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    • June 5, 2012 7:50 PM CDT
    •  I don't know why they did'nt do a Kasenetz/Katz number . Maybe they were tired of being viewed as "Bubblegum". The songs that we think are obvious , a lot of average Joe's would'nt have. I really liked hearing them do "Can't Seem ToMake You Mine" and "Out of Time". Word is , they considered doing "Get Me To tHE wORLD oN Time", but could'nt agree on an arrangement.  The funny thing , when Rush recorded their 60's covers album , they did a lot of the same songs . It would'nt have sound bad ,were it not for ol' helium voice.
       
      Rev. Norb said:

      "Acid Eaters" wasn't terrible, but it seemed to me like -- if the Ramones were going to do an entire album of 60's covers, they didn't really choose a ton of songs i'd have great interest in hearing them play. I mean, they couldn't toss us a bone with "Yummy Yummy Yummy" or something? It's just like...geez, i wish they would've taken requests or something.

    • June 5, 2012 7:28 PM CDT
    • I think "Pleasant dreams " is underrated , too , but , it took me several years to arrive at that conclusion. I was'nt crazy about "Don't Go" (With Ron and Russell Mael as The Beach Boys.) , but , I never hated it."She's a Sensation" is all right , too ."We Want The Airwaves" had a completely different Guitar sound than what you'd associate with The Ramones. It's like "Hijack The Radio" by The Nervebreakers , which I think is the better song of the two.

      As I said , earlier , "Subterranean Jungle" was one of my fave later albums. "Outsider" should be one everybody knows ,but , does'nt. I liked "What'd Ya Do" ,too. Great guest Guitar from Waldo , The Werewolf of Wall Street , and on The Boyfriends' "I NEED YOUR lOVE" , GREAT DOUBLE TRACKED LEADS. I even liked their version of "Little Bit O'Soul", too. Dee Dee's vocal debut , "Time Bomb" rocks like fuck, and the "Youth in Revolt" lyrics are unintentionally hilarious.  A very fun album. BTW - Did they ever correct the mistake in the liner notes? They had a lot of people thinking Joey had shortened his professional name to JOE.

        Too Tough To Die - WELL , WHAT YOU SAID . THE BEST SINCE "THE BIG THREE". I even like the Pop numbers. iT DID MY HEART GOOD TO HEAR "Howlin' At The Moon" ON THE RADIO....once.

      Animal Boy - "LOVE KILLS" WAS SUPPOSED TO BE THE THEME SONG TO "sID AND nANCY". I thought it should have been , but , now , it's just as well.  "Freak of Nature" and "Crummy Stuff" were among my favorites , but , I thought "Something To Believe In" was the hit that should have band. Ron Ross , a good friend of the band's , and a friend of mine too , in my Dullass, Texas daze , said the same. It's my favorite later "Pop" song , but , it's not for everybody.

      I think "Halfway To Sanity" was much more solid than it's predecessor. I especially like ''Bop Til You Drop", "Go Lil' Camaro , Go", and "I Lost My Mind" (Someone on You Tube insisted Dee Dee's vocals were actually done by H.R. from Bad Brains. H.R. was probably still in jail when this was recorded. In any case , it's not him.), too . But I like it all. Even the "Goth" stuff , ha ha ha.

      I have no complaints about Brain Drain , except that the back cover would have looked better on the front !

      Loco Live is not the best , but it sounds fine to me , if I don't try to hold it up to "It's Alive" and several bootlegs...If nothing else , they slipped "Carbona , Not Glue" into the mix.

      Mondo Bizarro is definitely the best of the last few albums . Vernon Reid's Guitar solo on "Cabbies on Crack" was a bit too Eddie Van Halen for me , but , I liked the album pretty much , start to finish.

      I actually liked "Adios Amigos ". The reason I liked "I Don't Wanna Grow Up" (Besides the cool video that Dan Clowes put his honeymoon on hold to complete.) , it was laid out like a Buzzcocks song , with the solo imitating the first verse. THEY WERE'NT THROWING DEE DEE A BONE , it was the other way around . They were'nt coughing up the songs , and needed his help. Personally , I thought it was cool that they even still had a professional relationship , though I saw Dee Dee , twice , with The Chinese Dragons , and he KILLED.


      John Battles said:

      Well , I'd never defend that last Live CD.    THEY JUST WANTED OUT OF THEIR CONTRACT AND SOME QUICK CASH , WHEN THERE'S PLENTY OF GREAT BOOTLEGS THEY COULD HAVE MADE LEGIT .  i'M ONE OF THE RARE FEW THAT DOES LIKE "ACID EATERS" . MOST OF IT. i'M ALSO THAT RARE , RARE SORT..... A WHITE GUY OVER 30 WHO DOES'NT , AND NEVER HAS , OWN(ED ) A CREEDENCE ALBUM. MARKY TOLD ME HE WISHED THAT TOMMY ERDELYI HAD PRODUCED IT , INSTEAD.....IT WAS A LABOR OF LOVE , THEY HAD NOTHING TO GAIN , JUST LIKE JEFF BECK DOING THE GENE VINCENT TRIBUTE CD AROUND THAT TIME.....ARTHUR LEE TOLD ME HE LIKED THEIR "7 AND 7 IS". THAT WAS GOOD ENOUGH FOR ME.  
       
      Rev. Norb said:

      I don't know if i agree that the Ramones didn't have a bad album -- who would listen to "Adios Amigos" or "Acid Eaters" if it didn't say "RAMONES" on the cover, and "Greatest Hits Live" was pretty lame. But, that said, i'll bite:

      1) "Pleasant Dreams" is an underrated album. The production doesn't do it any favors, and Joey's weird "songwriterly" efforts like "We Want The Airwaves" and "It's Not My Place" and "This Business Is Killing Me" and "7-11" are pretty lousy. However, the record's got a number of really good songs on it, and it all works together fairly well. Everyone knows "All's Quiet On The Eastern Front" and "The KKK Took My Baby Away;" less appreciated songs on that record are "You Sound Like You're Sick" and "Sitting In My Room."

      2) I love "Subterranean Jungle." I know lots of people really hate it. I love the bubblegum metal production, and even Walter Lure's guitar solos. The "hit" is obviously "Psycho Therapy," but "Every Time I Eat Vegetables It Makes Me Think Of You" is great as well, as are their covers of the CHAMBERS BROTHERS and BOYFRIENDS. I think the whole album is fun from start to finish.

      3) I am also a fan of "Too Tough To Die." The songs are grouped together in an interesting way -- three drudgey slow ones to start ((in itself an odd thing)), then three punk tunes to kick it in the ass...then four synth-pop type things ((most of which are pretty good!)), two more punk ones, and it ends with "No Go," which is kind of a punkabilly thing. I thought the production could be brighter, i guess, but overall you can make a decent case for this one being the strongest album since the first three. "Durango 95," "Danger Zone," "Chasing The Night," "Humankind" and "No Go" are all underappreciated ((along with more appreciated numbers like "Wart Hog" and "Endless Vacation" and "Howling at the Moon" and "Daytime Dilemma" and such)).

      4) I also like "Animal Boy," although i think it's a reasonable secondary jumping-off point for people who want to own all the Ramones records up to a certain point -- that point being somewhere after the first 3/4 albums but before "Adios Amigos" et al. I enjoy Richie Ramone's drumming more than Marky's. I think "Crummy Stuff" is the great forgotten song on this one. "Freak of Nature" and "Love Kills" are cool, too. I think the willfully-thrashy stuff like "Animal Boy" is sort of self-conscious and weak-ish, however, and "Something To Believe In" doesn't do much for me.

      5) "Halfway To Sanity" -- this record is about halfway to good and halfway to shit. I liked "Weasel Face" and "Go L'il Camaro Go" and "Bop Til You Drop" and "I Lost My Mind" and "Real Cool Time." I did not like the gloomy crap like "I Wanna Live" or "Garden of Serenity" whatsoever. Lots of real duds on this album.

      6) "Brain Drain" -- this is their first real dud. I liked "Palidsades Park" and i thought "Zero Zero UFO" was ok. Other than that, ick. I hate stuff like "Pet Sematary" and "Merry Christmas."

      7) "Loco Live" -- yuck. It was depressing to go see them at this point, they had clearly played the songs so many times that they'd forgotten how to play them. I'd be trying to get into it, and they'd respond with these half-assed, raced-through tippy-tappy-tippy-tappy versions of songs that i once loved. Bleah.

      8) "Mondo Bizarro" -- I thought this one was pretty decent, probably their last legitimately good record. The production was great; i think "Censorshit" "Heidi Is A Headcase" and "Touring" were the three hits ((although it should be noted "Touring" had been around since at least the "Pleasant Dreams" sessions, underscoring the band's difficulty in writing a dozen simple songs every two years)). I dislike stuff like "Poison Heart" and "Strength To Endure." Not my scene at all.

      9) "Acid Eaters" -- um...tried to like it. Could not. Having C.J. singing lead on three songs, including the album's leadoff track, also did not sit well with me. 

      10) "Adios Amigos" -- not much here. Table scraps. So much outside songwriting influence as to render the final product completely incoherent. I guess C.J.'s songs like "Scattergun" and "Got A Lot To Say" were ok. The Tom Waits thing was kinda decent.

      11) "Greatest Hits Live" and anything else i am missing -- yuck!

      That's my take. Thanks for asking.

    • June 5, 2012 6:38 PM CDT
    • "Acid Eaters" wasn't terrible, but it seemed to me like -- if the Ramones were going to do an entire album of 60's covers, they didn't really choose a ton of songs i'd have great interest in hearing them play. I mean, they couldn't toss us a bone with "Yummy Yummy Yummy" or something? It's just like...geez, i wish they would've taken requests or something.

    • June 5, 2012 6:31 PM CDT
    • Well , I'd never defend that last Live CD.    THEY JUST WANTED OUT OF THEIR CONTRACT AND SOME QUICK CASH , WHEN THERE'S PLENTY OF GREAT BOOTLEGS THEY COULD HAVE MADE LEGIT .  i'M ONE OF THE RARE FEW THAT DOES LIKE "ACID EATERS" . MOST OF IT. i'M ALSO THAT RARE , RARE SORT..... A WHITE GUY OVER 30 WHO DOES'NT , AND NEVER HAS , OWN(ED ) A CREEDENCE ALBUM. MARKY TOLD ME HE WISHED THAT TOMMY ERDELYI HAD PRODUCED IT , INSTEAD.....IT WAS A LABOR OF LOVE , THEY HAD NOTHING TO GAIN , JUST LIKE JEFF BECK DOING THE GENE VINCENT TRIBUTE CD AROUND THAT TIME.....ARTHUR LEE TOLD ME HE LIKED THEIR "7 AND 7 IS". THAT WAS GOOD ENOUGH FOR ME.  
       
      Rev. Norb said:

      I don't know if i agree that the Ramones didn't have a bad album -- who would listen to "Adios Amigos" or "Acid Eaters" if it didn't say "RAMONES" on the cover, and "Greatest Hits Live" was pretty lame. But, that said, i'll bite:

      1) "Pleasant Dreams" is an underrated album. The production doesn't do it any favors, and Joey's weird "songwriterly" efforts like "We Want The Airwaves" and "It's Not My Place" and "This Business Is Killing Me" and "7-11" are pretty lousy. However, the record's got a number of really good songs on it, and it all works together fairly well. Everyone knows "All's Quiet On The Eastern Front" and "The KKK Took My Baby Away;" less appreciated songs on that record are "You Sound Like You're Sick" and "Sitting In My Room."

      2) I love "Subterranean Jungle." I know lots of people really hate it. I love the bubblegum metal production, and even Walter Lure's guitar solos. The "hit" is obviously "Psycho Therapy," but "Every Time I Eat Vegetables It Makes Me Think Of You" is great as well, as are their covers of the CHAMBERS BROTHERS and BOYFRIENDS. I think the whole album is fun from start to finish.

      3) I am also a fan of "Too Tough To Die." The songs are grouped together in an interesting way -- three drudgey slow ones to start ((in itself an odd thing)), then three punk tunes to kick it in the ass...then four synth-pop type things ((most of which are pretty good!)), two more punk ones, and it ends with "No Go," which is kind of a punkabilly thing. I thought the production could be brighter, i guess, but overall you can make a decent case for this one being the strongest album since the first three. "Durango 95," "Danger Zone," "Chasing The Night," "Humankind" and "No Go" are all underappreciated ((along with more appreciated numbers like "Wart Hog" and "Endless Vacation" and "Howling at the Moon" and "Daytime Dilemma" and such)).

      4) I also like "Animal Boy," although i think it's a reasonable secondary jumping-off point for people who want to own all the Ramones records up to a certain point -- that point being somewhere after the first 3/4 albums but before "Adios Amigos" et al. I enjoy Richie Ramone's drumming more than Marky's. I think "Crummy Stuff" is the great forgotten song on this one. "Freak of Nature" and "Love Kills" are cool, too. I think the willfully-thrashy stuff like "Animal Boy" is sort of self-conscious and weak-ish, however, and "Something To Believe In" doesn't do much for me.

      5) "Halfway To Sanity" -- this record is about halfway to good and halfway to shit. I liked "Weasel Face" and "Go L'il Camaro Go" and "Bop Til You Drop" and "I Lost My Mind" and "Real Cool Time." I did not like the gloomy crap like "I Wanna Live" or "Garden of Serenity" whatsoever. Lots of real duds on this album.

      6) "Brain Drain" -- this is their first real dud. I liked "Palidsades Park" and i thought "Zero Zero UFO" was ok. Other than that, ick. I hate stuff like "Pet Sematary" and "Merry Christmas."

      7) "Loco Live" -- yuck. It was depressing to go see them at this point, they had clearly played the songs so many times that they'd forgotten how to play them. I'd be trying to get into it, and they'd respond with these half-assed, raced-through tippy-tappy-tippy-tappy versions of songs that i once loved. Bleah.

      8) "Mondo Bizarro" -- I thought this one was pretty decent, probably their last legitimately good record. The production was great; i think "Censorshit" "Heidi Is A Headcase" and "Touring" were the three hits ((although it should be noted "Touring" had been around since at least the "Pleasant Dreams" sessions, underscoring the band's difficulty in writing a dozen simple songs every two years)). I dislike stuff like "Poison Heart" and "Strength To Endure." Not my scene at all.

      9) "Acid Eaters" -- um...tried to like it. Could not. Having C.J. singing lead on three songs, including the album's leadoff track, also did not sit well with me. 

      10) "Adios Amigos" -- not much here. Table scraps. So much outside songwriting influence as to render the final product completely incoherent. I guess C.J.'s songs like "Scattergun" and "Got A Lot To Say" were ok. The Tom Waits thing was kinda decent.

      11) "Greatest Hits Live" and anything else i am missing -- yuck!

      That's my take. Thanks for asking.

    • June 5, 2012 6:24 PM CDT
    • I was'nt even aware of Daniel Rey's involvement with "The Misfits"
      , BUT , READ WHAT HAPPENED , involving Rey , a longtime trusted friend of the band , in the liner notes to Joey's new posthumous solo abum. It's heartbreaking.

      BTW , thank you for making the distinction. The response is overwhelming in just the first 48 hours. It's interesting to see that a lot of people do like the later stuff , or some of it , and why. 
      Thee Wild Wraith said:

      John I am not with you, though I like your support of the Ramones! 


      I personally think the shark jumped on Turn of the Century.  Talk about two great tastes that taste terrible together.  A minimalist band working with Phil was not a good idea (though probably not obviously a bad idea until after the fact). 

      I personally think they jumped back with Pleasant Dreams which is criminally underrated and full of 90% great songs. I see it as the 1st real Joey solo album.  I get why people hate the production but I like it. 

      After Pleasant Dreams there are definitely still moments of greatness.  But a truly great album from start to finish?  Personally I don't see it. 

      There are some good songs on Subterranean Jungle and Too Tough to Die for sure, but there are a helluva lot of filler on them and some plain bad songs. 

      After that it's pretty dire.  Still some good songs to be found here and there for sure like Pet Semetary and Spiderman, but you have CJ singing random songs on the later stuff (why????) and other weird things going on.  I mean on Animal Boy the only good song was written by Richie!  What the hell??

      Then Daniel Rey starts to become involved on and off who is always a kiss of death (see the nu-misfits). 

      Anyway after that ramble, even though it's not technically later I think Pleasant Dreams is their best mid-way album. 

      By default even though I think it's quite weak Brain Drain wins for the later albums just for having Pet Semetary and Merry X-mas on it.   Many people seem to hate those as well but I think they are highlights. 

      I also like random stuff like Daytime D. (I can't say why), Mama's Boy (again I can't say why) and Poison Heart (which is the kind of song I usually despise but for some reason it works for me). 

    • June 5, 2012 6:19 PM CDT
    • I don't know who wrote it , but, it's the only song of theirs I can tolerate.
       If you listen closely  "Sitting in My Room" is not exactly the same , but it's so close....And "Come On Now" sounds a bit like the bridge on "Born To Run". They were tired of being branded as "Formulaic" , and experimented with different songwriting styles. Of course , sometimes , it worked , and sometimes , not.
      Rev. Norb said:

      You are right on "Already Gone" and "Sitting In My Room." The thing is that "Already Gone" is NOT A BAD SONG, probably because it wasn't written by the EAGLES.


      John Battles said:

      REV . NORB ,YOU ROCK.   I  WILL COMMENT ON THIS LATER , MAYBE TOMMORROW. I AGREE ABOUT "YOU SOUND LIKE yOU'RE SICK" AND "SITTING IN MY ROOM".....EVEN THOUGH THE GUITAR PART SOUNDS MORE LIKE "i'M aLREADY gONE" BY tHE eAGLES THAN "The KKK Took My Baby Away"ever sounded like "He's a Whore" by Cheap Trick.

    • June 5, 2012 1:59 PM CDT
    • You are right on "Already Gone" and "Sitting In My Room." The thing is that "Already Gone" is NOT A BAD SONG, probably because it wasn't written by the EAGLES.


      John Battles said:

      REV . NORB ,YOU ROCK.   I  WILL COMMENT ON THIS LATER , MAYBE TOMMORROW. I AGREE ABOUT "YOU SOUND LIKE yOU'RE SICK" AND "SITTING IN MY ROOM".....EVEN THOUGH THE GUITAR PART SOUNDS MORE LIKE "i'M aLREADY gONE" BY tHE eAGLES THAN "The KKK Took My Baby Away"ever sounded like "He's a Whore" by Cheap Trick.

    • June 5, 2012 2:57 PM CDT
    • Bad Girl by the Zakery Thaks. Bad Girl by the New York Dolls. Like a Bad Girl Should by the Cramps. There's gotta be tons more.

    • June 5, 2012 1:57 PM CDT
    • Favorite fuckin song!

      DammitDave said:

      Nitroglycerine Lyrics

      The Gories

      She fights like a cornered animal.
      And she shows all her claws.
      Says all the wrong things to hurt me.
      She just knows them all.
      One second and she's so shy.
      Then she just blows up.
      It's like dropping a stick of dynamite,
      In a Dixie cup.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

      She'll tantalize me.
      Till I got to explode.
      When I'm up there with her.
      You just go go go.
      Then she starts to bite me.
      Man I just don't know.
      She starts taking chunks of flesh.
      Like a dog on a bone.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

      I just don't know.
      What'll happen next.
      Will she want to fight with me, or
      Will she just want sex?
      I say girl you get us killed.
      She just laughs and says,
      Baby, if I die with you,
      It'll be the answer to all my prayers.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

    • June 5, 2012 12:27 PM CDT
    • Here's another one.  I think it was originally done by Frankie Lane but everyone else on earth has done a version, too.

       

      Jezebel.
      Jezebel.

      If ever the devil was born,
      Without a pair of horns
      It was you,
      Jezebel, it was you.

      If ever an angel fell,
      Jezebel,
      It was you.
      Jezebel, it was you.

      If ever a pair of eyes,
      Promised paradise.
      Deceiving me, grieving me,
      Leavin' me blue.
      Jezebel, it was you.

      If ever the devil's plan,
      Was made to torment man,
      It was you,
      Jezebel, it was you.

      'Twould be better I had I never known,
      A lover such as you.
      Forsaking dreams and all,
      For the siren call of your arms.

      Like a demon, love possessed me,
      You obsessed me constantly.
      What evil star is mine,
      That my fate's design,
      Should be Jezebel?

      If ever a pair of eyes,
      Promised paradise.
      Deceiving me, grieving me,
      Leavin' me blue.
      Jezebel, it was you.

      If ever the devil's plan,
      Was made to torment man,
      It was you,
      Night an' day, every way.
      Oh, Jezebel, Jezebel, Jezebel.

    • June 5, 2012 12:24 PM CDT
    • Nitroglycerine Lyrics

      The Gories

      She fights like a cornered animal.
      And she shows all her claws.
      Says all the wrong things to hurt me.
      She just knows them all.
      One second and she's so shy.
      Then she just blows up.
      It's like dropping a stick of dynamite,
      In a Dixie cup.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

      She'll tantalize me.
      Till I got to explode.
      When I'm up there with her.
      You just go go go.
      Then she starts to bite me.
      Man I just don't know.
      She starts taking chunks of flesh.
      Like a dog on a bone.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

      I just don't know.
      What'll happen next.
      Will she want to fight with me, or
      Will she just want sex?
      I say girl you get us killed.
      She just laughs and says,
      Baby, if I die with you,
      It'll be the answer to all my prayers.

      She's volatile.
      She's my baby.
      Nitroglycerine.
      Nitroglycerine.
      Nitroglycerine.

    • June 5, 2012 12:23 PM CDT
    • Sonics - The Witch

    • June 5, 2012 10:06 AM CDT
    • Dr Feelgood - Roxette

      Demonics - She Devils on Wheels

      Man Man - Knuckle Down

      Sonics - Psycho a Go-Go

    • June 5, 2012 8:01 AM CDT
    • isn't there a Teenage Shutdown volume loaded with songs like this? i'd look but i'm nowhere near my records.

    • June 5, 2012 7:57 AM CDT
    • "Gimme Danger" by the Stooges.

    • June 5, 2012 7:22 AM CDT
    • The chick is pure trouble. It's the kind of chick that you know will show you a good time, but will absolutely wear you out or land you in serious trouble.

      Jim Ramirez said:

      Is the song pure trouble or the chicks?

      Bikini Girls With Machine Guns by The Cramps

      What A Way To Die by The Pleasure Seekers

    • June 5, 2012 6:57 AM CDT
    •  

      the theme of songs that'll get ya in trouble w/ yer lady: the Devil Dogs "Get On Your Knees" (my personal fave and accidentally played in my wheels while on a first date with a chick who certainly didn't dig it...)

    • June 5, 2012 2:45 PM CDT
    • A version of this was published in The Santa Fe New Mexican 
      June 1, 2012


      Joey Ramone is back! There’s no stoppin’ this cretin from hoppin’! Ten years after his previous solo album, 11 years after his death, and 16 years after the breakup of the Ramones, Joey’s still beating on the brat with his new smash record, ... Ya Know?



      OK, so much for my audition as a late-night TV record hawker. But this isn’t just a K-tel parody. There really is a new posthumous Joey Ramone record, a follow-up of sorts to 2001’s Don’t Worry About Me. 

      Like that album, ... Ya Know? has high spots, several throwaways, some songs that’ll make you laugh, some that’ll make you sad — though nothing on the new album will strike your emotional chords nearly as hard as Joey’s goofy but sincere cover of “What a Wonderful World,” which appeared on the previous record.

      And no, nothing here matches the power and the glory that was the Ramones, who weaved together sonic threads from sources like The Trashmen, The Ronnettes, and The New York Dolls, spinning a fast, furious, and funny sound that changed the face of rock ’n’ roll — even though they never came close to the commercial success they deserved and desired.

      Ramones flashback: I only got to see them once.

      It was at the 1996 Lollapalooza in Phoenix. The show was held at a dusty, sun-parched snake pit called Compton Terrace. The Ramones took the stage and played a few of their tunes (for some reason, the one I most remember was the “Spiderman” theme).

      In introducing the song “Pet Sematary,” Joey joked that Compton Terrace was built on an ancient pet cemetery. Shortly thereafter, dark clouds gathered and brutal winds began to blow. Stage lights and speakers suspended above the stage began to sway violently. I had frightening visions of Joey, Johnny, and the rest being crushed by giant speakers. But the band left the stage before that could happen. And they never came back, and after the Lollapalooza tour, the Ramones broke up for good.)

      Back to the present: The driving force behind ... Ya Know? was Joey’s brother Mickey Leigh. He assembled a bunch of Joey’s demos and home recordings — some going back decades — in various states of evolution — some reportedly consisting of only vocals and drums. Leigh took the tapes to several producers and twisted the arms of some of Joey’s musician friends to overdub.

      Among the musical contributors on the album are Joan Jett, Handsome Dick Manitoba and Andy Shernoff of The Dictators, Lenny Kaye, Steve Van Zandt, Genya Ravan, Plasmatics guitarist Richie Stotts, Cheap Trick drummer Bun E. Carlos, and Holly Vincent of Holly and the Italians, who does a soulful duet with Joey on the Phil Spector-soaked “Party Line.”

      Considering the patchwork of material here, the sound on ... Ya Know? is remarkably consistent.

      There are a few songs that I have no trouble imagining the Ramones performing. “21st Century” is just a dumb rocker — the Ramones were masters of dumb rockers — in which Joey repeatedly sings about how much he wants some young woman. “I want you in the evening when the moon is full/ I want you in the morning, baby, when you’re off at school.” Similarly, “Eyes of Green” is a song of unrequited lust. The best lines are, “She’s dark and twisted like me/A creature of intrigue/She’s  something that you don’t forget/An ax murderess I bet/And I want her, I want her.”

      Talk about dumb Ramones fun, “I Couldn’t Sleep” is irresistible. It owes obvious debts to early-rock classics like Bobby Lewis’ “Tossin’ and Turnin’” and Little Richard’s “Slippin’ and Slidin’,” but somehow Joey makes it all his own.

      Then there’s “Seven Days of Gloom,” featuring a Stooge-like guitar riff and a chorus in which Joey repeats, “I’ll never be happy.” But, like so many blues songs, the melody and the energy of the tune belie the lyrics. Joey’s professional frustrations surface in “There’s Got to Be More to Life,” another crunching rocker, in which he sings, “There’s got to be more than MTV and fighting with the record company.”

      Another song you can imagine the Ramones doing is “Merry Christmas (I Don’t Want to Fight Tonight).” Come to think of it, the Ramones did do that song, on their Brain Drain album in 1989. This version is radically different, however. It’s slowed down and has a 1950s feel. You can almost envision Joey dueting with Johnny Ace at the annual Rock ‘n’ Roll Heaven Christmas party, perhaps done as a medley with The Casinos’ “Then You Can Tell Me Goodbye.”

      As I said earlier, there are some duds on ... Ya Know?. “Rock ’n’ Roll Is the Answer,” which, unfortunately, opens the album, sounds like warmed-over Bachman-Turner Overdrive. “New York City” could easily be turned into a jingle for a tourism commercial. On “What Did I Do to Deserve You” Joey sounds like a Tom Petty impersonator.

      “Make Me Tremble” makes me cringe. With its acoustic guitar and its opening lines, “Sitting on a mushroom out in the woods/I say now baby, baby, you make me feel good,” this could be Joey’s ode to the back-to-nature singer-songwriter movement of the early ’70s.

      Another acoustic number here is the closing song, “Life’s a Gas.” This pales in comparison to “What a Wonderful World” as a Joey Ramone life affirmation. Still, I’m not so hard-hearted that I’m untouched by it.

      Some critics have complained that ... Ya Know? is nothing but misplaced nostalgia and is an affront to the punk-rock spirit that Joey Ramone helped create.

      I’ve got mixed feelings about that. (Don’t forget that punk rock itself had a nostalgic aspect — wanting to wrest control of rock ’n’ roll from the “art” rockers and singer-songwriters and aging ’60s rock royalty to return the music to its crazy dangerous spirit.) While some of these songs could have remained in the shoe box, there’s enough good material on the album to make me happy it was released.

      Long live Joey Ramone.

    • June 5, 2012 12:19 PM CDT
    • Well, well, you learn something new every day.....!

      D.

    • June 5, 2012 8:06 AM CDT
    • How 'bout PUSSY GALORE's "Biker Rock Loser"? Love this tune, ha!

    • June 5, 2012 6:29 AM CDT
    • Hotties:)

    • June 5, 2012 6:18 AM CDT
    • How about these grooved out babes:):):)!!!!!