Amen. People who criticized me for not getting on it are now saying they wish they had'nt bothered. Not all of 'em. But , it IS killing how people communicate. Between that and texting , when do people ever TALK , even on the phone? When FB first started , some former friends from college were starting a chat group. They asked one friend I've always been in touch with to join. One of them , a longtime Born - Again Christian said to tell me to get on FB so he could TALK to me. I said , I'll  give him my phone number , if he has anything to say , he can say it to ME. TURNED OUT THE ONES WHO WERE'NT BORN AGAIN IN COLLEGE ARE , NOW , SO , THEY SNUBBED MY FRIEND FOR HAVING A MIND OF HIS OWN, AND HIS OWN PERSONAL BELIEFS......On the other hand , when it comes down to music , there may be reasons to join , but , I'm reading , now , there are plenty of reasons not to. How hard is it to e-mail a personal friend , or , God forbid , call 'em on the phone , if they're not on Face Book , to tell them you have a gig ? We used to do it , all time , not long ago.
 
Allerleirauh said:

Facebook is killing everything.

IS IT TO LATE TO GIVE HIM AN OSCAR ?!!

Bryan said:

Personally, I don't care for Facebook because it's seems like it's nothing more than High School Yearbook forever.

Personally, I don't care for Facebook because it's seems like it's nothing more than High School Yearbook forever.

Mastering is as important as any other step in the recording process-and by all means-BE THERE WHEN YOU MASTER IT-if you can...or send it to someone who understands the music you're playing and won't fuck with the vibe...mastering just takes whatever you did-that you like-makes it EVEN-each song-as every song-even though you recorded for instance 12 songs the same way-same sessions-each song is at a slightly different level, because when you mix each song, you may get a great vibe, but then notice that some songs aren't as loud -which is normal-then mastering just levels it all out-brings out the best tonal quality. I remember when a friend didn't master his album-and you had to turn up certain songs-this way you don't have to do that-

Fuzzfaces are great too if you can find one-I had a box of them back in the 70's--Hendrix used them a lot-and as I'd read above-you can't go wrong with a Big Muff-especially the silver and black ones from the 70's-there is an AMAZING one out in recent years-out of Japan-called the "Venemous Snake"-sounds like 'Over Under Sideways Down' Jeff Beck--I might be spelling 'Venamous' wrong-can't remember how it was on the fuzz-I used one awhile ago

Another thing you can try that works to lock in with your vocal range is a capo--

THEE DIRTYBEATS said:

Totally agree: play a song in whatever key works best.  It's not always what's best for the singer, either.

Case in point:

When THEE DIRTYBEATS covered The 13th Floor Elevators' "Fire Engine", we did it "B". 

Now, the original version, in "E", is very cool;  but we really admired the intro Television added (see their 1978 live album "Blow Up"), with that insane chromatic chordal build.  And Television's version was in "Bb".   

As we worked up the song in Bb, we found a terrifically vicious downslash effect could be achieved on the I-IV transition if the IV chord was actually an open E rather than a barred F.  So we transposed the song again, this time *up* a half-step, from Bb -> B.

You can hear that guitar downslash at 0:54 (it's wonderfully noisy, if you're into that sort of thing) at http://theedirtybeats.bandcamp.com/track/fire-engine.  Changing the IV to E also freed Jamie to add a soaring thing to his fuzz solo.  While the higher key forced me out of my comfort zone as singer, it kept me on edge and reaching, which for a highly charged rock performance isn't necessarily a bad thing.     
 
We similarly fooled with "Shape Of Things To Come", originally recorded in F# by Max Frost & The Troopers.  We did it in E, because my guitar solo just fell out that way.

-A

THEE DIRTYBEATS maximum vintage garage
http://www.theedirtybeats.com

I know this all just reads like a cry for help , but.....The story goes , that some copies of The Seeds' "Flower Punk" box set contain snippets of "Rhiannon" by Fleetwood Mac.

Thanx a bunch john!! :)

.... I WONDER WHO PRODUCED IT. I KNOW , THAT PAVLOV'S DOG THING TELLS US TO SAY , "JACK WHITE, OF COURSE !".....KIDDING ASIDE , I HAVE HEARD "THE WEIRDNESS" , ONCE. I DID'NT TOTALLY HATE IT , BUT , I HAD TO ASK , IS IT THAT THE SONGS ARE'NT THERE? WELL , THE SONGS WERE'NT FULLY DEVELOPED ON THEIR DEBUT , EITHER. THEN , I HAD TO WONDER ABOUT STEVE ALBINI. I MEAN , HE PRODUCED A FEW ALBUMS I LIKED (FLESHTONES "LABORATORY OF SOUND " , THE MENTALLY ILL "SPANK THE BOTTOM RED" .e.g.) , BUT HOW DOES ONE PRODUCE ANY STOOGES ALBUM FEATURING RON FUCKING ASHETON ON GUITAR......with no guitar solos on it ? Is it just me? Did you guys hear any? Now it's too late to get Ron to dub some on....It is'nt too late to have Deniz Tek dub some solos on Radio Birdman's "Zero Beach". I don't think.

It's true what Iggy says , this is a BAND. Anyone who's seen this lineup knows they came to work their balls off.......So , if that same energy can be , somehow , contained in the studio , great , I'm all for it.  Nice shot at Smashing Pumpkins , BTW.

Hmmmm. I thought the Weirdness was pretty good.

Im extremely optimistic but skeptical. Iggy and the stooges ruled it all before so who knows.

Agree!!

Not sure what to make of this.  I want it to be good, but their last record "The Weirdness" was pretty bad.  Think this will be any different?  The short clip of "Job" doesn't sound terrible.

http://pitchfork.com/news/49683-iggy-and-the-stooges-announce-new-album-ready-to-die-diss-the-smashing-pumpkins-in-the-process/

Leif Garrett??? He's a cunt! Barry Gibb

" I was telling this guy , miracles happen every day. "What do you mean?" , he said , and , I told him , "A Miracle happened to you , today.". He said , "Yeah ? What?!". I said , " YOU GOT UP , DID'NT YOU?".       Smilin' Frank Lugo , Question Mark and The Mysterians.

Hi im Rapley, im 28 and im from Auckland, New Zealand. My favorite band is the DIY legends Dead Moon, I play in garage punk bands, I work as a live sound engineer in the underground rock n roll/punk/metal etc scenes mainly in Auckland but also sometimes round other parts of NZ. I host a specialist show on Aucklands 95BFM playing all our favorite types of music called Dirtbag Radio and i have a battle cat named Foldy

New to this site and really enjoying it, keen to shoot the shit with you cool like minded people

Hey Guys & Gals---I just dropped in-I am not familiar with how this all works yet since I'd never been involved with a network-anyway--rather than me telling you some long-winded intro-go to my website at : www.gregstackhouseprevost.com I used to be in the Chesterfield Kings, which I started in 1976...

Can this thread be refurbished?
I think it is worth saving! 
Cool topic! 

I´ve been misunderstanding you first, sorry!
Not sure what you mean but sounds funny!
:D

Psychiatric Consultations said:

OK---I Give Up---It was me--- I Did it----Its my Fault---Sorry----OK

Had to get that off my chest!

 

Hey all-Just so you all know-it is not sad or a shame about the band being over-I ENDED IT BECAUSE IT WAS TIME TO MOVE ON-It had a good run-some good times & Bad times-but time to move on, ya know??? I am TOTALLY INTO MY OWN TRIP RIGHT NOW AND WOULD NEVER TURN BACK-THIS IS WHERE IT IS AT FOR ME-my new album "MIssissippi Murderer" is EXACTLY WHAT I WANT TO SOUND LIKE--AND=all this stuff about the Cynics and the C. Kings on the warpath-let me set this straight-I AM AND HAVE BEEN FRIENDS WITH GREGG KOSTELICH OF THE CYNICS/GET HIP and the CYNICS for decades-NEVER any kind of bad vibes-so whoever is making up this bullshit it is UNTRUE. Got it? As far as me being an asshole-no idea why anyone would make that accusation because I was never rude or nasty to anyone. And the "I've heard stories from a former drummer of the Cynics that the CKs can be real assholes, especially Gregg Prevost" is just heresay,

 Of course , Reg and Ronnie are reprising "The Troggs Tape" in the Great Pub in The Sky.
 
John Battles said:

....I picked the wrong week to quit sniffing glue....I also forgot to menton "Come , Now". The "Archaeology" 2 CD set (3 counting the infamous "Troggs Tapes" in full) on Rhino will set you  on the right road. I'm sure you'll have to look for it on line , but , it would'nt hurt to contact Rhino regarding it's availability(?). I don't think.

I just found out The Troggs are still touring Europe , minus Lead Singer Reg Presley , who's recovering from treatment for Lung Cancer , and has since retired. It's on their website (Tho' not much else , info - wise.) ....The new guest vocalist put in some time with a later version of The Animals , and some other revamped UK 60's groups.....It can't be The Troggs without Reg , but  , I'm sure he  gave them his blessings .

"YOU START WALKING TOWARD ME , AND MY GLUE COMES ALL UNDONE"

"....MY COOL COMES ALL UNDONE. " - "Get Me To The World on Time" , Electric Prunes.

" i HATE TO SEE YOU SHINING SO BRIGHT YEAH , NEW SURROUNDINGS , HOLD ME TIGHTLTY"   

" MY XKE IS SHINING SO BRIGHTLY. THE NOOSE AROUND US IS HOLDING TIGHTLY."

THE WHO "CALL ME LIGHTNING".

I wish I could sell out so I didn't have to have a shit 9 to 5. Who hasn't compromised at some point through their career.