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    • December 1, 2009 9:11 PM CST
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    • The Shitty Limits - Beware The Limits

      thats it

    • December 1, 2009 8:02 AM CST
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    • "St. Valentine's Day Massacre" by the Cocktail Slippers.

    • November 30, 2009 1:27 PM CST
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    • PIRATE LOVE from Oslo

    • November 29, 2009 10:35 AM CST
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    • Yeah Smith Westerns are good.
      The Mantels, and Girls also released albums this year similar sound.

    • November 29, 2009 3:25 AM CST
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    • Wau y Los Arrrghs! - "¡¡¡Viven!!!"

      whatwave dave said:

      Angry Dragons s/t CD on Transistor 66 records.....it's coming out on vinyl real soon. Beat Killers 'Beat Broken Bruised' CD w/John Speedie on bass. catl 'Adonde Vas? A Ningun Lado' LP fucked up blues duo outta Toronto who added a keyboard player early this year. anything and everything with The White Wires on it..... DCT 'Uber Alles' 12" ....fucked up hardcore outta Toronto Death 'For The Whole World To See' protpunk outta Detroit that kinda grew on me

    • November 28, 2009 9:51 AM CST
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    • Angry Dragons s/t CD on Transistor 66 records.....it's coming out on vinyl real soon. Beat Killers 'Beat Broken Bruised' CD w/John Speedie on bass. catl 'Adonde Vas? A Ningun Lado' LP fucked up blues duo outta Toronto who added a keyboard player early this year. anything and everything with The White Wires on it..... DCT 'Uber Alles' 12" ....fucked up hardcore outta Toronto Death 'For The Whole World To See' protpunk outta Detroit that kinda grew on me

    • November 26, 2009 3:17 PM CST
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    • Yes, the A-Bones and King Khan & BBQ Show Dracula Boots by Kid Congo & The Pink Monkey Birds And if you like the A-Bones you might enjoy The Del Moroccos, Blue Black Hair (I reviewed that and Not Now here: http://garagepunk.ning.com/group/recordreviews/forum/topics/terrells-tuneup-shake-them ) Something’s Wrong/Lost Forever by Scott H. Biram Ruins of Berlin by The Dex Romweber Duo and don't forget Norton Records' wonderful I STILL HATE CDs compilation

    • November 26, 2009 11:31 AM CST
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    • Mannequin Men "Lose Your Illusion, Too"

    • November 25, 2009 7:58 PM CST
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    • THe King Khan and BBQ Show "Invisible Girl"

    • November 25, 2009 2:05 PM CST
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    • A-Bones Not Now! ...just as a start...oh and that White Wires 7'' on Trouble In Mind Records was outta site!

    • December 1, 2009 2:14 PM CST
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    • I'm sad to report longtime punk photographer Bob Kondrak, contributor both to my old zine 10 Things and Horizontal Action, with a live portfolio going back to the late '70s punk scene, passed away Friday. I did an obit on my blog with photos if anyone is interested in reading more about Bob or checking out some of his photos....

    • December 1, 2009 8:06 AM CST
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    • A live CD/DVD package of the Chesterfield Kings was just released on Wicked Cool Records. I just got my copy, and it kicks ass!

      Yes, I know some of you hate Little Steven, and some of you probably think the Chesterfield Kings are a bunch of sellouts because they singed with his label. However, a great live performance is a great live performance, so I still think you should check it out.

    • November 28, 2009 7:08 PM CST
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    • I've had a few issues converting songs in stereo to mono. I think I did what I could with them and played them shits anyway. I guess I don't really have a preference but at the same time I think it's nice to have the listener hear the song as it was intended to be heard.

    • November 27, 2009 3:27 PM CST
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    • Interesting subject this one...
      This might sound weird but the podcasts from here sound "warm" as opposed to full blown 256kps or 320kps Mp3's that sound crystal clear but somehow flat and lifeless.

      I guess they get close to that dirty tape sound but without the hiss and stretching you get with tape by using using a lower bit rate.

      i can't say I've really noticed the mixes getting squashed by the conversion to mono but that might explain why sometimes I think the engineer or band should be shot for screwing up the mix that badly. And like others have said if you want to hear the good stuff go and buy it.

    • November 26, 2009 7:31 PM CST
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    • I like doing the show in mono, it always sounds just fine to me.

    • November 26, 2009 3:07 PM CST
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    • I asked Brian Wilson about this, but all he said was, "Eh? Talk in my other ear."

    • November 26, 2009 12:21 PM CST
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    • Like Kopper said, we aren't looking for our 'casts to sound like the source, Panti. If our listeners dig what they hear hopefully they go out and order that particular Voodoo Rhythm release. I never have had any problems with the quality of 80 kbps mono. In fact I have been pleasantly surprised at how good it sounds. Your eardrums have been psychodelesized by all that good Ganja and DMT.....and thats a good thing my friend.

    • November 26, 2009 2:03 AM CST
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    • Okay, nice quick responses.

      I too prefer MONO when things are mixed in MONO.

      We play a shitload of Voodoo Rhythm releases as well as other productions that the Sonic Nightmare team have produced which are all mixed in Stereo. We spend enormous amounts of time to make these records sound as good as possible, and most productions use stereo effects as well as panning instruments throughout a stereo spectrum. So by the time our show gets squeezed down to a MONO 80 kbps I am 100% sure it sounds inferior to the source, and a 160 stereo kbps would surely be less compromising to a final Stereo mix.

      But hey, as long as you other podcasters don't mind, then I guess I can get used to it! Where's my beer?

      “Consistency is the hobgoblin of small minds” -Walt Whitman

    • November 26, 2009 12:05 AM CST
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    • I prefer mono.

    • November 25, 2009 2:36 PM CST
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    • I've only experienced problems with converting a stereo MP3 into a mono one with maybe one or two songs, where it ended up with static or one channel drowned out the other. Personally, I think the mono podcasts sound fine. Better than AM radio, even. Stereo MP3s often sound worse, in fact, because you split the channels and each channel has a lower bit rate. For example, an 80 kbps stereo MP3 is actually 40 kbps per channel, which is why you hear the compression artifacts in the music (that swishing sound). We would have to rip our shows at 160 kbps stereo to replicate the sound of our 80 kbps shows, and what would it gain you? Well, for one, it would take you twice as long to download each episode and take up that twice as much room on your hard drive or iPod... and it wouldn't necessarily sound any better! Also, the podcasts aren't intended to include pristeen copies of the music... FREDDI is right. We'd rather folks go out and buy the records, CDs, or downloads from the bands if they want the best quality sound. So think of the podcasts as more of a sampling of what's out there rather than an aurally perfect copy of it.

      By the way, ALL of our shows are supposed to be ripped in mono, so that the audio is consistent when listening from one program to the next.

    • November 25, 2009 1:59 PM CST
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    • Guessin' my ears ain't as finely tuned as yers, my fellow music fiend...cuz I really can't tell any difference once I'm in full tilt garagepunk podcast party-time position...

      ...most o' the 'casts are in such shitty mp3 bitrates that mono vs. stereo is of no concern...

    • November 25, 2009 12:28 PM CST
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    • Mmm... I think podcasts radio and Garagepunk.com is above all a good chance to knowing new music and bands.
      Then if someone heard and discover something interesting, he better search for the CD or LP,and buy it.
      Well,maybe most of the stuff played it's not easy to find,but wishing them,visiting records shops or mail order catalogue,
      it's still a charming things about music. Anyway I connected my PC audio output in my HI-FI and ain't not that horrible result.

    • November 27, 2009 3:37 PM CST
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    • I wonder if this will ever get to court? The BBC has been doing this sort of podcast for years from their websites, does this company really think they can mess with the BBC? and I wonder if the person who did the first ever serialised podcast will get involved? Can someone really do a historical patent application?

    • November 26, 2009 7:35 PM CST
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    • bingo! Michael Kaiser said:

      Welcome to Pirate Podcasting, baby!

      Woo Hoo! I'm getting a boat directly.

    • November 27, 2009 12:17 AM CST
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    • A version of this was published in The Santa Fe New Mexican November 27, 2009 It’s a good thing that the King Khan & BBQ Show isn’t as famous as the Beatles and that President Obama probably doesn’t hate and fear Arish “King” Khan as much as President Nixon hated and feared John Lennon.

      Improbable as this comparison is, I couldn’t help but recall Lennon’s tribulations when the Nixon administration tried to get him deported as an “undesirable alien” because of a drug bust. What prompted this memory was Khan’s arrest with his road manager, Kristin Klein, in Kentucky earlier this month on charges of possession of psychedelic mushrooms.
      The arrest of Khan, a Canadian citizen, occurred on the road between the band’s gigs promoting its new album, Invisible Girl.
      Here’s the group’s official statement on Nov. 17, via Pitchfork:
      “On November 16, 2009 Kristin Klein entered a guilty plea to 2nd degree possession of a controlled substance in Christian County, Kentucky. Ms. Klein was driving a rental vehicle that was randomly stopped at a safety checkpoint. Officers located a controlled substance in the cab of the vehicle. Ms. Klein was unaware of the contraband and the validity of her license was indeterminable at time of arrest. Under KY law a driver of a vehicle is responsible for its contents. Therefore, Ms. Klein entered a guilty plea and is scheduled to appear on April 2, 2010, to provide proof of her valid license.”
      The Kentucky New Era newspaper reported that Khan and two others with the KK & BBQ entourage “were allowed to enter a pretrial diversionary agreement. The drug possession charge against each of them will be dropped if they stay out of trouble for a year, said [Khan’s local lawyer Rick] Boling. They were ordered to pay court costs.”
      There were fears throughout Khan fandom that this bust would be a terrible chapter in the war on drugs — being arrested in Christian County, Kentucky, for Pete’s sake! As the River Front Times’ St. Louis Music blog put it, “Keep in mind, it’s not hard to imagine a scenario where cops in a tiny Kentucky town unfairly hassle a crazy looking Indian man wearing a huge shark-tooth necklace.”
      But it looks like the judge was pretty lenient, almost more concerned about the driver’s license than he was the mushrooms. Of course, the catch is that Khan has to stay out of trouble for a year. That could be the real trial.
      While Khan is also known for his soul revue The Shrines (and less so for The Tandoori Knights, another two-man band, and the garage/punk/lo-fi/gospel supergroup The Almighty Defenders, whose self-titled album I reviewed here a few weeks ago), some of his finest work is with Mark Sultan. Sultan, aka BBQ, is another Canadian, who was Khan’s bandmate in a Montreal band, the Spaceshits.
      You might think of two-man guitar/drums groups in terms of stripped-down blues bashers like Flat Duo Jets and the early White Stripes. There’s certainly that element at work in KK & BBQ.
      But what distinguishes this dynamic duo is its anchor in raw doo-wop. The basic sound, therefore, is punk-rock roar, embellished by some Ruben & The Jets/Sha Na Na/rama-lama-ding-dong silliness but based on some seriously pretty melodies and occasional sweet harmonies. It’s all there in the opening cut, “Anala,” on which Khan handles the lead vocals. It wouldn’t be hard imagining The Penguins or The Moonglows singing this.
      This is followed by the title cut, which features a folk-rock guitar that sounds inspired by The Beatles’ “Ticket to Ride” or The Searchers’ “When You Walk in the Room.”
      But my favorites are the ones on which Sultan’s high voice soars, such as “I’ll Be Loving You” and “Tryin’.” Sometimes Sultan sounds like a more ragged Sam Cooke — or, cynics might say, a hipster version of Steve Perry of Journey. Whatever, the boy can sing.
      The most interesting Sultan-led song on Invisible Girl is “Third Avenue.” It starts out and ends as a seriously greasy doo-wopper, but it’s got a strange psychedelic freak-out section featuring guitar and organ. Unfortunately the song that’s getting the most attention is “Tastebuds,” which is obscene, juvenile — and annoyingly catchy. Looks like maybe the two are trying to expand their fan base by becoming fratboy faves.
      I just hope they weren’t blasting this on the car stereo when the cops stopped them in Kentucky. Also recommended: * My Shit is Perfect by Bob Log III. If a two-man band is just too crowded for you, check out one of the most fun one-man bands out there — and “out there” is a good description — Mr. Log’s music might be for you.
      This is just good down-home stomping blues with Log’s trademark distorted vocals (he performs in a motorcycle helmet) and some scattered electronic embellishments. Log was once part of the Arizona-based blues/noise duo called Doo-Rag back in the mid-’90s. Log’s basic sound on this album is a funky, clunky hoedown. But it’s obvious that Log actually knows how to pick, as he shows every so often — including with the speedy acoustic guitar workout on the instrumental “Bucktooth Potato.”
      My favorite here is “Manipulate Your Figments.” It’s one of the best electronically mutated blues tunes I’ve heard in a while.