I love how the company covers its arse from liabilities saying that you must be over 18 with a safety screen when smashing. With noone around in 20m in all directions.

I HAVE to wear a wig of messed up hair. I'm really not good at growing my own these days and people just don't seem to like it when I sing We Stand United with a receding hairline. Actually I wore it as a tribute to ? way back when but everyone around my scene said I should continue, so I did. Except when I opened for the Woggles. That just would have felt embarassing. kopper said:

Lame. This reminds me of fashion jean companies selling jeans with holes in the knees. What's next? Buying a wig of messed up hair? Just mess up your own damn hair!

the kids who play "guitar hero" and think they are actual musicians will love it!

A guitar smashed in one swing? It kind of devalues the whole thing. Pete wouldn't like it, I expect!
If they've got balls they should smash their Teisco or their les paul (though I have to say that if I ever see someone smash a Teisco del rey, I'd smack him or her in the face... If you want to smash a les paul, well, have a ball then).

links are still good on there-I'd recommend the Megaupload option.

DO NOT CLICK THE BIG "DOWNLOAD" BUTTON ON SHARBEE!!!! many tears might follow if you don't have decent antivirus protection.

Well, that's not a legitimate release. That's an old GaragePunk.com Forum Comp (not a physical CD)! There were hundreds of those. I have a bunch, but not that one (and I don't think the download is valid anymore, either). Did anyone grab that from Mikael when it was originally offered? For some reason I missed it... Rinjo Njori said:

There is a two disc set called songs we taught the detroit cobras-- I have never seen a physical copy but it has pretty much every song the Cobra's covered, here kopper said:

That is a great list. Basically, look for the original versions of all the songs the Detroit Cobras cover, and you're off to a good start.

Also, one of my favorite albums of modern soul would have to be the Now Time Delegation's LP (featuring the vocals of Lisa Kekaula of the BellRays). Black Joe Lewis is good, too (and he's playing in St. Louis next week). The screamin' Soul Preacher said:

Great great list Chessman !
Chessman said:

Well, some of these may be more 'proto-soul' then what you're after, but I still think they rate pretty high on the 'danceability' scale...

Lonnie Youngblood - African Twist pt.2
Smokey Johnson - Whip It Pts 1 & 2
Don Gardner - My Baby Likes To Boogaloo
Gino Washington - Come Monkey With Me
The Ideals - Go Go Gorilla
Eddie Kirk - The Hawg
James Brown - And I Do Just What I Want
Gary U.S. Bonds - I Wanna Holler
Otis Redding & The Pinetoppers - Shout Bama Lama
Dottie Campbell - He's About A Mover
Joe Tex - Ain't I A Mess
Jimmy Stokely & The Exiles - It's Alligator Time
Billy Lamont - Sweet Thing (w/h Hendrix on guit.)
Nathaniel Mayer - I Want Love And Affection (Not The House Of Correction)
J.C. Davis - The Chicken Scratch
Bo Diddley - Jo-Ann

Cheers,

Chessman

There is a two disc set called songs we taught the detroit cobras-- I have never seen a physical copy but it has pretty much every song the Cobra's covered, here kopper said:

That is a great list. Basically, look for the original versions of all the songs the Detroit Cobras cover, and you're off to a good start.

Also, one of my favorite albums of modern soul would have to be the Now Time Delegation's LP (featuring the vocals of Lisa Kekaula of the BellRays). Black Joe Lewis is good, too (and he's playing in St. Louis next week).

The screamin' Soul Preacher said:

Great great list Chessman !
Chessman said:

Well, some of these may be more 'proto-soul' then what you're after, but I still think they rate pretty high on the 'danceability' scale...

Lonnie Youngblood - African Twist pt.2
Smokey Johnson - Whip It Pts 1 & 2
Don Gardner - My Baby Likes To Boogaloo
Gino Washington - Come Monkey With Me
The Ideals - Go Go Gorilla
Eddie Kirk - The Hawg
James Brown - And I Do Just What I Want
Gary U.S. Bonds - I Wanna Holler
Otis Redding & The Pinetoppers - Shout Bama Lama
Dottie Campbell - He's About A Mover
Joe Tex - Ain't I A Mess
Jimmy Stokely & The Exiles - It's Alligator Time
Billy Lamont - Sweet Thing (w/h Hendrix on guit.)
Nathaniel Mayer - I Want Love And Affection (Not The House Of Correction)
J.C. Davis - The Chicken Scratch
Bo Diddley - Jo-Ann

Cheers,

Chessman

This version of the band has always been my favorite, actually the only one I liked. Having shot kidneys does not sound like a happy life at all.

I've pretty much said this before in other "how do you play this" threads, but if you know how to play bass, the root note is usually the chord that is being played. The G, B flat, C and D are also the same notes that the bass player is mostly hitting. I usually learn garage songs by playing the bass notes along with the records (or CDs) and then switch to full chords once I've figured it out.

And I really wouldn't challange Kopper on subject matters like what's a scene and what's a subculture. He knows more than Wikipedia.

Goth isn't just a scene, it's a way of life, hence, a subculture. Pretty much, a scene IS a subculture. If you're just talking about dressing in black, then you're talking about goth style, not subculture. And really, you don't want to be in that scene. It's just as bad as hanging out in a squatted house. Depressing. Johnny Paradox said:

When I say subculture, I mean I like to dress in black, I am being myself. :) Emo is dead anyway. SCENE is what you're reffering to haha.

kopper said:

Fuck the subculture. Goths are about as annoying as emo kids. Just dig the music and be yourself.

Johnny Paradox said:

Thanks guys, I am just getting into the "Goth" subculture and the new tunes will be welcome :)

Jody Reynolds! Endless Sleep is pretty gothic, isn't it. S.Law said:

jamie said:

More important I think, is building music on tradition with a proper foundation based on the theory of rock and roll archetypes from the 50s and 60s.

in that case, Jody Reynolds! anybody mention Christian Death? First album, the ones after are snoozers to me(tho they definately fit the depresso rock thing).

Kilslug!

jamie said:

More important I think, is building music on tradition with a proper foundation based on the theory of rock and roll archetypes from the 50s and 60s.

In Australia we had groups like The Birthday Party, Moodists, Scientists, who went to England and did alot of gigs with those kind of British Goth bands like Bauhaus, Siouxsie, Sisters of Mercy etc. Locally the Birthday Party kind of sound was popular with lots of groups in the early 80s, such as Grong Grong, and Box of Fish, and described with words like "grunge" and "swamp". That kind of Gun Club/Cramps kind of vibe also crosses over with the uk Psychobilly scene, and groups like Alien Sex Fiend, Bone Orchard, and Sunglasses after Dark were fairly Gothic but included on a Psychobilly compilation album. Some British Anarcho Punk groups also cross over into Gothic a bit too, Squatting Hippie/Punks into Hawkwind and Crass and occult, stone henge insence crap. And the "Gothic Subculture" probably comes from the New Romantic clubbing scene (yuck).

I don't think "Gothic" is a real genre as such, but is more of a dark vibe that you can overlay onto almost any music style. More important I think, is building music on tradition with a proper foundation based on the theory of rock and roll archetypes from the 50s and 60s.

Oh yeah, I think Deadbolt is worth a look as well.

Try Morbid Opera, a Florida band who mostly did stuff in the 80s. Female fronted band, their singer just died actually. I always thought they had a unique sound, a little more raw than the average band like this. Many of these bands are just too polished and full of themselves for my taste. I think their stuff is really hard to find now though.

45 grave had some good punk/goth crossover type stuff going.

Siouxsie and Bauhaus have always been hit or miss for me, but when they are good, they're really good.

My other faves have already been named, though I wouldn't consider most of them goth other than some of the horror subject matter. Original Misfits, Samhain, Damned, Roky Erickson, TSOL, Cramps, Screaming Lord Sutch, Screaming Jay Hawkins..

Deja Voodoo an 80s band from Canada (there are a bunch of bands who later used this name) who formed Og Records had some good horror material. They were very Cramps like, but more lo-fi.

My absolute favorite though is Color Me Psycho, another 80s Canadian band who had a garage type sound. If you ever see their Pretend I'm Your Father LP snatch it up!! Tom Bagley the singer went on to form Forbidden Dimension, one of the best horror bands of all time. They are still going strong after 20 years and have a lot of 7"s and some CDs out.

I would highly suggest The Return of the Living Dead soundtrack as a good starting point. Almost every song on it is good. You get 45 Grave, TSOL, Flesheaters, Roky, Tallboys, Cramps and the Damned all on one records!

When I say subculture, I mean I like to dress in black, I am being myself. :) Emo is dead anyway. SCENE is what you're reffering to haha. kopper said:

Fuck the subculture. Goths are about as annoying as emo kids. Just dig the music and be yourself.

Johnny Paradox said:

Thanks guys, I am just getting into the "Goth" subculture and the new tunes will be welcome :)

Fuck the subculture. Goths are about as annoying as emo kids. Just dig the music and be yourself. Johnny Paradox said:

Thanks guys, I am just getting into the "Goth" subculture and the new tunes will be welcome :)

Thanks guys, I am just getting into the "Goth" subculture and the new tunes will be welcome :)

I guess to a certain extent Pere Ubu could be included as well. Alex Patton said:

And later Damned stuff could very easily be considered Goth. Big Black is another good band in that vein.

And later Damned stuff could very easily be considered Goth. Big Black is another good band in that vein.

We just started this adventure, still learning to play. So the setup is with stuff that is cheap, we could source and doesn't take up much room - whilst trying to be true to old garage.

Me: Danelectro Deadon? Reissue Baritone --> BYOC Leeds Fuzz (superfuzz clone) --> zoom g2 (surprisingly good reverbs and delays in cheap box) --> Vox Ac10tv ??? (tiny little valve amp)
Vocals --> SM58 --> Behringer Analog Delay (pretty much the only piece of gear Basterdringer make that sounds awesome) --> Boss Bass Overdrive

Mah Missus: Cocktail drum kit. Vocals into a Sennheiser sometin.

The kitchen has proven to be the best sounding room to practice in. So I guess we're kitchen punks.

Cool, they were one of the 1st punk bands I ever saw play.

Just read this online:

I actually did the soap box music lecture last night. Younger friends that had never even listened to the Stooges. After I heard that I went to the store and bought two Four Lokos. It turned into a very long night.