I second that choice. Fantastic comp. It's got a young, unknown Jimmy Page as session musician, it's got the Muswell Ravens (the Kinks before they were the Kinks), and a ton of great tracks by bands like Q65, The Outsiders, etc.

I'm really digging the Joe Meek Freakbeat comp...perfect man for the job! Too bad he blew his stack shortly thereafter, though.

A British comp I like a lot that has about five or six really amazing tracks on it is called "I Walk The Lonely Night: 20 Obscure Gems From The British Beat Era" from Psychic Circle. The title track is great. And I love Bachelor Boy by Lee Bennett and the Sunliners and "It's My Problem" by the Chevlons. Both are on my playlist at the moment if you want to hear them. Great for minor key love song types. Also, if you don't mind a bunch of really REALLY choice 50s songs mixed in with your 60s then get Songs The Cramps Taught Us Vol. 1 - 3. Some of the songs on those are so amazing I don't even know where to start. A few you've heard before but still well worth it. Hardly a dud on the whole series. In the old days they were called "Born Bad" but the BB CDs only had 14 tracks a piece on them. STCTU have well over 20 songs a piece.

Peter Best said:

Hi Isa and Morgan

sorry for the late reply...but the September flu. Thanks a lot for your posts. Of course the BFTGs are the best, I own the records and the CDs but thanks to your tip I found the FWTS on iTunes and indeed they are great. Raw, simple and
mono. Must admit, have never heard before about the Teenage Shutdowns, but ordered them right away from Amazon.

In any case...thanks again

Isabella Gloria said:

'No No No' isn't my favorite, but to each his own (; BFTG is a MUST MUST MUST have! All garage.. 'noisy and unpsychedelic'! Probably my favorite series. The volumes of the Quagmire series are bitchin' too, especially the first one. Also try some 'Psychedelic States' comps.. Alabama vol. 2 and Mississippi are the best I think! Morgan was right about the TS comps--a lot of the songs are just filler, but my favorite is vol. 4 ('I'm a No-Count!'). 'Get Lost #3' is real raw, but I don't think there are other volumes.. 'Lost Generation vol. 2' is the better of the installments. Trash Box is GREAT and if you ask me, the crappy quality is what MAKES it great. All the 'Garage Beat' volumes have some absolutely amazing songs, but most of them can be found on other comps. And of course, OF COURSE, 'Fort Worth Teen Scene' vols. 1, 2, and 3! And if we're talking about single-volume comps, 'Hang It Out To Dry!' is one of my absolute favorites ever, as well as 'Total Raunch'. 'Searchin' in the Wilderness' is a comp of faaar out European garage. 'Scum of the Earth' is one side of crazy garage and one side of crazy junk.. but it's all good save for a track or two :p Okay I'll try to contain myself from anything further & let other people answer (; but those are my favorites!

TOO BAD THE PURPLE ONION (SF) AINT OPEN STILL!! NOTHING COULD TOUCH IT IN THE NINETIES!!

Also, I agree about a good jukebox being a plus. Another plus is not waiting for drinks for an eternity.

I've never seen anyone "glassed." That type of behavior would probably be greatly frowned upon.

I have seen people "canned." In the early 90's at an outdoor festival in my home town, the band Too Much Joy got involved in a beer can fight with the crowd. It escalated into involving full cans (not as much of a waste as you’d think – it was mostly Bud Light and Keystone Light from the frat boys).

I’ve been told that “canning” is done in Chicago (using empties) as a sign of approval like spitting on the performers shoes in some parts of Europe.

This seems counterintuitive to me.

Each locale in the world is different so I kind of feel that the decision of glass or plastic is and should be optional. A lot of people don't realize but the make up of the vessel that your drink is in can kind of alter the taste of the liquid. Glass and ceramics are the best for taste as opposed to plastic or aluminum. But then, I leave in a fairly civilized area of the world, I guess. Not that it doesn't happen on occasion but Seattle really doesn't see a lot of violence in 21 and over places.

Mike Humsgreen said:

In Britain I've had a few friends and aquaintances "glassed", also in Essen there's a rock club called Turok where on some of the heavier nights people lob their empties from the balcony above. And in the club I worked at they had a net to catch the things so that they wouldn't fall on the people below. In general plastic is so much cooler in a rowdy place. Plus when the stuff breaks on the dance floor, the mess it makes stops fun for a long time.


Rockin Rod Strychnine said:

Where do you live that people get hit in the head with glass bottles? I only saw that happen once and it was really a bad dive bar.

In Britain I've had a few friends and aquaintances "glassed", also in Essen there's a rock club called Turok where on some of the heavier nights people lob their empties from the balcony above. And in the club I worked at they had a net to catch the things so that they wouldn't fall on the people below. In general plastic is so much cooler in a rowdy place. Plus when the stuff breaks on the dance floor, the mess it makes stops fun for a long time.

Rockin Rod Strychnine said:

Where do you live that people get hit in the head with glass bottles? I only saw that happen once and it was really a bad dive bar.

Rubber Gloves in Denton, TX. It's a big, sweaty black room with a tiny arcade upstairs and a giant metal "Pharmacy" sign over the bar. It's situated away from the main square in an old train switchyard next to Morrison's Corn Kit factory. I still don't know what a Corn Kit is. On summer nights, they'd leave the back loading door behind the stage open, but it never really helped with the heat of 300 crazy kids' bodies slamming against each other. After the show you could sit and wait for the trains to pass, running alongside or throwing shit at them as they raced by. All of my best rock n' roll memories are from seeing a show or playing at Rubber Gloves.

rubberglovesdentontx.com

Where do you live that people get hit in the head with glass bottles? I only saw that happen once and it was really a bad dive bar.

Mike Humsgreen said:

I like clubs that have a kind of coridoor shape with no barriers in front of the stage. The worst club I know is the Astoria in London because it cuts the audience off from the stage so badly with barriers even though the stage is as wide as the club. The Highbury Garage is so much better, saw Guttermouth there and it was a class act because the audience could interact with the band, like in the Underworld but without being able to fall over the stage.

Toilets should be cold and basic but enough of them. Also if you could soundproof them and play folk music with whistles then that would kick arse. I think the Panic Room in Essen pipes forest music or something there.

Keep the drinks in plastic beakers with no glass bottles. Glass gets broken on people's heads and on the floor and isn't pretty.

No comfy seats, it's a club for rockin out and not lounging. Plus I remember working in Octogon in Bangor (no garage music unless you are counting that British urban shite) that comfy seats got messed on and torn up easily. The retarded clientel didn't realise that the cushions they were sleeping on had been vomited on 3 times in one week.

Clubs don't need windows but if you could have some kind of food then that would be cool. Like hot dogs or something. Also what sucks in Germany is that unlike in Britain there is no law obliging clubs to serve free water. And if you have a shitfaced friend or are self in need of rehydration then free water is a must.

Stiv forever!

Great discussion, I can see both sides of the argument. (what rock and roll fan would not??)

However I think a lot of people are selling a lot of old records short by calling them lo-fi and by thinking by doing a sloppy job recording they will capture magic. Make no mistake those engineers knew how to use their limited equipment. If you think your going to get a Gary US Bonds sound by recording poorly with ironically bad choices your sadly mistaken. The 45's are so well engineered that they sound great un-amplified with your ear 3 feet away picking up the sound directly from the needle.
lets not forget that even many of the classic old Motown records are in fact by todays standards lo-fi and raw.

I will not get into slagging any bands records, however I personally find the lo-fi thing, especially on vocals is often little more 'REAL' or "RAW" than whatever that annoying voice effect "Usher" uses. (love in this club) Dare I say it can be gimmicky in the wrong hands, not that there is anything wrong with it. Some bands/ people can brilliantly pull it off and some can't.
Its dangerous territory to aim low. A good lo-fi sound for vocals (for me and not everybody admittedly) Is when it is just on that fine line and it is the perfromance that pushes into the red. Same goes for a guitar. Devil Dogs' "Saturday Night Fever" album by example a great raw recording to my personal tastes.

But this is just my opinion. And the label "garage rock" is quite wide it seems and there is room for everybody's taste from Rock and rollers to Rockers to Punk Rockers to the current Hipster interest in lo-fi.
It sort of like saying you like Motorhead and people assuming you also like Pantera. Or saying you like Joe Tex and people assuming your into 70's disco. Not that there is anything wrong with it.

It takes all kinds.
At the end of the day the only thing that will stick around is good rock and roll. trying NOT to sound like Huey Lewis here but most likely failing so yeah "the heart of rock and roll is the beat" I said it. However to be clear I disagree on Mr. Lewis' other famous opinion song. it is NOT "Hip to be square".

the vibrators..
the damned..
the boys..
johnny t and heartbreakers..

Definitely easier to earn cash doing all covers particularly when you play in a city with no real scene and/or crappy/limited choices for venues such as my city. Hell even in a music haven such as Atlanta, etc. its not easy to do original songs but much hard in smaller cities. Also some musicians just arent ready to take a risk.

However I saw Woven Bones in one of the best venues located in Birmingham, AL. Played all original music and I was one of 8 people at the show. Disappointing.

I just came accross Dillion Guitars from the U.S.A., hand crafted in Korea. Does anyone here own one? What's your opinion on them?

I can't enter but, I would name it "Stag".

Mel of the Phantom Surfers here. I built this instrument for my pal Zac of Dengue Fever, and Mojo Magazine is having a contest to name it! How cool is that. I am asking all my friends to enter (it is a UK contest, but enter anyway, mates!) to ensure that the pool of good (read un-lame) names is high. Name away, everyone!

http://www.mojo4music.com/blog/2010/11/dengue_fever_need_you_to_name.html

Hey, I've just remembered this discussion.

Still listen to the GaragePunk Podcasts (and a few others) in my bathroom, believe it or not, except for THE HAUNTED SHACK THEATHER, that I usually listen locked and loaded in my cave.
And oh, I sometimes listen to MOJO WORKOUT laughing and driving in my so-called rusty car (ok, ok, sometimes I'm locked and loaded in my car too...).

years ago in a thrift store i saw an lp that had a lime green sticker that read "punk rock." it was one of those disco-styled sleeves. would anybody know what i'm taking about? anyway i'd like to reproduce the sticker for an upcoming lp project.
anybody?

That was my initial reaction as well, but that didn't stop me when Experience Hendrix's publicity guy offered me a copy of it. I was pleasantly surprised by it and it is far superior to most of the posthumous albums. But I do think this will probably be the last major release for quite a while. There can't be that much more left in the vaults after a set like this.

Wow! This sounds great. When I first heard about this project my initial reaction was "Oh no, they're recycling Jimi again." But the way you describe it sounds very interesting.

Originally posted on No Depression.

Sweet as bro. Have fun!

Petulant Child said:

great I have never really played with feedback before!! I hope this guitar is still there when I go to get it!! thanx for the help!

Mardy Pune said:

You'll be able to tweak it so can control when the feedback kicks in or not. If you want it to feedback the whole time you'll be able to set it to do that to if you want.


Petulant Child said:

so it will always feed back with the pedal plugged in and its just a matter of tweeking it so that i like it?

Mardy Pune said:

Rats are cool pedals. I reckon you'll be fine. You'll learn how to control the feedback by setting the gain levels on the rat and amp and work where you can stand to be able to control the feedback; proximity to yer amp will have a big bearing on the amount of feedback you'll get and how you can control it.


Petulant Child said:

I have a rat pedal and a peavy trans tube amp thats about 9 years old

Mardy Pune said:

Hollow bodies are great for feedback or bad for feedback depending on which way you look at it. Personally I love the feedback you can get out of a hollow body. What sort of pedal/amp setup are you going to use with it?

great I have never really played with feedback before!! I hope this guitar is still there when I go to get it!! thanx for the help!

Mardy Pune said:

You'll be able to tweak it so can control when the feedback kicks in or not. If you want it to feedback the whole time you'll be able to set it to do that to if you want.


Petulant Child said:

so it will always feed back with the pedal plugged in and its just a matter of tweeking it so that i like it?

Mardy Pune said:

Rats are cool pedals. I reckon you'll be fine. You'll learn how to control the feedback by setting the gain levels on the rat and amp and work where you can stand to be able to control the feedback; proximity to yer amp will have a big bearing on the amount of feedback you'll get and how you can control it.


Petulant Child said:

I have a rat pedal and a peavy trans tube amp thats about 9 years old

Mardy Pune said:

Hollow bodies are great for feedback or bad for feedback depending on which way you look at it. Personally I love the feedback you can get out of a hollow body. What sort of pedal/amp setup are you going to use with it?

quelle sensation !