dead moon were a grunge band from portland.  you can find their 7" in jukeboxes there.

I contribute over at drumforum.org frequently.  One of the guys on there posted this recently:

"Back in high school 1967 - 1968 I cut a record. Many teenage bands made records that go nowhere and they forgot about them. Just for the hell of it I looked up the record on Google: Hurry On Back To Me / Up On the Roof by the Casino Royales. I discovered it is being sold (and has been played in clubs) in the UK and Germany, for up to $175.00 US dollars for a mint copy. This is pretty cool but I guess there are no royalties after 40+ years. I think it's a mediocre record at best but maybe in Europe it's considered a classic of Northern Soul. Pretty funny for a group of teenage white guys. We never played the Apollo that's for sure."

Anyone ever heard of them? 

Just been listening to Teenage Treats volume 4, comp of late 70's/early 80's rare punk singles, gonna look for the other volumes now.

Hi,

  It comes down how was it recorded with the  Beatles and or early  Rolling Stones LP they were all record in mono  so that the way I like listen and on vinyl but I hate the Beatles, but early Stones mono LP's kick ass.The mono recording that were change to stereo just don't sound right good mono recording sounded great!

if it's stereo that is.

Phillip Jaggar said:

glad to be of assistance. Though I do play alot of stereo records for DJing, most early to mid 60's stuff has odd mixing to it.

Marty Shane, Pacifiction Records said:

I put this question in the DJ group forum and this is the kind of input I was looking for, much thanks!

Phillip Jaggar said:

Mono for DJing, Stereo for home listening. Having to hear a shitty 60's stereo recording in a club sucks, especially bands like Mitch Ryder and the Detroit Wheels, and a few Beatles songs are horrid when played in a club. But I do agree stereo did do wonders for some psychedelia.

glad to be of assistance. Though I do play alot of stereo records for DJing, most early to mid 60's stuff has odd mixing to it.

Marty Shane, Pacifiction Records said:

I put this question in the DJ group forum and this is the kind of input I was looking for, much thanks!

Phillip Jaggar said:

Mono for DJing, Stereo for home listening. Having to hear a shitty 60's stereo recording in a club sucks, especially bands like Mitch Ryder and the Detroit Wheels, and a few Beatles songs are horrid when played in a club. But I do agree stereo did do wonders for some psychedelia.

The guitar & bass player in my band play Eastwood.  Both of them have upgraded electronics,bridge etc......Overall I know they both love the versions they have.  Guitar has the Map, & The the 59 custom 3P, Bass has The Airline. 

I think ya outta try & find a new drummer.  Us drummers are too imprtant to go without:)

I have heard many young people thnk the only danceable music is crappy "disco music" (crappy, esp the late 70s disco duck, YMCA-oriented wimpy stuff........as if dancing started oin the late 70s and early 80s, hahahahhahahahahhahahah...what creeps:):)!!!! What does the word "disco music" even mean??! Beats me :):)!!!! Young people have been dancing since the dawn of ages....."discos" or discoteques were created in the late 50s and the chix and teens really went wild unlike the plastic, sterile dancing to the Lady Gagas of today :):):)!!!

GOOO..GOOOOOOOOOOOOOOO...GGGOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO GO GO CHIX ;););)

I'm fond of go go dancers too:)

Excellent band! My band opened for them at The Beachland Tavern in Cleveland.  During their set our bass player & guitar player played on stage with the band, while the members went into the audience for "Audience Participation".  One of our most memorable gigs! Great guys! Great music!

My wife is a big fan of The Fleshtones ...they are playing here in LA next week , busy week for us ...Kid Congo is playing too !

Most definitely! I think that format needs to truly come back. At least in our corner of the music world it sort of has.

Catfish Jones said:

Exactly. The album rock era really reigned in an age of rock and roll bloat, I.E. Led Zeppelin, Pink Floyd, Blah Blah Blah. It seems like once bands could slap together a full length they didn't have to do shit again for a while; where in the singles days they were constantly working in order to not be entirely forgotten. Which I happen to appreciate. 

Old School Hero said:

That's why 45rpms were a staple in the 50's up until the mid 60's I think. When the late 60's came songs got longer and there was really no better way to do it than to go with full albums.

Catfish Jones said:

Singles were the bread and butter for those 60's bands, so when they'd throw an album together a shit load of the stuff WAS actually filler. I think the earlier singles are my favorites, but of course the full lengths hit their peak in the early/mid 70's.

early 70s stones were the best.  not only the albums but the live show.  they were never a live powerhouse until this point...

Exactly. The album rock era really reigned in an age of rock and roll bloat, I.E. Led Zeppelin, Pink Floyd, Blah Blah Blah. It seems like once bands could slap together a full length they didn't have to do shit again for a while; where in the singles days they were constantly working in order to not be entirely forgotten. Which I happen to appreciate. 

Old School Hero said:

That's why 45rpms were a staple in the 50's up until the mid 60's I think. When the late 60's came songs got longer and there was really no better way to do it than to go with full albums.

Catfish Jones said:

Singles were the bread and butter for those 60's bands, so when they'd throw an album together a shit load of the stuff WAS actually filler. I think the earlier singles are my favorites, but of course the full lengths hit their peak in the early/mid 70's.

The Korg PS 60 has lots of vintage keyboard sounds and is half the price of a Nord.

http://www.korg.com/ps60

On the organ tab, it has lots of hammond settings, a "vox classic" setting and "60's registars" which sounds like Johnny and the Hurricanes. You can add vibrato to any setting and change rotary speeds. There are 52 organ presets available, so there's a good bit of variety.

The Electric Piano has a "Old E. Piano" setting that nails the dark Wurlitzer tone. 

In the string section, there are some decent mellotron like settings.

Plus you can layer and split the settings. I use some left hand piano/right hand organ on a few songs. Most Nord models cannot have piano and organ at the same time.

http://twitter.com/horrordeluxe

I like Twitter, it's a good way of finding out what is going on in the world (depending who you're following) : ) and making contacnt with people you otherwise wouldn't. I've got one @diycouture and my band has one @baaneex : ) xx

we gotcher twits right here

http://twitter.com/becca__bomb

and

http://twitter.com/creeping_ivies

Ha ha, Actually we're both correct.

dublÉ said:

Actually it's the wood that shrinks/expands due to (usually rapid/excessive) changes in temperature and/or humidity, causing the laquer to crack...

Personally I wouldn't go the superglue route... as I understand, superglue is mainly used to fix hairline cracks in the wood itself, and not to repair the varnish.

Mardy Pune said:

The checking or crazing (depends on what part of the world yer from) is caused by shrinkage of the lacquer. Don't kick yerself to hard cause it happened to yer baby.

Personally never meet a collector that wanted the finish to look like that. Any that do would want them real cheap so they could get them re-finished.

Find a luthier that specializes in respraying, not the guy who works outta the back of the local guitar shop, although he might be able to point you on the right direction.

Biggest question is do you want it as a piece to hang on the wall or as an instrument to play? You might really pissed off with yerself if you re-finished it and then scratched it on its first outing.

I wouldn't bother with re-finishing it if I was playing it live, but I am really hard on my instruments.

Actually it's the wood that shrinks/expands due to (usually rapid/excessive) changes in temperature and/or humidity, causing the laquer to crack...

Personally I wouldn't go the superglue route... as I understand, superglue is mainly used to fix hairline cracks in the wood itself, and not to repair the varnish.

Mardy Pune said:

The checking or crazing (depends on what part of the world yer from) is caused by shrinkage of the lacquer. Don't kick yerself to hard cause it happened to yer baby.

Personally never meet a collector that wanted the finish to look like that. Any that do would want them real cheap so they could get them re-finished.

Find a luthier that specializes in respraying, not the guy who works outta the back of the local guitar shop, although he might be able to point you on the right direction.

Biggest question is do you want it as a piece to hang on the wall or as an instrument to play? You might really pissed off with yerself if you re-finished it and then scratched it on its first outing.

I wouldn't bother with re-finishing it if I was playing it live, but I am really hard on my instruments.

It's probably worth trying the superglue in a  out of sight place, but I think once you've scaled up the effect of how that looks over the whole body, it'll probably detract overall.

So, in short, guess I'll live with it.

The 3rd episode is done and up for your listening enjoyment! Please like my show on Facebook and enjoy! If you haven't heard this show before, just know you're in for something different!

You mean your GREAT 45 !

I remember that "contest". I should have participated coz years have passed and I still haven't that 45 in my collection !

The Jinxes said:

We like Matt because he gave out our 45 as a prize!