You know that song that the Lyres and the Swingin' Neckbreakers did? It was on the Sleazefest album. Who wrote that/did it originally? I'm doing a sequel to my "60 minutes of Shakin' Action" mix tape and that needs to go on there.
You know that song that the Lyres and the Swingin' Neckbreakers did? It was on the Sleazefest album. Who wrote that/did it originally? I'm doing a sequel to my "60 minutes of Shakin' Action" mix tape and that needs to go on there.
I've never been to Chicago or Austin, but San Francisco has a great garage scene. Home of The Mummies, The Phantom Surfers, The Flakes, The Trashwomen, The LaTeenos, The Teutonics (via Germany), Larry & the Angriest Generation, Supercharger, The Ogres, The Del Lames, The Swiss Family Skiers, C'mon Everybody, etc.
Don't move to LA. LA's non-existant scene sucks.
I think I might be moving to SF soon and this is honestly a big factor for me.
For some reason, I couldn't do it at the moment, and I don't know why. Yes, I do know about the feature that allows you to correct your mistakes.
Hideout Admin said:
You should be able to edit your posts and fix typos... just an FYI.
MikeL said:
BTW, I meant to say "...way too bassy." I hate typos.
You should be able to edit your posts and fix typos... just an FYI.
MikeL said:
BTW, I meant to say "...way too bassy." I hate typos.
I can't seem to find anything at the moment, probably because the band has been defunct for a while. There is another band out there who call themselves the Purrs.
sleazy said:
Any linx???!:)
Any linx???!:)
BTW, I meant to say "...way too bassy." I hate typos.
I saw them years ago at the 31st Street Pub here in Pittsburgh, PA, and I liked them. I bought their EP on Garage Pop Records, and while it had some good songs, I thought it sounded way to bassy.
BTW, I've been listening to stuff that I haven't touched in a while, so I will be asking these questions just out of curiosity.
About six months ago, I picked up an amp that I never knew existed and have been in love ever since. The amp is a Peavey Blues Classic from around 1990. This is pretty much the same as the Peavey Classic 50 from the time period but has a single 15" speaker in it, rather than the four 10" speakers. First of all, I only paid 200 for the amp. That price alone would make any tube amp sound good to me. On top of that, it has all the qualities of that great Fender sound but the fifteen inch speaker really beefs up things quite a bit. I would compare the tone to a cross between a late 50's Bassman and a Twin Reverb. This amp, combined with an Ibanez Tube screamer and the Boss FRF-1 reverb pedal, really gives me an amazing and dirty surf tone that I had long been searching for within my price range.
The Parents - "British Swingers"
They've been sending out individual tracks for anyone who asks to listen to, but the full-length has yet to be released. Amazing UK band, first heard them on Lord Muck's Nasty Grind podcast.
The Fleshtones' new album Brooklyn Sound Solution is out 3/15 and is streaming in-full now at Reverb Nation. http://www.reverbnation.com/thefleshtones?eid=3379077_18966063#!/artist/artist_songs/381323
Okay...I would probably include the SATAN'S RATS retrospective...If we include bands that were active in the late 70s, but did not record until early 80's, I would include THEE UNDERTAKERS too.
Duke Of Earl said:
I see No reason...that should have said.
I see No reason...that should have said.
I see know reason not to include bands from the era who had lps of unreleased stuff come out afterwards especially groups who put out an ep or two back then.
Greg McDeath said:
I thought this was limited to bands that actually put out LPs in the 70s? If this includes posthumous LPs...I would say the CONTROLLERS "Another Sunny Day", but I'm partial....
Duke Of Earl said:
You just love those dirty band names I can see.
Blaine said:
The urinals
Vomit pigs
I thought this was limited to bands that actually put out LPs in the 70s? If this includes posthumous LPs...I would say the CONTROLLERS "Another Sunny Day", but I'm partial....
Duke Of Earl said:
You just love those dirty band names I can see.
Blaine said:The urinals
Vomit pigs
Roy Loney's in Cleveland Friday@the ballroom.
whatwave dave said:
Rob: I'm in London, Ontario, Canada....so it would be a bit of a drive...LOL
Rob Bailey said:Hi Dave, If you in Europe you be pleased to know you can catch Cyril and Roy live in London on Sunday 24 April @ Le Beat Bespoke 7, cheers Rob
whatwave dave said:1. Flamin' Groovies
2. Flamin' Groovies
3. Flamin' Groovies....
Detect a pattern here? Last time they played in Canada was 1978 and i didn't go to see them as i wasn't a huge fan. Now that i'm older (but definitely not wiser) and a HUGE fan of The Groovies AND Roy and Cyril are out doing shows, i gotta see them!! A-Bones are the perfect back up bands as Mirian was the Prez of The Flamin' Groovies fanclub for many years.
I did get to see Magic Christian (Cyril's new combo) about 2 years ago and that just whet my appetite even more for a real Flamin' Groovies show!!
black lips,king khan &the bbq show and ty segall.
1. The White Star Lines musicians playing as the Titanic sank.
2. Wolfgang Amadeus Mozart
3. Charley Patton on Dockery Farm Plantation
I'm with Howie. I do about 5 hours a week live on various shows and it gets podcasted after the fact. Of course, for the first 3 years of RadiOblivion, I did it strictly as a podcast. But, you know what they say: once you go live, there's no going back. Granted, I get about 99-point-something percent more listeners to the podcast versions (of all the shows), and I do agree with Kopper that you can't expect folks to alter their schedule for a radio show (we ain't all Howie Pyro. That cat can pull in the big numbers!), but I see it as a win-win situation.
So, just do both.
Howie Pyro said:
my show, INTOXICA, is a live broadcast which relies totally on the chaos that that brings, and i record it and post it as a podcast...sometimes i get these morons complaining that it is edited bad or some such podcastian blather & i have to explain that THIS IS A REAL RADIO SHOW! not something put together in mommy's den...no offense to all the great podcasters out there!!! just the whiners..
I was introduced to the idea of 'garage' when I was one of those damn kids back during the whole revival thing in 2001; I was madly in love with the White Stripes' "White Blood Cells."
But, digging deeper, I can say I proudly own original presses of "Nuggets" and the Blues Magoos "Electric Comic Book" (named my blog after it, obviously) and "Basic Blues Magoos," which is an INCREDIBLE album, completely underrated and unfortunately forgotten.
Damn! I wish my childhood could've been that cool! Compared to yours, mine's kinda lame!
Brother Panti-Christ said:
I grew up with records of the Seeds, Blue Cheer and Rolling Stones 45s in my house, so I was hooked at the age of 2 years old.
But it was sometime in 1980, Rodney On The Roq played "Are You Gonna Be There" by The Chocolate Watchband on KROQ during one of his L.A. hardcore sets, and I've been hooked ever since!
I grew up with records of the Seeds, Blue Cheer and Rolling Stones 45s in my house, so I was hooked at the age of 2 years old.
But it was sometime in 1980, Rodney On The Roq played "Are You Gonna Be There" by The Chocolate Watchband on KROQ during one of his L.A. hardcore sets, and I've been hooked ever since!
Dan Melchior is not only an excellent garage-punk musician and songwriter, but he's also a member of the Hideout. After you contribute to the cause, be sure and leave a message for him on his page here:
http://garagepunk.ning.com/profile/danmelchior
Thanks,
kopper
Pasted from e-mail:
As you probably know, the life of a musician playing independent music is not a lucrative one. So when one hits a snag in life that taps the resources and makes working an outside job impossible, times get really hard. This is where Dan and Letha Melchior find themselves right now. You know Dan as one of the best underground rock & roll songwriters around. He's released records on labels such as In the Red, Hangman, S.S., Siltbreeze, Daggerman and others, and played with his bands the Broke Review and Das Menace, as well as Billy Childish and Holly Golightly. Letha is a member of Tretetam and Das Menace, a former member of Ruby Falls, and contributes to a lot of Dan's record jacket art/design, not to mention Dan's partner.
A few months ago Letha was diagnosed with cancer and since then she's been in a pretty hard fight, requiring some operations and much treatment. She's been unable to work. Dan's role as her caretaker has taken him out of the work force. Letha has basic medical insurance but that really doesn't mean a whole lot in the USA. Debt is piling up. And the state that they live in, North Carolina, doesn't offer much in the way of aid. Dan and Letha need our help.
Independent of Dan and Letha, we are asking people to help them out. The Melchior name has given us a whole lot of great music; now it is time to give a little back. We know times are hard for a lot of people, so we are asking that you give what you can afford. Please know that the money donated to Dan and Letha goes directly to them via their paypal account.
Thanks,
Scott Soriano (S.S. Records)
Tom Lax (Siltbreeze Records)
Rich Kroneiss (Terminal Boredom)
Brian Turner (WFMU)
Mario Solis (Plastic Idol Records)
Ryan Wells (Z Gun Magazine)
Eric Holmgren (Daggerman Records)
Mitch Cardwell (Budget Rock)
Jerry Connolly (SmartGuy Records)
Billy Childish (Hangman's Daughter)
Steve Lowenthal (Swingset Magazine)
Erin Sullivan (A Frames/AFCGT)
Min Yee (A Frames/AFCGT)
Harry Howes (Almost Ready Records)
Brent Tipton (Dull Knife Records)
Benjamin Holesapple (Columbus Discount Records)
Adam Smith (Columbus Discount Records)
Sean Wright (Columbus Discount Records)
Shawn Reed (Night People)
Jeff Green (Sweet Rot Records)
Otis Hart (Dusted Magazine)
Allan Henry (Topplers Records)
Tim Foster (Trouble Makers/Losin' Streaks)
Eric Friedl (Goner Records)
Zac Ives (Goner Records)
Larry Hardy (In the Red Records)
Pierluigi (Hate Records)
Tony Bedard (Hemlock Tavern/Hank IV)
I guess if you're already in love with the guitar, you could take lessons. But if I had taken lessons back then, I definitely wouldn't be playing anymore. Iwould have hated it as a metal addicted teen. But it's true, there are many things I want to play but can't. On the other hand, I learn stuff by trying to play along to songs I love and try to imitate those guys (recently I'm trying to figure out all this old blues stuff). So - no lessons, but progression anyway.
And thanks to you guys for the expertise, that's some things I'll consider next time I buy strings.
Cheers, Doc