Not a fan of the VE-20. It just sounds so digital and cold. You can use a DI box reversed to use pedals to correct the impedence. In the past I used a Roland space echo with a mic just plugged straight in with no issues. It's not necessary but it's not a bad idea. I actually got a great deal on one of these and am going with this:

http://www.placidaudio.com/the-copperphone/

Too expensive normally but I'm getting itfor more than half off in a trade. Today I ran vocals through a '65 Reverbrocket (mic'd through the PA) and ran the guitar through a '62 Reverbrocket. They looked cool as shit sitting together so I think that's what I'm going with. Also thought about running vocals through my Selmer Treble N Bass or a Royal Guardsmen (which is what I did when we recorded- reverb + a bit of trem + some fuzz = TRASH and AMAZING!!). I was trying to go small with pedals but nothing's going to sound as good as running through an amp so to hell with it. And speaking as a sound guy, I'd rather mic an amp anyway. It's extra gear but the sound is what's most important anyway. I'm willing to suffer!

The Boss VE-20 vocal pedal  has reverb, delay & distortion effects (aswell as loads of other fancy features that you'd probably never use). But i don't know whether it'd sound as good as proper analogue stuff. Am i right in thinking that you need to use an impedence transformer adapter if you wanna plug a mic into guitar pedals?

As a fellow garagepunk-vocalist, I'm curious what turns up here too...I'm in the middle of tryin' a couple of vintage, trashy-soundin' mics to try & snag that wild sound without the overdrive/fuzz pedal rigamarole...but I can never get the right amount of reverb from any venue in my town, tho I don't know how any of the local soundmen will take it if I try & bring my own...

I really need to find a way to control the vocal reverb from the stage. In the past, I have used a reverb pedal but I can't remember what I was using. Any suggestions? I want a pedal; I don't want to go the asshole musician route and use a rack mount anything. The cheaper the better (like Electro Harmonix cheap).

Also want some lo fi trashy vocals. I have always used an old Shure bullet mic but just can't get the volume I need without it feeding back like a beast. Really need that trashy sound but the Shure is out. I'm thinking that maybe a pedal is the way to go with this as well, so I can maintain the volume without feedback (I have a DI box to connect to so it can easily go out to a PA). Maybe an overdrive? Any experience with these?

Hi! My names Ox.

I live in Sydney and play in a garage-y type band called The Knits. Influenced by The Sonics, Jay Reatard and such. I am new to this board. Seems fun tho!

http://the-knits.tumblr.com/tagged/video

Another one: L7 in Serial Mom. Thanks Antonio for posting that clip.

Old dame? I see old dames that look as good as Ronnie like I've seen Kid Rock or Axl Rose carry a tune in a bucket....But , yeah , it is the original Mysterians. Robert Martinez was their first Drummer , but , he joined the Army before the band had a hit. So , he's back with them , now. But , "?", Bobby Balderrama , Frank Rodriguez , also all founding members. Frank Lugo was their second Bass Player (Who , along with Rodriguez , knew his number was coming up , so they enlisted on the "Buddy System".) , but, the first one , whose name I forget , was'nt with the band that long. So , yeah , they've got a right to say "Original ?ATM."
 
swt said:

Yes, Question Mark! When I saw him in New York last year, all the Mysterians, allegedly,were the originals and they were full of crazy energy. Here's a video of them playing "96 Tears" with an old dame named Ronnie Spector:

 

kopper said:

There are lots of bands still playing out with members in their 50s and up. The Fuzztones, D.O.A., The Cynics, The Fleshtones, The Chesterfield Kings... I'd bet all those guys are in their 50s. Nikki Corvette is still rockin', too. Take a look at the lineup for the recent Norton Records fest... The Real Kids (they ain't kids anymore!), the Great Gaylord, Andre Williams, The Sonics, ? and the Mysterians, Randy Fuller (Bobby's brother), Flamin Groovies, etc.

I met someone on myspace 6 years ago who spent almost all ten years of the 60s in Vietnam so he was mostly just familiar with what he heard on Armed Forces radio.  He spent the 70's through the 90's listening to a bunch of corporate stuff but in '98, he specifiacally asked for a copy of the Nuggets boxset for Christmas wanting to start a collection of 60s music that he missed when being overseas.  Since then, he's also collected other garage rock collections and revival bands as well as 70s and 80s punk bands.  Only band he didn't like was the Mummies.  Oh well.

This should have been a single , but DAM could barely get arrested (Or reissued , w/o permission , by French labels.) in 1985. I read that , around that time , Ron Asheton stepped out on the stage , and some punkass kids yelled "Ron , You're washed up !" , "Yeah , well , you don't have anything to be washed up from.". Who is that on the male vocals? It could be Michael Davis , but , I don't know if he was still playing with them , by then.....Ron sang a little with Dark Carnival , not bad , and did some good backing vox on songs like "Anyone Can Fuck Her" . But , most people forget Bobby Mulrooney /Bootsey X did a lot of the male lead vocals with Dark Carnival.Lourvely pics of Niagara. The combination of these artists , with the addition of....who was their short - term sax player? Made DAM an acquired taste , but one worth acquiring....Never followed their early 70's stuff , really. I know some people prefer it to the Asheton/Davis period. I met L.J. Steele , Drummer for DAM and Dark Carnival (Scott Asheton left the latter , early on. Maybe he went back , later? It was always Steele on their releases after the Stiv Bators memorial show.) , when he was briefly in Sylvain Sylvain's band . Nice guy , but NOT someone you'd want to fuck with, Muscles on top of his muscles.

How could I forget , Ken Vandermark , who , for years , might as well have been the only Saxophone Player in Chicago , majored in Avant Jazz , but , took a couple of pitstops to play Rock 'n' Roll , including with The Waste Kings , the Godfathers of Heavy Garage in Chicago. They were too good to be accepted by the miniscule , but growing , 90's Garage scene....They even put out a couple of 45s on Estrus , but , they did'nt SUCK , so it was hard to get the younger crowd on their side. With a new drummer , the group morphed into The Crown Royals(2 LPs/CDs on Estrus.), doing JBs/Meters style Funkstromentals. Later still , Vandermark left , and the remaining members became The Sol- Reys , carrying on in much the same style , with an ace keyboard player , and , eventually , a sax player.
 
Katie Dubz said:

Lora Logic is great! I really enjoy the band she put together after being booted from Spex...Essential Logic!! I think there was a couple dudes that came after her to play sax in X-Ray Spex but neither could match that coltish self-taught sound she brought to their first album.

John Battles said:

 I can't think of that many , besides Mark Lindsay. When The Raiders were still more of a Frat Rock group , he was honkin' his horn a'plenty , and , later on the recited smoocher "Melody For an Unknown Girl.",  already out of date for it's time. I saw Mark in 2001 , and he was wailin' sax on numbers like "You Can't Sit Down" and "Night Train". Of course , The Raiders' "Louie" was more sax - driven , too. I'm not good on names . The Wailers had a couple of great sax players , inc. the guy who played with them in later years , when they stormed the Ponderosa Stomp. He killed !

 

Screamin' Jay played a pretty mean sax , himself , as did Ray Charles. Dave Hill from The Treniers , who's still alive and well , Dave "Bubba" Mitchell , from Milt Trenier's band , also still alive and CRAZY , as he nears his 90th Year , Earl Bostic , Louis Jordan ,  Lonnie Youngblood , The late , great , Sam Butera , Bobby Keyes , of course , Gordon from The Fleshtones , God Rest His Soul , Lora Logic from X- Ray Spex and Red Krayola , and her successor in the first band - Forgot his name - And ,who's the cat from The Pastel Six? I saw him sit in with Sky Saxon and The Seeds , it worked , too ! , Jesse Scinto , who's a younger guy , is keeping the honkin' sax tradition going , but , he does'nt seem to play much , these days....

I'm hip. I had the Essential Logic LP , sorry to say , it did'nt do much for me. But , she was perfect for what Mayo Thompson was doing at the time....
 
Katie Dubz said:

Lora Logic is great! I really enjoy the band she put together after being booted from Spex...Essential Logic!! I think there was a couple dudes that came after her to play sax in X-Ray Spex but neither could match that coltish self-taught sound she brought to their first album.

John Battles said:

 I can't think of that many , besides Mark Lindsay. When The Raiders were still more of a Frat Rock group , he was honkin' his horn a'plenty , and , later on the recited smoocher "Melody For an Unknown Girl.",  already out of date for it's time. I saw Mark in 2001 , and he was wailin' sax on numbers like "You Can't Sit Down" and "Night Train". Of course , The Raiders' "Louie" was more sax - driven , too. I'm not good on names . The Wailers had a couple of great sax players , inc. the guy who played with them in later years , when they stormed the Ponderosa Stomp. He killed !

 

Screamin' Jay played a pretty mean sax , himself , as did Ray Charles. Dave Hill from The Treniers , who's still alive and well , Dave "Bubba" Mitchell , from Milt Trenier's band , also still alive and CRAZY , as he nears his 90th Year , Earl Bostic , Louis Jordan ,  Lonnie Youngblood , The late , great , Sam Butera , Bobby Keyes , of course , Gordon from The Fleshtones , God Rest His Soul , Lora Logic from X- Ray Spex and Red Krayola , and her successor in the first band - Forgot his name - And ,who's the cat from The Pastel Six? I saw him sit in with Sky Saxon and The Seeds , it worked , too ! , Jesse Scinto , who's a younger guy , is keeping the honkin' sax tradition going , but , he does'nt seem to play much , these days....

THEY SURE WERE ! I was lucky that I got to see them several times....Milt Trenier had his own club , fantastic place , a real 50's coctail lounge/Jazz club , but anyobody that had PANTS on could come in. The Treniers played there about twice a year. I first saw them in '89. Great performance , but not much at all , in the way of rockin' R'n'B. i WAITED ABOUT 5 YEARS , and saw them again , and the OKEH collection on Sony had come out , so , from thereon in , they were ROCKIN' THE HOUSE , AGAIN !!! If they had an engagement at Milt's place , I'd go at least two nights. I also saw them twice in Vegas. They were the last of a line , barring their friends , Freddie Bell and Sam Butera. Actually , when I saw Bell , it was a big letdown. Never got to see Sam , a bigger disappointment. Milt just turned 82 , and still gigs on a regular basis.
 
BackdoorStan said:

That guy could squeal up a storm, the Treniers were amazing

Perm, Russia

bad taste party vol.5

bad taste party vol.2

pavel mint (bad taste party vol.6)

doggie & his dog band (bad taste party vol.7)

Charlotte has no real scene..

In Windsor Ontario there's a hardcore and punk scene that's sort of coming to life. Metal is dieing off sorta. as for garage we got Raised by Weeds and The Hypnotics.

This is cool. Glad to see some local ATL bands going strong.

Huzzah! If it's good enough for Nigel Tufnel, it's good enough for me!

In an attempt to enter that torture-free afterlife I've added an 11 to the volume knob. Thanks for the *BOOM*, it keeps me going when the 405 turns into a parking lot.

I think it's totally important to have some sort of cohesiveness in a visual band "style". Part of being in a band is presentation of your group, on a stage, to the throngs and hoards. Even if that throng and hord is the bartender, your sister and her three friends. It's always a good idea to look like you belong together. It adds to the excitement of a live show.

We wore our suits when we recorded. We wore matching custom tee shirts when we drove across the country and everybody stared at us when we stopped at "picture spots".

I love bands with themes and outfits. It shows they put a bit more thought and effort out there for the fans.

We're a conglomerate, but for our shows we kind of wear something on a theme. I kinda dress like Mike Ness from the early 90s, but the rest just sort of wear street clothes.

Atomic Suplex and Theee Bat if they haven't been listed yet. 

Some of my favorites: The Cheater Slicks, the Gories, the Mummies, Magnitude 3 (from Japan), the Go Devils (Japanese girl band), Andre Williams (Silky LP), the Sonics, Thee Headcoats, the Bassholes, Pussy Galore, Demolition Doll Rods, Supercharger, the Oblivians, Thee Bat, Atomic Suplex, etc... I could go on and on.  There's lots of great trash rawk waiting for you to unearth it!

The crowds will always be there to see the trendy bands (flavour of the moment, indy or whateverthefuck you call that trash) so what i've done the last 2 years, is get bands i like to play at record store day events. It gives them a little bit of exposure and a few people usually end up digging the bands. It's about the only way i can get kids out to see the bands i like....i'm old but refuse to give up...hahaha

Rockin Rod Strychnine said:

I like going to record stores on any day BUT Record Store Day.  The crowds are ususally there for bands that I don't care about and the stage is usually at the vinyl section (which is never discounted on this day anyway).  I just find it a hassle.

I like going to record stores on any day BUT Record Store Day.  The crowds are ususally there for bands that I don't care about and the stage is usually at the vinyl section (which is never discounted on this day anyway).  I just find it a hassle.

Meeting someone who was into punk never use to be a problem.  Finding someone who was into garage punk only happened at shows or specific record stores. Now it's never.