The Dillions are not bad guitars in the least. I still swear that the Hallmarks are currently the best Mosrite clone on the market and, in many ways, exceed the quality of any of the current guitars being marketed under the Mosrite name. Please note, Mosrite died with Semi Mosley, so purchasing one today, unless vintage, would be simply forking out thousands for a name.
Axel said:
Thanks for the info. I surfed the net a bit and it seems the mosrite pu output was/is between 10 and 12 K. That should create a great sound when usuing fuzz. There is at least one company building mosrite styled pus these days to replace p-90s in all those clones(eastwood, wilson brothers, dillion).
In the meantime I got a Dillion Mosrite copy, 2002 model, and I love it. After I lowered the action is plays pretty decent. I'm not certain that my quest for 'my' perfect garage-punk guitar is over, but for now I'm really happy.
Kill, Baby...Kill! said:In regard to the pickup question, the Mosrites had overwound P-90s that were very 'hot'. These sound very different from standard P-90s found on todays guitars.
Thanks for the info. I surfed the net a bit and it seems the mosrite pu output was/is between 10 and 12 K. That should create a great sound when usuing fuzz. There is at least one company building mosrite styled pus these days to replace p-90s in all those clones(eastwood, wilson brothers, dillion).
In the meantime I got a Dillion Mosrite copy, 2002 model, and I love it. After I lowered the action is plays pretty decent. I'm not certain that my quest for 'my' perfect garage-punk guitar is over, but for now I'm really happy.
Kill, Baby...Kill! said:
In regard to the pickup question, the Mosrites had overwound P-90s that were very 'hot'. These sound very different from standard P-90s found on todays guitars.
If you can get your hands on one, go for it! Then, paint a pic of that guy on the body.