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    • November 26, 2010 5:22 AM CST
    • I've owned a lot of guitars over my lifetime & I keep going back to Fender. They are solid, well built, reliable, easy to play and they sound great. Who cares what some pop star uses as a prop in his video? Pop stars come & go. If you dig the Jaguar, get one. I had a Mosrite bass for a while & it did not come close to a Fender bass in any way. The strings were too close together, the sound was muddy & the pickups came loose rather easily. I think Mosrite guitars are better than their basses, but I just can not comprehend the huge price-tags asked for these instruments these days. I can remember a time when these were $50 guitars.They look cool, but IMO if it's all about the image, save your money & buy an Eastwood, a Hallmark or a Univox. These are decent guitars at a fraction of the cost. Do you really want to be babysitting a $2,000.00 guitar at your gigs?? If you are looking for the real surf sound, it's not just the guitar, but the amplifier that makes the difference. You'll also need a good reverb tank to get the real surf sound, and those too can be quite expensive. It's also about you as a player. Dick Dale uses a Stratocaster. He uses very heavy strings & uses a vintage Fender dual showman amp. He gets quite a different sound than most Strat players. Keep in mind, Johnny Ramone changed the pickups on his. So his guitar did not sound like most Mosrite guitars.

    • November 26, 2010 1:21 AM CST
    • Jay Reatard - Death is forming
      Turbonegro - Self destructobust
      The Damned - Love song
      Butthole Surfers - Kuntz
      The Oblivians - Five Hour Man
      UK Subs - Left for dead
      The Black Jaspers - Long 'n' Wavy
      Thee Headcoats - Again and again
      The Beguiled - La Muerte Del Ray
      The Ramones - Loud Mouth

    • November 25, 2010 1:46 PM CST
    • I had somehow been going right on through life without ever having heard of Josie Cotton. Checked her out earlier in the week, thanks to your post. Much obliged!

      Mark Von Frankenstine said:

      Josie Cotton - Johnny Are You Queer?

    • November 25, 2010 10:10 AM CST
    • MC 5 - shakin´street
      Gary US Bonds - i wanna holler(but the town´s to small) - and also the detroit cobras version
      the Gories- i think i´ve had it
      Batman and Robin - my Heropower is my moustache
      Sons of Cyrus - didn´know
      Jay Reatard - not a Substitute
      Mudhoney - Fuzzgun91
      Blues Explosion - 2Kindsa Love
      Beach Boys - Girl don´t tell me
      Man or Astroman - King of the Monsters

      Damn i need a number 11 for

      Bunker Hill - the Girl can´t dance

    • November 24, 2010 11:59 AM CST
    • Off the top of my head:
      Shake Some Action - Flamin' Groovies
      Slave Girl - Lime Spiders
      Hard for You - Beasts of Bourbon
      Communist Radio - The Eat
      No. 1 - The Charlatans
      Leaving It Up to You - John Cale
      Fashion - Dan Melchior Broke Revue
      Urban Guerrilla - Hawkwind
      Cocaine Blues - Johnny Cash
      Biff Bang Pow - The Creation

    • November 24, 2010 10:09 AM CST
    • BTW, I also love "I Wanna Destroy You" by the Soft Boys.

      MikeL said:

      You should check out a band called Manda and the Marbles. They did a really good cover of "I Wanna Go Home."



      Mark Von Frankenstine said:
      Here's some random stuff that popped into my head. It's all pretty scattered, but I love 'em all in their own weird little way:

      The Osmonds - Crazy Horses
      The Ramones - Carbona Not Glue
      Amboy Dukes - Journey to the Center of the Mind
      Josie Cotton - Johnny Are You Queer?
      Dirtbombs - Your Love Belongs Under a Rock
      Turbonegro - Denim Demon
      Shadowy Men on a Shadowy Planet - Zombie Compromise
      King Khan and Barbecue - Teabag Party
      Holly and the Italians - I Wanna Go Home
      Soft Boys - I Wanna Destroy You

      Tomorrow it'll be a different ten.

    • November 24, 2010 10:08 AM CST
    • Here are some favorites of mine...

      "Running with the Wasters" by the Takeover UK.

      "Simple Things" by Manda and the Marbles.

      "Forget About the Day" by Manda and the Marbles.

      "Rock'n'Roll Babe" by the Cocktail Slippers.

      "Ramona" by the Ramones.

      "Danny Says" by the Ramones.

      "Ain't So Cool" by Les Hell on Heels.

      "Pull Shapes" by the Pipettes.

      "Personality Crisis" by the New York Dolls.

      "Fox on the Run" by the Sweet.

      BTW, this is just a very scattershot list.

    • November 24, 2010 10:04 AM CST
    • You should check out a band called Manda and the Marbles. They did a really good cover of "I Wanna Go Home."

      Mark Von Frankenstine said:

      Here's some random stuff that popped into my head. It's all pretty scattered, but I love 'em all in their own weird little way:

      The Osmonds - Crazy Horses
      The Ramones - Carbona Not Glue
      Amboy Dukes - Journey to the Center of the Mind
      Josie Cotton - Johnny Are You Queer?
      Dirtbombs - Your Love Belongs Under a Rock
      Turbonegro - Denim Demon
      Shadowy Men on a Shadowy Planet - Zombie Compromise
      King Khan and Barbecue - Teabag Party
      Holly and the Italians - I Wanna Go Home
      Soft Boys - I Wanna Destroy You

      Tomorrow it'll be a different ten.

    • November 25, 2010 7:49 PM CST
    • Thanks, dude!!! A lot of fun.

    • November 25, 2010 6:20 PM CST
    • sick!!!

    • November 25, 2010 3:01 PM CST
    • Thanks! Very Cool!

    • November 26, 2010 12:11 AM CST
    • This is a good website that shows probably all of the clones of whatever fuzz you're searching for: www.effectsdatabase.com

    • November 25, 2010 8:59 PM CST
    • I want to record songs digitally.  What's the easiest way?  I have never done a home recording before and would like to keep the cost at the low end.

    • November 25, 2010 7:15 PM CST
    • sorry if this is a topic already discussed but just wondering who some of the ladys here are influenced by musically.  I think I have a lot more male influences but would love to see some female names, singers and guitarists especially

    • November 25, 2010 10:58 AM CST
    • after playing power chords for a really long time to get the notes I wanted I've just started practicing "real chords" it's keeps me from getting bored but also gives a whole new direction to my sound. but I really think if you like the way it sounds then just play it! I am forever learning to "play" the guitar but it's loads of fun!!!

    • November 25, 2010 7:48 AM CST
    • full chords all the way. they add more depth to the song and sound more garagey too

    • November 25, 2010 7:46 AM CST
    • Hey....how are you doing....
      Play what sounds best to YOU.......'power chords', half chords, 'proper' chords, not-a chord-at-all chords (my favourite...)......it's the SOUND that counts.....if its the note you meant, its the right note.....
      The only benefit I would say to learning 'proper' chords is that it gives you that option if you want to take it.....
      As to which chord type to use......whatever!......(say, early on in the song you want a bit of a jangle? half chord, top strings only!...later on......its time to blast through to the end? Power chord!)
      Enough crap from me....good luck....keep on keepin' on...
      BG
      TBGZP

    • November 25, 2010 3:55 AM CST
    • imo full chords are 60's fuzz nugget psych folk neo garage punk, power chords should be left for the likes of Green Day & Nickelback. In answer to your question....either way your going to learn how to play both.

    • November 24, 2010 7:01 PM CST
    • Shakey- Neil Young..I really loved reading about all the traveling and his recording then and there habits. He's a bit mad and obsessed with his work but I enjoyed being submerged in the life he has led. I have yet to listen to tonights the night but I hope it's as good as the book makes it seem!! I'm gonna find that Patti Smith book next!!

    • November 24, 2010 11:52 AM CST
    • The chapter about the making of Funhouse in Open Up and Bleed should be a whole book, it's incredible. Mr. S by Frank Sinatra's longtime valet George Jacobs is one of the wildest biographies, portraying Frank and his pals (including JFK) as a bunch of insecure, whoremongering, rat soup-eatin' honkies. John Lydon's autobio Rotten: No Irish, No Blacks, No Dogs gave me new respect for the guy and it's kind of touching that he finds his story after his mother's death too painful to delve into. White Light/White Heat: The Velvet Underground Day-by-Day by Richie Unterberger is the last word on the VU and clears up the many mysteries surrounding the group. My all-time favorites are Last Train to Memphis and Careless Love by Peter Guralnik, a two-volume biography of the King of Rock and Roll beside which all other Elvis books are trash.

    • November 24, 2010 11:29 AM CST
    • Hey everybody,  thought i post a link to my new book about Dutch beat legends Q65
      I'ts my first book to be published in the English language. 
      below is a blurb from Mike Stax editor in chief of Ugly Things magazine:
       
      The five original members of Q65 first banded together in The Hague in the Netherlands in 1965. Joop Roelofs, Frank Nuyens, Willem Bieler, Peter Vink and Jay Baar were an unlikely, often volatile gang of outcasts and misfits, but with their raw, unconventional music and rowdy, unkempt image they quickly built up a large and fiercely loyal following. Their first record, “You’re the Victor,” kicked off a string of hit singles for the group including “The Life I Live,” “From Above” and “World of Birds.” Their 1966 debut LP, Revolution, sold over 50,000 copies, topping the Dutch album charts ahead of new releases by the Rolling Stones, the Troggs and the Animals.

       

      By 1969 it had all fallen apart, but in the few short years they were together Q65 recorded some truly extraordinary music. They continue to be regarded, quite rightly, as one of the great, unsung bands of the era.

       

      This is their story in all its strange, stoned, comical, complicated, tragic glory—the drink, the drugs, the fights and, of course, the music—all discussed and dissected in frank, often brutally honest words by the surviving band members and their collaborators. This is the story of Q65: no punches pulled—the whole truth and nothing but the truth.

       

      click banner for book details and check out the video: Q65 playing the Marathon in 1966


        http://www.youtube.com/watch?v=xr9d17h4Xl4


    • November 24, 2010 11:21 AM CST
    • i'm looking to travel more whether it's in the usa or europe and would like to know of some good events to check out.

    • November 24, 2010 10:55 AM CST
    • woops ment to hit the stop following button.

    • November 24, 2010 9:25 AM CST
    • and than there's Devo of course