I don't know how it works where you live, but here there are usually local music lovers who do amateur event booking/promoting... look for bands similar to you online and around in "the real world," make friends, and see how they do their booking. The best way, all around, is to network with other bands.

Also, depending on what your laws are like there, you might be able to play in bars/clubs as long as you make the gig 18-and-over, with wristbands or some other such device to keep the young'uns from drinking. Call the clubs you want to play and try to talk to whoever books the live music there.  They might be able to work something out with you.

Other than that, your idea of splitting the cost of a hall with some other bands is a time-tested tradition and a damn fine idea. Call around to different places and see what the cost is for each one, find out if you have to get insurance and/or security, and go from there.

This all seems obvious to me, so sorry if this isn't all that helpful, but hopefully it was.

thanks for all the feedback guys, it's really appreciated.

as for the banquet halls i actually hadn't even thought about lighting or insurance. between me and my friend we've got a good PA to work with. Security was something i wasn't sure what to do about either.

as for stores: it's kinda limited here in the suburbs, a lot of the skate shops and books stores are either Vans and Barnse and Noble, i'm not exactly sure how i'd even approach them about a show.

record stores are another thing i've been looking into. There's two that i know of that might host shows.

the one place for all ages show is a pay to play venue that caters mostly to hardcore/metal bands. It's an ok place. I've been also looking for some kind civic/youth center that may allows to do shows. I've heard some colleges will let you book a theater, but i don't know how much that'd cost.

Don't you guys have youth centres where you are? Maybe an all ages show? Before I moved to Australia, I lived in Canada and a local teenaged band use to play the high schools at lunch. Maybe your local council can help out, too?

Scott LIVS raises a good point. Apart from sponsorship, record stores may let you do an in-store. I've done a number of them here in Sydney.

that age thing is really going to hold you back. especially in the states. while banquet halls are cool, the overhead on renting is pretty high. plus you have to rent your own security, insurance, and bring your own PA/Lights.  I've done my fair share and its alot more work than you think it is. 

here are some suggestions; 

talk to local book stores / record stores/skateboard shops and try to make some kind of event or fundraiser. those places love it when new people cruz into there places, and if its for a good cause, win win for everybody.

House partys. especially if you live near a college town. I am sure you know somebody that will let you party at there place, just bring the beer and the people will come.

but in all seriousness once you hit the 21 mark it gets a lot easier to get shows. just keep practicing and make your band really hard to follow.

good luck 

By the way, this doesn't happen very often.

perez botella said:

It's a bit difficult for me to hang around with people with different music tastes to mine.

Anyway, I´ve made great friends and dated with some girls talking about The Buzzcocks, The Cramps, The Kinks, etc. at bars or after a gig.

Deffinitely, for me, music is quite important when having a relation, sentimental or just friendship.

It's a bit difficult for me to hang around with people with different music tastes to mine.

Anyway, I´ve made great friends and dated with some girls talking about The Buzzcocks, The Cramps, The Kinks, etc. at bars or after a gig.

Deffinitely, for me, music is quite important when having a relation, sentimental or just friendship.

I guess I'm just not active enough - I come here & read a lot but don't post much

Discover new music! I am always accepting submissions from bands wanting to be featured.

LISTEN HERE:

http://www.mediazoic.com/creatures/jambone-scuzz/

APRIL 16TH PLAYLIST

Suffering - Nick Cave and the Bad Seeds

Realpolitik -The Wilderness

Don't Know What I'm Doing - Blind Cats

Stargazer -TNG

Looking For A Kiss - New York Dolls

Stop! - Bloodshot Bill

Fistfight -Toxic Deathula

 It's All About the Money These Days - JOATMM

Connected - Radio Birdman

No Feelings - Sex Pistols

Reprovisional - Fugazi

I Wanna Be Your Dog - The Stooges

Dead Butterflies - Drugs in Japan

Wrong Way Ticket - The Cramps

Eight Tattoos - Voodoo Bunny

Jenny Jenny - The Sonics

Hey - The Pixies

Stranded - The Gories

Sabertooth Tiger - Cage the Elephant

Ain't It Fun – Dead Boys

Weirdonia will be playing 2 record shops on the big day! 12PM at Dr Disc in Windsor and 4PM at Grooves in London.

As for releases? Captain beefheart.. bowie.. white stripes.. and flogging molly!

All the neato 45s that Sundazed are peddling - Chocolate Watchband, Bloos Magoos, Captain Beefheart, Byrds, Gene Clark etc. All top gear!!!

What Neanderthals release?!?

Alex said:

Definitely looking forward to the Neanderthals, Nobunny, Little Richard, and Trouble In Mind releases.

I don't think it killing music by itself ;) but it's certainly helping. With all of the bad publicity that Facebook gets for aggressive business practices and all the data-mining it does, not too many cool people want anything to do with it. Speaking just for my own feelings, if anything I'm searching for gets a facebook URL, I don't even bother looking it up.

As for likes, they can be a barometer for something, but they aren't the end-all/be-all. I like to think that most punky types are fairly independent-minded.

I often try to look up a band only to find that they just have facebook page and no website.  I then get frustrated because these band facebook pages usually don't have any music on them or even links to music, and have very little information about the band.  It completely bewilders me.  Social networking is great, but all bands should have a user friendly website with music, bio, discography with purchase links, and tour dates.

Definately, I find it hard to believe that anyone could suggest these days that anything is killing music. Music is being made and shared now more than ever before in history. I was always dissapointed that Myspace (crap site now) wasn't around like 2 or 3 years earlier than it was because at the time I had nowhere to go to find out where gigs were happening in my boring, leafy suburbs.

I had no big brother to get me into good music and it's all thanks to the internet that I'm able to expand my music tastes without spending all my pocket money.

The only people who should be upset about the internet are those fat cats on major labels, which is why the governments are trying to clamp down on the usage.

Mole said:

Definitely not killing music as far as I'm aware - but is ANYTHING killing music? If you bypass the dross that passes for music on most daytime radio shows (I'm talking UK specifically here) and ignore pretty much anything on 'normal' TV [esp. those 'talent' shows - Jesus, what a total scam], there's an extremely healthy underground scene. As Kopper mentions, the DIY thing is probably easier now than ever before, and in my experience and opinion, social networking sites [just like this one RIGHT HERE!!!] slot perfectly into that approach. As our man says, you don't NEED labels/promoters etc to be able to put out your own music - what you need is BELIEF.

Definitely not killing music as far as I'm aware - but is ANYTHING killing music? If you bypass the dross that passes for music on most daytime radio shows (I'm talking UK specifically here) and ignore pretty much anything on 'normal' TV [esp. those 'talent' shows - Jesus, what a total scam], there's an extremely healthy underground scene. As Kopper mentions, the DIY thing is probably easier now than ever before, and in my experience and opinion, social networking sites [just like this one RIGHT HERE!!!] slot perfectly into that approach. As our man says, you don't NEED labels/promoters etc to be able to put out your own music - what you need is BELIEF.

thanks for the info - espiciallly the part about sending over just the bands own website - never thought of that before

kopper said:

I would also argue that it's because of this new social-networking craze that makes it even less important to be on a label. The DIY ethic is a helluva lot easier in 2012 than it was 20 years ago when you HAD to rely on labels, flyering, and getting reviews or interviews in printed 'zines. People are now in control of and have all the tools they need right at their fingertips to do all of their own marketing and promotion.

That said, any band in 2012 should still have their own website, first and foremost. Don't put all of your eggs in just one basket (i.e., Facebook or MySpace). Buy a domain name for your band and set up a blog there. Then connect it with your social networking sites... Facebook, Twitter, Bandcamp, LastFm, Hideout page, etc. I didn't list MySpace because I don't even waste my time on that crappy site anymore. Then instead of linking to your Facebook page and being overly worried or concerned that you don't have enough "Likes" on it or whatever, just link to your band's personal website. The important thing is that you have all the goods there that booking agents will need in order to book your band, such as music (a no-brainer), videos, a bio, etc. I would personally NEVER send any label or promoter a link to my band's Facebook page. Let them find that on their own AFTER they visit your site.

Funhouse isnt 'garage'.It's Punk.

The Stooges - Funhouse is the greatest album ever made. Does that count? if not I'll go with The Oblivians - Soul Food or The Monks Black Monk Time.

'I'm all for peace an love mate, If only i could do something about these fucking mood swings' Overheard on a bus home yesterday. Cannae say more punk than that!

My favourite punk quote was said to myself during work today.

"The New York Dolls - nothing but a vaudeville 12 bar blues bar band"

"There was no-one wearing hippy love beads in the summer of hate - 1966" ... Bob Landfield,friend, genius garage collector and true punk.

In regards to hip hop, Bob again comes up with the goods.

"...as bizarre as it sounds, this ``music" has been as destructive and corrosive as any American societal trend in my lifetime"

Well said!!! He is the Drunk Werewolf of Woodstock after all!!!!!

John Battles said:

 " If you say Punk is not Rock 'n' Roll ,  well , that's wrong. And , if you say Punk is not a form of Rock'n'Roll , well , that's wrong. Punk , to me , is the art of cramming into one second what it used to take all night for us to do. When The Elevators would play with , say , The Conqueroo , at the end of the show, when we'd both played our sets , you HAD to jam. Don't even think of what kind of Hell they'd raise if you did'nt jam.".

"I like The Sex Pistols , sure. They remind me a lot of Fiorello La Guardia. My favorite Sex Pistols song? Hmmmmm. I have it. The First Sex Pistols Song I ever heard? I guess "Hot Cars".

"Somebody sent me a Talking Heads tape.   It's hard to listen to !". 

Roky Erickson.

For me... Shutdown 66 is essential for any punk lowlife's record collection

The Teenage Shutdowns are also really well comped, well pressed and well informative comps, you cannot go wrong with these.

I also like the dorky and highly important comps.

Root 66

I Can Hear Raindrops

and

Class of 66 - NO FUZZ

I once owned a Moxie box set on coloured (sorry for the UK spelling) vinyl. Sadly had to let it go to pay some bills. One of the best private pressing of trash punk ever! If you see it buy it.

Hah!  I think the secret is out.  Mick and Keif are comic book nerds and have been trying to us so subliminally for years.