I knew most of the words and I just checked the record to fill in the blanks. Cheers!

where did you find it ?

THANKS ! so much !!!!

Well I'm a madman baby when I see another man with you
Yes I'm a madman baby when you do like you do
And when another man says hey look at that baby
Well I get real mad and I turn red in the face
Cause I'm a jealous man baby when I'm out on a date with you

Well I been a bad man baby to try to turn your love to me
Yes I'm a sad man baby cause it don't seem to be
But if you ever say I love you boy
Well I'd die right then I wouldn't live anymore
I'd be a happy man baby so happy it would really hurt me

Well I'm a bad, sad, madman trying to win your love
Yes I'm a madman baby ayay yay
I'm a madman wooooo
Well I'm a madman
I'm a madman baby trying to win your love
yes I'm a madman baby, well alright

Well I'm a madman baby when it comes to makin' love to you
Yes I'm a madman baby when you do like you do
And when another man says hey look at that baby
Well I get real mad and I turn red in the face
Cause I'm a jealous man baby when I'm out on a date with you

Well I'm a madman baby ayay yay
I'm a madman wooooo
Yeah I'm a madman mmmmmhmmmm
I'm a madman
well I'm a madman baby
I'm a madman

All is in the title, can't find it on www.rockabilly.nl

If someone can help me out, that would be really appreciated !

thanks

Pat

ok... i'm a gear hoarder from way back

Guitars:
94 Fender Stratocaster Japanese
2 x broken Hofner f-hole jazz guitars (i will fix them one day...)
65 - 66ish Hofner Verithin
Teisco solid body electric (converted to a lap steel cause the neck is fucked)
cheap SG copy
Fender Jazz Bass (I made this and got a mate to paint it)
Various old acoustic guitars in various conditions (mostly fucked)

Amps:
96 Fender Blues De-Ville 2 x 12
Epiphone valve Junior head with a cab made out of the bottom of a little broken Hammond
Laney Rb-9 300w with 4 x 10" cab and a 1x 15" cab
Laney 10 watt practice amp (nice clean channel, I use it for testing repairs)
Fender Super 60 (fucked)

Effects:
a fuckin butt load of pedals. I'm not going to list them, a mix of vintage and newer shit.

Various Mic's and a 300w powered pa speaker.

I like this! Did our first two tracks by myself in a little room and peaked the snare out. FREDDI said:

It's about ten years that I don't play with a band anymore,but lately I'm going to record something
by my own.So I bought some necessary engine machines to add at the old equipment: .

-Gibson Les Paul custom black '78
-Fender Telecaster USA (recently bought for that dry Kinks-like sound that I love)
-Fender Jazzmaster Japan crafted (good sounds especially clean)

-Fender junior pro 15 (Ideal if you need to play at home)
-Fender sidekick 25 solid state

-Sovtek Big Muff-Boss DS1-MXR distorsion (If you?re looking for fuzz sound, one of these 3 it's good enough for me,using a wah pedal to set the tone,instead of looking for rare and expensive vintage stomps)
-Dunlop Cry Baby
-EHX-Holy Grail reverb (expensive but excellent if you don't have a real sprig one)
-EHX-Wiggler-A kind of vibrato-tremolo-rotary with a two 12AX7 valves;if you put it at the end of the chain(with no need to be switched on),will improve your sound in general.
-EHX DeLuxe MemoryMan-It's a good delay with very weird options to experiment,but if you need to set it for a classic slapback,try something less expensive.

-A Beyer Dynamic and a Shure mics

Recently I took a Fostex 16 Track digital recorder,and a DR880 Boss drum machine... maybe not the ideal for the LO-FI style and attitude..but you spare a drummer and lot of time sometimes.
-

So as a follow up to the recent thread re; The Reigning Sound song in a land Rover ad.  I was watching the newest episode of Nurse Jacky last night and lo and behold! Harlan T. Bobo's "Too Much Love" comes in at a tender moment in the show.  Very cool.  If you don't know Harlan, check 'em out here:  http://www.myspace.com/harlantbobo.  If you don't know Nurse Jacky....check that out too.

Malcolm was instrumental in the success of the Sex Pistols, but also integral for their demise too (and legal issues for 20 years after the fact). I wonder what old Johnny Rotten (Lydon) thinks? FREDDI said:

.........AND WE DON'T CAAAAAARE !!!

Gad! All the Oldsters are dropping like Flies! We lost Scott Boroughs up here in Seattle (a local Seattle Scene fixure) and also Slats (another fixure) Not up there with Malcolm and Viv, but still Sad. Jenny said:

Odd, Vivienne Westwood died too. The Angles need bondage gear I guess

.........AND WE DON'T CAAAAAARE !!!

Odd, Vivienne Westwood died too. The Angles need bondage gear I guess

I just saw this:

http://www.independent.co.uk/news/people/news/malcolm-mclaren-dies-aged-64-1939621.html

Thanks Man, I am still putting out cool stuff in 2010/11/12! Howlin' Houndog (me!) PLUS Joey "The Saint" & The A-Men's "Old Whiskey in New Bottles" LP (Dirty Jump&Jive Blues), Ol' Cheeky Bastards (Pogues-ish Busker-Rock from San Fran) plus other goodies from cool bands as yet still to be determined. It's not getting easier though, with lots of "Brick & Mortar" stores closing and distro wanting to sell 10,000 units right out of the gate just to break even against digi downloads. To quote Wimpy form Popeye, "I'll gladly pay you Tues for Record Deal Today!" Sheesh! It is labor of LOVE. Joey "The Saint" & The A-Men's Records will be VINYL ONLY and the LP will MONO and all-analog (including the cut!) ALL DIY! Hopefully all you folks out there (left) in your Garage Punk HIDEOUT-lands will support indi-labels and bands that need to sell product to keep rollin'. It is getting pretty bleak out there lately. I'll do what I can when I can afford it, but its never easy! Keepa Rockin'! THE LAUNDRONAUTS said:

Erik, you're the real deal, man! The music world is nothing without people like you and other independents out there pushing what they believe in an getting nothing in return!
We release all our stuff on our own label, Spincycle Records. We try to give people a nice product recorded from a separate just-for-vinyl master, on coloured vinyl, with a colour-insert, CD version included, and we keep the cost low deliberately because we don't want to gouge. But at this point, we have no illusions about making our money back. We just hope people dig it and play it LOUD on their turntables. Keep the faith, brother; you're a true contributor!

Erik, you're the real deal, man! The music world is nothing without people like you and other independents out there pushing what they believe in an getting nothing in return!

We release all our stuff on our own label, Spincycle Records. We try to give people a nice product recorded from a separate just-for-vinyl master, on coloured vinyl, with a colour-insert, CD version included, and we keep the cost low deliberately because we don't want to gouge. But at this point, we have no illusions about making our money back. We just hope people dig it and play it LOUD on their turntables.

Keep the faith, brother; you're a true contributor!

Good to have you back, Mr. Electreau!

The Branded said:

For a cheap and cheerful good sounding fuzz I use a Danelectro french toast, .

Apparently Malcolm got the idea for the"punk" fashion thing after seeing Hell at CBGB's. They then took it a step further and developed a 'look' that we now associate with uk punk. Murray Cassady said:

I know Richard Hell always goes on about inventing the punk look in 1975 - but MM and VW really did create something special. There's always more to a musical revolution than just the sounds - take away the light shows and the posters and Haight-Ashbury wasn't nearly so exciting.

First time I ever saw the Pistols was on telly in late '76 - and I know the whole LOOK of the Pistols blew my tiny mind as much as the sounds. My life truly did change from that moment, I kid you not.

...and it was, at least partly, due to MM.

I put more of an emotional investment into take a shit.

Malcolm’s legend is very entertaining. And, if it hadn’t been for his relentless quest of publicity many of the great UK punk bands may have slipped by completely unnoticed. For better of worse…

I never really liked the pistols but Double Dutch and Madame Butterfly are two of my all time favorite singles.
RIP Malcolm.

I know Richard Hell always goes on about inventing the punk look in 1975 - but MM and VW really did create something special. There's always more to a musical revolution than just the sounds - take away the light shows and the posters and Haight-Ashbury wasn't nearly so exciting.

First time I ever saw the Pistols was on telly in late '76 - and I know the whole LOOK of the Pistols blew my tiny mind as much as the sounds. My life truly did change from that moment, I kid you not.

...and it was, at least partly, due to MM.

not that I really care... someone might, but i don't...

State Records' small yet perfectly formed roster is now up on Music Alley:

Good question re: royalties. I would imagine both in varying percentiles. Rinjo Njori said:

Loads of bands get a push from commercials. if they get paid then good for them, If Joe Strummer can validate selling "london calling" to Jaguar then all bets are off. So who do you think got the royalties Sam and Dave or Reigning Sound?