was a superficial thing anyway. It's not a brush that should be applied to an entire genre. Over 47 years I've done nearly everything from Top 40 in the 60's (the basis of all garage bands) to heavy rock glitter & glam to blues and psychedelia, the singer/songwriter thing, and eventually full circle back to classic rock & 50's/60's, releasing multiple albums incliuding all original material of my own with former heroes as guests, but the most fun I have is with these former teenage buddies of mine in GONN that made some records that will outlive us. What a bonus that is! We still get a huge kick out of playing together and recording together, and most of all seeing the joy in the faces of people of all ages who come to our infrequent but always rockin' gigs. We'd be happy to be playing "Doin' Me In" and "Blackout Of Gretely" and the rest every night of the year, until it's a physical impossibility. Those songs are our children and our claims to fame, like Jagger says it's a gas-gas-gas. Tired of doing them? P-shaw. Music from our youth becomes a touch-stone for the audience as well, we are priveleged to have contributed. I feel sorry for people who had that in their youth and then lost it. It's as they say, "priceless." Or to paraphrase the old Ringo Starr Buick commercial, "this ain't your grandparents music" - (hmmm, I'm a great-grandfather, you have to go back a bit further to get the point I guess!) The older crowd loves 'going back' yes, they get to relive a bit of the feeling the music gave them at the time. But the younger crowd loves the music they discover there, they're reaching, searching for something they see as worthy of the search, something of substance they don't hear often enough in music today. Melody, structure, excitement, creativity, optimism, FUN. The original artists performing live is a disappearing art form that the audience never tires of. If I had a $ for every time some kid comes in my record shop and says "I was born in the wrong time" I could retire (but wouldn't!). It's not the years in your life, it's the life in your years. Don bless you but to me it sounds like The Abstracts have gotten truly old on the inside, it's sad to lose touch with your younger self since there is no societal reason to let go of it or be so dismissive of it. God bless the audience and all of the still active groups & perfomers from all eras & all fields - pop, the teen idols, blues, jazz, classical, dixieland, big bands, folk, punk, metal, and ROCK 'N ROLL! Go down swingin', literally.
|