John Battles said:
I know what you mean about coming up with laundry lists of historical innacuracies , tho' Spike Lee beat these guys to the punch with "Summer of Sam", CBGBs Punk rockers with giant mohawks , liberty spikes , and green hair , in 1977 ! I asked my Sister - in - Law , who went to CB's , Max's , etc. , as early as 1976 , if she EVER saw a mohawk in New York in '77. She said MAYBE RICHIE STOTTS WAS WORKING ON HIS VERY FIRST ONE , BUT , IT WOULD HAVE BEEN A FLAT , TRAVIS BICKEL NUMBER. That's so weird about using Joey's solo material. I'd have rather just heard a band trying to approximate The Ramones sound , if they could'nt get the rights to their back catalogue , even though I like Joey's posthumous solo albums.
Yeah, it was just too much. I can understand changing certain thing to make a story more appealing or something...but the a lot of inaccuracies seemed to come down to just laziness. Like when Joey said "we have 4 new songs", but only named 3....you think SOMEBODY on set would've pointed out that "I don't wanna be learned/I don't wanna be tamed" is actually only one song. haha!
I agree with the idea of a band just imitating the ramones sound....it would've made a lot more sense to just get a track of someone hitting a 3 barre chord riff over a 8th note 4/4 beat. Somehow the idea of a 1974 Ramones playing "I got Knocked Down but I'll get Up" (with hilly looking on with a "these kids are goin places" expression on his face) was just brutal to watch.