Do now!

Hey, you do know that you can listen to archived "Wayback Machine" episodes, don't you?

Andy O.B.O. said:

Easy, Songs the Lord Taught Us. It also got me really into rockabilly. Then I read about how they'd listen to local dj's playing music in Ohio, so I thought I'd try to do the same where I lived, in St. Louis. That's when I found the Wayback Machine. After that came stuff like the Oblivians, The Makers, etc.

Easy, Songs the Lord Taught Us. It also got me really into rockabilly. Then I read about how they'd listen to local dj's playing music in Ohio, so I thought I'd try to do the same where I lived, in St. Louis. That's when I found the Wayback Machine. After that came stuff like the Oblivians, The Makers, etc.

thanks kopper! Painting in my studio has taken on a different meaning now after tuning into GP.com

one cover band really grates on my nerves, and i realize they probably have a lot of fans here, but who cares? i'm talking about the FUZZTONES. i can stomach maybe Bad News Travels Fast (their best moment), but the covers they recorded are pretty consistently lame.

now, the DIRTBOMBS, on the other hand, know how to cover songs and do it well. see Ultraglide in Black and If You Don't Already Have a Look as perfect examples. some outstanding covers there.

take that did smells like teen spirit live in like 96 or sumin ! arguably not what kurt died for

the two at the top of my head are also not garage, but Alien Ant farms cover of Smooth Criminal and then there was this ska version of Iron Man that didn't go so well (can't remember the band). On the flip side I love Hugo's cover of 99 Problems.

Great topic!

I'm sure I can come up with more if I think long and hard about this, but one that comes to mind would be Smash Mouth's cover of ? and the Mysterians' "Can't Get Enough of You Baby." That one would irritate me to no end. Luckily, I haven't heard that cover in years! That band was also responsible for butchering The Monkees' "I'm a Believer." Ugh...

Others off the top of my head:

Not garage related, but Duran Duran covered Public Enemy's "911 Is a Joke," too. Unforgivable.

Motley Crue doing "Anarchy in the UK"

Michael Bolton's complete awful cover of Otis Redding's "Dock of the Bay"

Limp Bizkit murdering the Who's "Behind Blue Eyes"

And I'll leave it at this:

I always hated the Mudhoney version of hate the police -

the original by the dicks is far superior, but good on em for trying

There is a show on the local community radio station that I listen to during the morning drive.  The show is usually pretty good but the hosts seem to go out of their way to play rotten covers of well known songs.  They're usually so bad that it almost ruins the original.  Today it was Lost In The Supermarket (Clash) covered by the Afgan Whigs ... execrable!  What lousy covers have gotten you angry?

Mel = funny because it's true!

No doubt! If anyone knows how one goes about making money from music, please share.

Shanks!

FNS

The best way to make a small fortune in music is to start with a large one.

Mick Collins (the Gories) said he wouldn't take a guitar worth more than $100 on the road.  Jeff Beck said he'd play any guitar and be able to get a good sound out of it (but at the Les Paul tribute he switched back to his Fender Strat).

IMO, I wouldn't spend the big bucks if you want to sound rough.  For my natural overdrive crunch (early Kinks/Sonics/Mummies) I got a new Hofner Club reissue for under $400.  A good budget alternative to a Fender is a Squire.  I'd get a Tele unless you wanted a twang bar.  If you wanted to sound more clean and slick for surf/rockabilly twang or a nice jangle, then a higher dollar guitar would seem more worth it to me. 

How much does a Burns go for in the UK?  I'm looking at a Bison but I think the Cobras may be pretty affordable.

I don't know REALLY what effect the guitarist is using, but it sounds a heckuva lot like the British Stack effect on my Digitech pedal.

NEIL HAMBURGER! Wow.

I wanna go so bad.

we got pointed here by you because we are trying to sell out but nobody's buying. seriously though (one eyebrow up /slanted smiles) this brings up something that is probably one of the hardest things a band must do. describing yourself. giving yourself a label that will attract people who might otherwise pass you by. this is loathesome to all of us bands as we are unique. that is what we must believe in order to keep going. we worry that maybe strictly speaking we do not belong on gph. we have heroes and inspirations that are firmly in the canon but we do not really sound like them. kopper is there a gph tribunal that passes judgement on who is really gp? we firmly believe in such a thing as good music and bad music. it is not a matter of opinion. it is a fact. facts (despite what the republicans think) are solid and immovable objects. they exist and there is nothing you can do about it. most of those whiny sensitive bear shit bands on pitchfork are BAD MUSIC. there is a terrible pretense to having soul that just makes us fucking angry. having said all that  probably none of it belongs here. just forget it.

kopper said:

Hell yeah, it's trendy as fuck right now. And it's really annoying. I keep hearing or reading of "garage" sounds or influences in bands that sound NOTHING like garage rock (or "garage punk," for that matter). I think it's just the state of the music scene right now. Bands like the Hives, White Stripes, and Black Lips (amongst others) really put "garage rock" in the mainstream, and then you had labels like Vice Records jump on the bandwagon with lots of money to promote it with the help of corporations like Scion, and BOOM. It's the "next big thing." Problem is, too many of these bands are just plain BORING, and I bet most of 'em wouldn't know a Sonics or Oblivians tune if it hit 'em on their heads.

Oh, and by the way, I never could stand the Strokes. As far as I'm concerned they were the "Pearl Jam of Garage Rock," a fabricated band, totally fake, with crappy music that might be OK when compared with the rest of mainstream "rock music," but pales in comparison to most of the real garage rock/punk out there.

for 22-piastepirkkko. according to this thread I see your point at first sight. but the description of the bands somehow says there's more then just "garage". and a soundsample was choosen, which is far from this part of the labeling. but nevertheless garage has always been an integral  part of the band's sound and heritage.

http://soundcloud.com/bone-voyage/22-pistepirkko-save-my-soul/
http://soundcloud.com/bone-voyage/22-pistepirkko-big-bed/
http://soundcloud.com/bone-voyage/22-pistepirkko
http://soundcloud.com/bone-voyage/22-pistepirkko-frankenstein

the band gonna play a off-venue show in reykjavik on 12.10.  at Bar 11, garage-style for sure. They are not hardcore, and are not the pure garage band you might be looking for. maybe at heart they are a quirky pop band. or homemade r'n'r. stubborn and  adventurous. it's not for everyone. 

rumble ouwee!

The false labeling is annoying, but imagine rock n roll music being played on the radio, at high school dances. Even if it becomes "main stream" it doesnt sound all that bad to me. But at the moment im showing all kinds of freinds my rock and roll, and they're digging it just fine, so again, i dont think its such a huge deal.

Dr Ross the harmonica boss did play drums too.

http://youtu.be/g2BDVjoq1nw

http://www.facebook.com/pages/One-Man-Band-Club/118032478296415

King Sickabilly

amazing...

cool!